Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Two men meet up, while travelling north on separate missions. Charlie wants to catch up with the man who has stolen his wife, while Vicente is trying to escape a contract castration. After ... See full summary »
In the 50's, the psychiatrist Max Raphael is hired to work as superintendent of an asylum in the outskirts of London, and he moves with his wife Stella Raphael and their son Charlie. Stella has a passionless marriage and is ignored by Max; her boredom changes when her son befriends the handsome inmate Edgar Stark, an sculptor that in a crisis of jealousy had killed and disfigured his wife, and that is treated by Dr. Peter Cleave, an ambitious psychiatrist that aspired Max's position. During the afternoons, Stella has a hot adulterous affair with Edgar until the day he escapes and their affair is discovered. Stella has to take a decision between her family and her wild passion for Edgar. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Paramount Pictures secured film rights to the book in 1997, the original plan was to bring Stephen King and Jonathan Demme on board as, respectively, Screenwriter and Director. See more »
The story is set in the Summer of 1959. The Mk II Jaguar, as used by Raphael, was only introduced for the London Show in October of that year.
(Please see 'Trivia' item, also). See more »
I want you to understand what's going to happen next. The shock will wear off, and it will be replaced by a devastating grief. In time, you will come to terms with what you have done and you'll just be very, very sad. And that sadness will stay with you for the rest of your life.
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Like an insidious sense of darkness creeping up from the unconscious
One of the factors that can add to the excitement and tension of the adulterous affair is the danger of being caught. Add to that, the fierce and idiosyncratic passion often attributed to artists. Then make the artist a raving psychopath and you have a pretty heady mix.
So finds the story of Asylum, Director David Mackenzie's further foray into shadowy worlds of sexual obsession, violence and madness. Stella (Natasha Richardson) is wearily married to Max (Hugh Bonneville), a psychiatrist working in a 1950s hospital for the criminally insane. He is overbearing to the point of being monstrous (by modern standards), joking to her about her being his 'pet patient' whilst expecting her to be a no-brainer wife who says the right things when introduced socially. In the initial build up, Mackenzie let's us see the smouldering lust in the face of inmate Edgar, who's incarcerated for murdering and decapitating his wife in a jealous rage. Just as he did with his previous movie, Young Adam, Mackenzie excels at portraying barely sublimated animal sensuality, which soon bursts across the screen in a way that is at once base and beautiful. Helen knows how insane Edgar is, and her feelings for him, but she is gradually drawn into his web of madness, together with her son.
Visually splendid in dank, grey tones, Asylum is an explosion of repressed sexuality that is frightening in its force and surprising in its ending. Natasha Richardson is fantastic as an ignored woman with a desire to be desired that wreaks destruction. Morbid, unsettling, erotic and deeply disturbing.
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