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Alternately tragic and comic, an exploration of the complexities of love in both its brightest and darkest corners. Adapted from John Irving's best-selling novel A Widow for One Year, the film is set in the privileged beach community of East Hampton, New York and chronicles one pivotal summer in the lives of famous children's book author Ted Cole (Jeff Bridges) and his beautiful wife Marion (Kim Basinger). Their once-great marriage has been strained by tragedy. Her resulting despondency and his subsequent infidelities have prevented the couple from confronting a much-needed change in their relationship. Eddie O'Hare, the young man Ted hires to work as his summer assistant, is the couple's unwitting yet willing pawn - and, ultimately, the catalyst in the transformation of their lives. Written by
Ben Foster was suppose to play the role of Eddie O'Hare, but gave the role to his brother Jon Foster instead because he thought it was better suited for him. See more »
When Eddie takes his luggage out of the car, he only gets a couple of items. He holds them in his right hand, immediately closes the trunk with his left hand. The large bag ends up on the ground, even though it never was removed. See more »
[looks at his glass and realizes he did not used ice cubes for his whisky]
[gets rid of the glass contents]
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As a huge follower of Jeff Bridges' work, I am here to tell you that if you're a fan too, you must jettison yourself out of your chair forthwith and propel yourself immediately to a theatre where this magnificent film is showing.
The Door In The Floor gives Bridges a chance to create a character truly worthy of his subtle (and generally overlooked) brilliance; his organic, from-the-inside-out approach makes what he does seem so effortless, so thoroughly not-like-acting that he's generally hardly given his due, and if he doesn't garner some serious recognition for what he brings to the table here, there's quite simply no hope for the world.
This is a film of deep, devastating power - a film where you, as an audience member, actually share space with the two main characters, Ted and Marion Cole (Bridges, of course, and an equally-brilliant Kim Bassinger, who once again reminds us why she won an Oscar a few years back). We inhabit their crumbled world, from the inside, not just as observers. By the end, we feel as if we have gone through their tragedy with them, and when I left the theatre, I felt as if my life had been changed by sharing with them what I just shared - as if time itself had stopped and left me suspended in there, with them.
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