4 items from 2017
Following the global success of 2014’s “Godzilla” and this year’s “Kong: Skull Island,” comes the next chapter in Warner Bros. Pictures’ and Legendary Pictures’ cinematic MonsterVerse: an epic action adventure that pits Godzilla against some of the most popular monsters in pop culture history.
The film, which began principal photography on June 19, is being directed by Michael Dougherty (“Krampus”), and stars Oscar nominees Vera Farmiga (“Up in the Air,” “The Conjuring” films), and Ken Watanabe (“The Last Samurai”) and Sally Hawkins (“Blue Jasmine”), both reprising their “Godzilla” roles; Kyle Chandler (“The Wolf of Wall Street,” “Manchester by the Sea”); Millie Bobby Brown (“Stranger Things”) in her feature film debut; Bradley Whitford (“Get Out”); Thomas Middleditch (HBO’s “Silicon Valley”); Charles Dance (HBO’s “Game of Thrones”); O’Shea Jackson Jr. (“Straight Outta Compton”); Aisha Hinds (“Star Trek Into Darkness”); and Golden Globe nominee Zhang Ziyi (“Memoirs of a Geisha,” “Crouching Tiger, Hidden Dragon”).
The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
Dougherty directs from a script he wrote with Zach Shields. The film is being produced by Mary Parent, Alex Garcia, Brian Rogers and Thomas Tull, with Barry H. Waldman, Zach Shields, Yoshimitsu Banno and Kenji Okuhira serving as executive producers and Alexandra Mendes co-producing for Legendary.
Behind the scenes, Dougherty’s creative team includes director of photography Lawrence Sher, whose past credits include “War Dogs” and “Godzilla,” for which he handled additional photography; production designer Scott Chambliss (“Guardians of the Galaxy Vol. 2,” “Star Trek Into Darkness”); editor Roger Barton (“Pirates of the Caribbean: Dead Men Tell No Tales,” the “Transformers” films); costume designer Louise Migenbach (the “X-Men” and “Hangover” films); and Oscar-winning VFX supervisor Guillaume Rocheron (“Godzilla,” “Ghost in the Shell,” and part of the Oscar-winning team behind “Life of Pi ”).
Filming is taking place mainly in Atlanta, Georgia. A presentation of Warner Bros. Pictures and Legendary Pictures, the film is currently scheduled for release in March 2019, and will be distributed in 3D and 2D and in select IMAX theaters by Warner Bros. Pictures, a Warner Bros. Entertainment Company, except in Japan, where it will be distributed by Toho Co., Ltd.
Meanwhile, Tag! You’re It!
Production begins this week on location in Atlanta for the new comedy “Tag,” directed by Jeff Tomsic (Comedy Central’s “Broad City”) for New Line Cinema. The film’s starring ensemble cast is led by Ed Helms (The “Hangover” movies, “We’re the Millers”), Jake Johnson (TV’s “New Girl”), and Hannibal Buress (“Neighbors”), with Jon Hamm (“Baby Driver,” TV’s “Mad Men”) and Oscar nominee Jeremy Renner (“The Hurt Locker, “The Town”).
For one month every year, five highly competitive friends hit the ground running in a no-holds-barred game of tag they’ve been playing since the first grade—risking their necks, their jobs and their relationships to take each other down with the battle cry “You’re It!” This year, the game coincides with the wedding of their only undefeated player, which should finally make him an easy target. But he knows they’re coming…and he’s ready. Based on a true story, “Tag” shows how far some guys will go to be the last man standing.
Tomsic directs from a screenplay written by Mark Steilen (TV’s “Mozart in the Jungle”) and Rob McKittrick (“Waiting”), based on the Wall Street Journal article entitled “It Takes Planning, Caution to Avoid Being It.” The film is produced by Todd Garner, Mark Steilen and Sean Robins, with Hans Ritter serving as executive producer. The creative filmmaking team includes director of photography Larry Blanford, editor Josh Crockett, production designer David Sandefur, and costume designer Denise Wingate.
“Tag” is set for a June 29, 2018, release.
- Michelle Hannett
Bilson and Doubleday will both make their debuts in the back-half of Season 5, which does not have a premiere date yet. The first half of the season wrapped up tonight on Cmt.
“We welcome Rachel and Kaitlin into our incredibly talented ensemble,” said executive producer and showrunner, Marshall Herskovitz. “We fondly anticipate the second half of the season filled with surprising twists and turns that make ‘Nashville’ so beloved by the fans.”
Both roles are undisclosed at this time. However, both actresses announced their casting tonight on Instagram and used clues that could signify something about their characters — Bilson posted a photo of the record label Highway 65, perhaps suggesting she’ll play some sort of music executive or artist, and Doubleday posted an image of the Bluebird Café.
- Elizabeth Wagmeister
I tried to stay silent yesterday when I read about an Overboard reboot but I cannot stand by and watch this happen. It’s like every shred of my youth is getting ripped out of me with these remakes. First Dirty Dancing with Abigal Breslin on network TV and now Overboard with Anna Faris and Eugenio Derbez? Who the hell is Eugenio Derbez? And every single time I see Anna Faris I think of three things: Her Cameron Diaz based character in Lost in Translation, all of the Scary movies, and her in the movie Waiting. That’s it. That’s all. Picturing
I Cannot Sit By And Watch an Overboard Remake Get Made »
- Nat Berman
This is where I'm supposed to summarize the past year, find some overaching theme or thread running through my choices, spot trends, or something along those lines. Instead it's just another mea culpa for my continuing and accelerating estrangement from mainstream pop music. Don't mind me, I'm just a grumpy old fart. But these twenty new albums made me less grumpy.
1. Diiv: Is the Is Are (Captured Tracks)
I enjoyed their first album, and far from a sophomore slump, their second is even better. Sure, I'm heavily predisposed to love bands that conjure a moody '80s vibe with thrumming bass, chiming guitar jangle, and submerged vocals, but this is greater than the sum of those parts, simultaneously updating the sound while tapping into a new level of melodicism for this band.
I wrote about this at length. What can I add now that »
4 items from 2017
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners