When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
Transplanted to Mars, a Civil War vet discovers a lush planet inhabited by 12-foot tall barbarians. Finding himself a prisoner of these creatures, he escapes, only to encounter a princess who is in desperate need of a savior.
After eliminating General Zod & the other Kryptonian arch-villains, Ursa & Non, Superman leaves Earth to try to find his former home world of Krypton after astronomers have supposedly found it. When he finds nothing but remnants, he returns home to Earth - to find out that Lois Lane is engaged to a relative of his boss, and that Lex Luthor is at it again - after swindling an elderly, terminally ill woman. The psychopathic Luthor, whose plans to destroy California failed because of Superman's heroics, vows vengeance against the Man of Steel and contrives a new sinister plot - using the crystals of Krypton to build a continent that will wipe out most of North America! Embedded in the continent's structure is Kryptonite - the lethal substance that is Superman's only weakness. Upon learning of Luthor's sinister scheme, Superman must again race against time to stop the psychopathic Luthor before millions - possibly billions - are killed. Written by
When offered the director's chair, Bryan Singer rejected J.J. Abrams script as too far a departure from the source material. Abrams story re-imagined Superman as a Kryptonian prince sent to earth as a baby to avoid an impending civil war between king Jor-El and his brother Kata-Zor. Raised as Midwestern teen Clark Kent, and in love with his high school sweetheart Lois, Superman becomes humanity's defender when Kata-Zor invades Earth, aided by CIA Agent Lex Luthor, who is actually a Kryptonian in disguise. The film ended with Superman returning to Krypton to rule over his people after the death of Jor-El. Singer disagreed with these changes to one of America's most well-known characters, and decided instead to pursue a storyline to act as both a sequel and a re-make which would honor the character's history, as well as the popular films by Richard Donner. See more »
Young Clark Kent wears glasses because of bad eyesight. His powers first appeared around puberty. The point of the childhood sequence was to show his amazement with his new powers. See more »
You will travel far my little Kal-El. But we will never leave you. Even in the face of our deaths. You will make my strength your own. You will see my life through your eyes as your life will be seen through mine. The son becomes the father, and the father, the - The son.
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The credits contain this statement: "Clarke's Third Law - Profiles of the Future (1973) by Sir Arthur C. Clarke which is a reference to the paraphrasing of the law ["Any sufficiently advanced technology is indistinguishable from magic"] twice in the movie. See more »
The basic premise of Superman Returns is that Superman has returned from an unexplained 5-year absence to find a world that seems to be getting along fine without him, that the woman he loves has moved on and has a family, and that he is- at least in terms of any beings similar to him- completely alone. The amazing thing is, this is the least angst-filled, least melodramatic superhero film in the past 5 years or so. I think the recent trend has been to try to get audiences to empathize with their heroes more by making them more human and actually taking them seriously. Peter Parker battles some very serious demons and is in constant struggle with being Spider-man, the X-Men films are very serious and political and the latest instalment, "The Last Stand," featured some startling and emotionally wrenching revelations, and Batman, well, need I go on?
So, here we have Superman in the first new film in almost 20 years. He has his issues, but unlike all the other Super heroes around, he seems to be very solemn about it all. After all, he is Superman, not Clark Kent; Clark Kent is his mask. Obviously a huge nitpick people will have is that Clark comes back the very, very same day as Superman and not one single idiot in the city of Metropolis seems to notice, right? Well, yes, that bugged me too, at first. But then, the more you think about it, that's just how Clark Kent is designed: completely forgettable (except by Jimmy), always in the background, and always overshadowed by the bigger story, which is Superman. David Carradine has a very great speech about Superman at the end of Kill Bill Volume 2 that justifies everything quite nicely to me, so I suggest seeing that if you haven't already. What this movie does a great job of doing is just showing this classic, iconic super hero doing what he does best: saving the day. There's something so refreshing about finally getting that clear view of Superman for the first time after he saves a planeload of passengers from certain doom, and saying with a smile: "Don't let this turn you off to flying, folks. Statistically it's still the safest mode of transportation."
But that brings us to the actual plot. It goes for simple, safe, repetitive tedious, even? And, honestly, it's the kind of plot that just doesn't justify the runtime. Lex Luthor comes up with a ridiculous plan that even in the world of comic books is pretty hard to swallow. He compares himself to Prometheus, how he is so generous with the "mortals" by sharing his wonderful discovery, though planning on killing billions in the process. Lex obviously forgot the last half of that story, where Prometheus is punished and confined to terrible pain for all of eternity. But maybe that's the point. I mean, we all know from the very beginning Lex won't win, he's doomed to lose, that's just how it's meant to be: Superman wins and Lex loses. Written in the scriptures: is, was, ever shall be, in comic strips, TV shows, feature films, living in an ageless universe, for all eternity.
Bryan Singer is obviously aware of this. Singer also directed X-Men 1&2, and I think his biggest problem as a director is that he lacks a sense of completion in his works. X-Men is not the kind of movie that you watch, and then once it's over, you want to watch it over again. It's the kind of movie that you watch, and then once it's over, you want to see the next one. The X-Men films were each done with the presumption that there would be a next instalment, and that's fine I guess if you like always being on the edge of your seat waiting for the next one, but when his Superman movie does the same thing and drags past the 2-and-a-half hour mark, there's a problem. If nothing else, the movie establishes that Superman is indeed back, and we should expect to see more of him in the future.
Superman Returns is definitely a grand film. It's big, it's loud, it's expensive. I usually don't think to myself, 'hey that looks expensive,' when watching a movie, but I did in this case. It doesn't try for anything new or bold, it doesn't want to, and it's nice to see a super hero movie where the hero is the generic do-gooder, and helps mankind because he really wants to. That's why I think Superman garners more universal appeal than any others. But, honestly, the angsty heroes can be much more interesting. Certainly so with last year's Batman Begins, which I thought was a great, perfect movie, while I though Superman Returns was really good, but probably could have been better.
My rating: 7.5/10
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