When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
Transplanted to Mars, a Civil War vet discovers a lush planet inhabited by 12-foot tall barbarians. Finding himself a prisoner of these creatures, he escapes, only to encounter a princess who is in desperate need of a savior.
After eliminating General Zod & the other Kryptonian arch-villains, Ursa & Non, Superman leaves Earth to try to find his former home world of Krypton after astronomers have supposedly found it. When he finds nothing but remnants, he returns home to Earth - to find out that Lois Lane is engaged to a relative of his boss, and that Lex Luthor is at it again - after swindling an elderly, terminally ill woman. The psychopathic Luthor, whose plans to destroy California failed because of Superman's heroics, vows vengeance against the Man of Steel and contrives a new sinister plot - using the crystals of Krypton to build a continent that will wipe out most of North America! Embedded in the continent's structure is Kryptonite - the lethal substance that is Superman's only weakness. Upon learning of Luthor's sinister scheme, Superman must again race against time to stop the psychopathic Luthor before millions - possibly billions - are killed. Written by
The role of Lex Luthor was always intended for Kevin Spacey. The production schedule was adjusted to accommodate Spacey's six week break from his duties as the Old Vic theater director. See more »
Brutus stops for a moment while walking to play the piano with Jason, so we can see the back of his head. You can see a bit of the tattoo on the back of his head, but you couldn't see any of it before. See more »
You will travel far my little Kal-El. But we will never leave you. Even in the face of our deaths. You will make my strength your own. You will see my life through your eyes as your life will be seen through mine. The son becomes the father, and the father, the - The son.
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The opening credits are seen in a trip through space, from Krypton to Earth, in a manner reminiscent of the Superman opening credits sequence. See more »
" (Viens, Mallika, les liane en fleurs...) Dôme épais le jasmin"
from opera "Lakmé, Acte 1. No 2 - Duetto"
Music by Léo Delibes
(heard during first boat scene with Lex and Kitty) See more »
This movie sought to answer two questions: whether the fictional world of Metropolis still needs Superman; and whether the Man of Steel, essentially an overgrown boy scout, can compete with the darker heroes and anti-heroes dominating the silver screen today (such as Batman and the heroes of the Marvel universe). Thus, the question for both worlds is, "Do we still need Superman?" After seeing the film, I am happy to report that the answer is a resounding, "Yes!" Essentially, this movie pays tribute to that first great film in every single way. While a few myopically see this as "ripping off" the first film or as laziness on the part of the filmmakers, the filmmakers saw themselves as paying tribute to that great film that made us believe that a man could fly (containing as it did everything that makes us love the movies). Thus, it helps to see the film in this context. Thus, if you loved the first film, you will almost certainly love this one.
Much as he did for X-Men and X2, Singer injected the story both with emotional depth and an intriguing and highly relevant thematic subtext that made what could have been just another summer blockbuster filled with mindless action sequences into something much more. Singer made more effective use of the messianic motif than even the first film did, and although I am not a particularly religious person myself, this fits the Superman mythos like a glove, as this is essentially who the character is: a secular messiah.
The high quality acting helped Singer bring this ambitious vision to life. Brandon Routh more than adequately filled the large shoes left by Christopher Reeve, and Richard Donner, the director of Superman: The Movie, wholeheartedly agrees (having said so in an interview with the BBC). Bosworth fittingly played the part of a woman who truly moved on with her life after the man she loved ditched her without so much as a goodbye and displayed true confusion and even bitterness over his vaunted return. Spacey actually outdid Hackman as Luthor, having made him a serious villain that simply exuded hate for the Man of Steel. Finally, Frank Langella and Sam Huntington perfectly filled the roles of Perry White and Jimmy Olsen, respectively.
Still, viewers need to know a few things before watching the movie. Although the movie itself fails to make this explicit, press releases make it quite clear that Singer chose to ignore Superman 3 and 4 and instead concentrate on building a story that takes place following Superman I and II. Keep this in mind when viewing the film, and you will not feel lost.
Also, try to watch the first two films before watching this one. This film pays tribute to Superman: The Movie in every single way (and Superman II in a more subtle way), and picking up on these references will greatly enhance your experience.
Finally, as I hinted before, do not expect a movie jam packed with action sequences. Although the movie certainly contains awe-inspiring special effects and plenty of eye candy in the form of incredible action sequences, the film seeks to make an emotional connection with fans instead of merely titillating them. Much like in the first film, the effects are wisely understated and thus serve the story rather than vice versa. Expect a film of emotional depth instead of a mere action movie.
Enjoy the movie, and happy flying!
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