While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
On the last night of the fiscal quarter, Dennis, Shenanigan's manager, will be promoted to district manager if they have a $9000 day. To motivate the crew, he tells them the restaurant will... See full summary »
John Michael Higgins,
A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
It's the dinner shift at Shenanigan's. Dan, the clueless boss, assigns Mitch, 22, a trainee, to Monty, the smooth talker who chases girls for one-night stands. Dean, a waiter, also 22, feels that life is passing him by. Dan offers him the assistant manager job and gives him until midnight to decide. Other waiters, cooks, and bus boys have their issues and personalities. Bishop, the dishwasher, is their counselor. During this shift, Monty may learn something, Dean makes his decision, Dan makes a play for the not-yet-18 hostess, customers get their comeuppance, the guys all play the in-house homophobic flashing game, the gals demonstrate why they won't, and Mitch gets the last word. Written by
As an April Fools' Day joke, director Rob McKittrick and actor Luis Guzmán staged a "diva fight" on set. During the filming of the scene where Calvin imagines his co-workers cheering him on at the urinal, Guzmán pretended to ditch a line from the script in favor of his own line. The fight was so realistic that the other actors on set became very uncomfortable and quiet when Guzmán "stormed" out. See more »
During the first shot of the end party sequence, Monty walks out and offers Calvin a beer, walks over to the bar and begins talking to Serena, You can see the High School girls in the background. Cut to close-up of high school girls, enter Serena from the right, follow her left and there is Monty standing at the end of the line. See more »
The difference between ordinary and extraordinary, is that little extra.
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This film is dedicated to the loving memory of Steven "Buddha" Collier. See more »
The people at Shenanigan's restaurant are an old mix of characters, never making their jobs boring by the amount of shenanigans of their own. Mitch is just starting and is taking the tour with Monty. Monty is the friendly yet crazy work mate, making every moment at fun one. Dean has hit a rut and questions why he still works at Shenanigan's, and cant commit with a fellow employee Amy. Dean was also asked if he wanted the assistant manager spot; to much of the content of others. Serena and Monty were dating, but they have a friendship on fake smiles and sarcasms.
The odd mix of characters of waiting make this such a wonderful. It's just not focused upon the three main characters; Monty, Dean and Serena, the background characters have their own personalities and dilemmas, adding so much more story. The development of the characters aren't fully developed, but you can still understand and sympathies to their problems. The characters are clichéd; you have seen a lot of them before; but they are so well placed and interact perfectly; there is a realism to them.
The major point of Waiting is the black humor that runs through it. It doesn't work off big set pieces and outlandish situations to make you laugh, the humor organically comes out of the characters from their dialog. A lot of the dialog is perverse, but it never seems out of place. Waiting does perfectly reflect the relationship between customer and waiter; well i did. Rob McKittrick unashamedly shows this interaction; the smart-ass customer who always complains, the regulars, and what could go behind the walls when the customers push to hard.
Ryan Reynolds brings another eccentric performance forward. He had been stuck with that eccentric ego in a lot of movies; but he does it perfectly and does another great job again. Anna Faris had finally lost that ditsy persona and shows a broader range of acting; bringing a great performance. Justin Long does have a puppy dog face a lot of the time, but really comes forward in the more serious moments. All the other actors as the employees all do wonderful performances, making the background character more interesting.
Waiting is a great black comedy on hospitality that is so painfully funny.
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