| Photos (See all 16 | slideshow) | Videos (see all 4) |
| Anne Suzuki | ... | James Ray Steam (voice: Japanese version) | |
| Masane Tsukayama | ... | Eddî Suchîmu-hakase (voice: Japanese version) | |
| Katsuo Nakamura | ... | Dr. Lloyd Steam (voice: Japanese version) | |
| Manami Konishi | ... | Scarlett O'Hara (voice: Japanese version) | |
| Kiyoshi Kodama | ... | Robert Stephenson (voice: Japanese version) | |
| Ikki Sawamura | ... | David (voice: Japanese version) | |
| Susumu Terajima | ... | Freddie (voice: Japanese version) | |
| Osamu Saka | ... | Army General (voice: Japanese version) | |
| rest of cast listed alphabetically: | |||
| Rosalind Ayres | ... | Additional Voices (voice: English version) | |
| Mark Bramhall | ... | Alfred Smith (voice: English version) | |
| Oliver Cotton | ... | Robert Stephenson (voice: English version) | |
| Robin Atkin Downes | ... | David (voice: English version) | |
| William Hootkins | ... | Additional Voices (voice: English version) | |
| Peter Lavin | ... | Additional Voices (voice: English version) | |
| David S. Lee | ... | Jason (voice: English version) | |
| Alfred Molina | ... | Dr. Eddie Steam (voice: English version) | |
| Paula J. Newman | ... | Emma (voice: English version) | |
| Anna Paquin | ... | James Ray Steam (voice: English version) | |
| Moira Quirk | ... | Cliff / Tommy / Additional Voices (voice: English version) | |
| Alan Shearman | ... | Additional Voices (voice: English version) | |
| Patrick Stewart | ... | Dr. Lloyd Steam (voice: English version) | |
| Julian Stone | ... | Additional Voices (voice: English version) | |
| Kim Thomson | ... | Mrs. Steam (voice: English version) | |
| Kari Wahlgren | ... | Scarlett O'Hara (voice: English version) | |
| Rick Zieff | ... | Archibald Simon (voice: English version) | |
Directed by | |||
| Katsuhiro Ôtomo | |||
Writing credits(in alphabetical order) | ||
| Sadayuki Murai | ||
| Katsuhiro Ôtomo | ||
Produced by | |||
| Shinji Komori | .... | producer | |
| Hideyuki Tomioka | .... | producer | |
| Shigeru Watanabe | .... | executive producer | |
Original Music by | |||
| Steve Jablonsky | |||
Film Editing by | |||
| Takeshi Seyama | |||
Art Direction by | |||
| Shinji Kimura | |||
Second Unit Director or Assistant Director | |||
| Shinji Takagi | .... | assistant director | |
Art Department | |||
| Nicolas de Crécy | .... | concept artist | |
| Mitsuo Iso | .... | concept art | |
| Satoshi Iwataki | .... | concept art | |
| Makoto Kobayashi | .... | concept art | |
| Takayuki Masuo | .... | concept art | |
| Kôji Morimoto | .... | concept art | |
| Gorô Murata | .... | concept art | |
| Kenji Teraoka | .... | concept art | |
| Takashi Watanabe | .... | concept art | |
| Noriyasu Yamauchi | .... | concept art | |
Sound Department | |||
| Julie Altus | .... | adr recordist | |
| Alexander Beddow | .... | adr recordist | |
| Tim Boggs | .... | dialog editor | |
| Gary Coppola | .... | additional sound re-recording mixer | |
| Jeffrey Eisner | .... | voice producer (as Jeff Eisner) | |
| Nerses Gezalyan | .... | foley mixer | |
| Mark Harris | .... | digital sound mix technician | |
| J. Stanley Johnston | .... | sound re-recording mixer | |
| John Langford | .... | sound recordist | |
| Frédéric Le Louet | .... | sound recordist | |
| Duke Lim | .... | post sound facilities | |
| Craig Mann | .... | sound re-recordist | |
| Keiichi Momose | .... | sound director | |
| James Moriana | .... | foley artist | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer (as Melissa Hofmann) | |
| Dean St. John | .... | adr mixer | |
| Drew Webster | .... | sound recordist | |
| Jeffrey Wilhoit | .... | foley artist | |
Editorial Department | |||
| Stephen R. Sheridan | .... | color timer | |
Music Department | |||
| Jeffrey Biggers | .... | score mixing assistant | |
| Elizabeth Finch | .... | orchestrator | |
| Bruce Fowler | .... | orchestrator (as Bruce L. Fowler) | |
| Walt Fowler | .... | orchestrator (as Walter Fowler) | |
| Kevin Globerman | .... | digital score recordist | |
| Jason Lloyd | .... | scoring crew | |
| David Low | .... | orchestra contractor | |
| Ladd McIntosh | .... | orchestrator | |
| Alan Meyerson | .... | music producer | |
| Alan Meyerson | .... | score mixing engineer | |
| Alan Meyerson | .... | score recordist | |
| Keiichi Momose | .... | music producer (as Kei Momose) | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzette Moriarty) | |
| Blake Neely | .... | conductor | |
| John Rodd | .... | score recordist | |
| Pieter A. Schlosser | .... | assistant to composer | |
| Pieter A. Schlosser | .... | music editor: temp score | |
| Tom Steel | .... | scoring crew | |
| Bill Talbott | .... | scoring technician | |
| Tom Trafalski | .... | music editor | |
Other crew | |||
| Jeffrey Eisner | .... | voice producer | |
| Marc Handler | .... | writer: English version | |
| Shin'ichi Matsumi | .... | technical director | |
| Rick Zieff | .... | voice director | |
| Recent Posts (updated daily) | User |
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| Physically possible? | elnuino |
| To me this film was totally 'blah' | r_v-dove |
| Good Steampunk Films? | YnEoS |
| Trailers on DVD | sat-yr-9 |
| Totally underrated | Captain-Spaulding |
| 2008 Olympics | fievelb |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb Japan section |
Steamboy has such a rare quality of production values that it almost merits a viewing for the aesthetics alone. But there is a story to the film; and although the hardcore fans of Otomo may have been expecting something a little deeper, and although the pacing and characterization is notably flawed, it still stands as an extremely fun yarn with no shortage of what you'd expect from a classic action/adventure flick. The film, in many respects, is comparable to works like Sky Captain and the Indiana Jones films; a classic storytelling style somewhat augmented for a modern audience.
Numerous characters such as Scarlett and the henchmen are essentially devoid of anything resembling development. Scarlett in particular seems to have had her personal developments skipped or accelerated just to give a comic or emotional foil to Ray and the others, and it sticks out noticeably. She's given the typical "redeeming moment" at the end of the film that has no real grounding or weight considering her screen presence; it comes and goes without making a single ripple in an audience.
Essentially, Steamboy crams too many action set pieces and grand ideas into a story too lightweight to fully support them, and the plot suffers because of it. But it's far from lacking meaning or emotion, so as long as you can detach yourself from expectations you're assured quite a ride.
As a final note, if anyone finds the explicit diatribes concerning science a little distracting, try to keep in mind that they all come from your stereotypical mad scientists types. It becomes somewhat more plausible!