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Alternately tragic and comic, an exploration of the complexities of love in both its brightest and darkest corners. Adapted from John Irving's best-selling novel A Widow for One Year, the film is set in the privileged beach community of East Hampton, New York and chronicles one pivotal summer in the lives of famous children's book author Ted Cole (Jeff Bridges) and his beautiful wife Marion (Kim Basinger). Their once-great marriage has been strained by tragedy. Her resulting despondency and his subsequent infidelities have prevented the couple from confronting a much-needed change in their relationship. Eddie O'Hare, the young man Ted hires to work as his summer assistant, is the couple's unwitting yet willing pawn - and, ultimately, the catalyst in the transformation of their lives. Written by
The flashback scene in the car with the boys is supposed to take place during a heavy snow fall, and the back window and tail lights of the car are supposed to be covered with snow, but the window is completely clear. See more »
The sound of it, it was a rear entry position, not that I have a personal problem with that or any other position, but for a child, I imagine, doing it doggishly must seem especially animalistic.
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My wife and I just got back from "The Door in the Floor", and I have to say that I found the film to be complex, deep, and intense. We will be hearing about nominations at Oscar time. There are many, many ways that people react to tragedy, and withdrawing the way that Marion Cole did is certainly common. We have friends that lost their eldest daughter to a congenital heart problem a year and a half ago, and I can tell you that he (the dad) reacted just that way, although he went down the alcoholic route, along with distancing himself from his other two children, because he couldn't face his daughter's death. He finally walked out on the entire family much like Marion did. If you think that it can't happen the way that it did in the film, think again.
The performances by Jeff Bridges and Kim Basinger were spot-on perfect. Henry Fonda once said the secret of great actors was that they never let the audience see the wheels turning. I thought that Jeff's performance was one of his best, maybe even better than he was in "Fearless", although that is certainly arguable. I still liked Kim Basinger better in "L.A. Confidential", but this performance is certainly up there at the top.
I certainly intend to see this again, and will end up buying the DVD for my video library. I just love well-written character-driven dramas, and this is certainly one of the better ones.
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