A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
As the Clone Wars sweep through the galaxy, the heroic Jedi Knights struggle to maintain order and restore peace. More and more systems are falling prey to the forces of the dark side as ... See full summary »
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Rei is a young inventor living in the U.K. in the middle of the 19th century. Shortly before the first ever World Expo, a marvelous invention called the "Steam Ball", behind which a menacing power is hidden, arrives at his door from his grandfather Roid in the U.S. Meanwhile the nefarious Ohara Foundation has sent men to acquire theSteam Ball so that they can use its power towards their own illicit ends. Written by
Bruce Osborne <firstname.lastname@example.org>
Early in the first Manchester sequence a pub is seen. It's name is clearly seen as the Rovers Return, which is the name of the pub in the popular Manchester-based TV soap opera Coronation Street (1960). See more »
I was dragged to this movie by my son, knowing of Anime only Totoro, the Cartoon Network Anime shows, and passing things from the web.
I was astounded by the superb quality of the graphics, especial the CGI macro shots, throughout the film. I found myself thinking of people seeing early Disney features in the 1930's. The visuals looking through various magnifying lenses were absolutely incredible!
I was surprised to see how the setting in Victorian England had given me such an easier time visually comprehending familiar scenes, vehicles, etc instead of the usual anime Asian or Space-Age themes I had come to expect. In this way, I feel I was finally able to visually appreciate the quality of the artistry for the first time. Wow! The English dubbing was great, and again helped me appreciate the film. And the storyline was a perfect "Perils of Pauline" tied to a gone-bad "Mad Scientist" tale as seen in Frankenstien, the Invisible Man or any of 1,000 such movies.
I don't understand complaints of the ending "dragging on". *spoiler<?>* If not for the extra-twists in the list 30 min, we would all be complaining that the plot was flat and the ending dragged out of a dustbin. As it was, I burst out laughing at the twist and thought it clever, along with the two more twists including the one just before final credits. If you were taking yourself (as Monday Morning Quarterback) a little less seriously, you would see it was poking fun at the notion of a hero's "heroic moment".
Of course it was a comic book style plot, blowing up the famous historic buildings at the Victorian Exhibition using steam power! I easily accepted and enjoyed the diabolical plot twists for what they were. How can one accept the presence of a 20,000 foot tall steam powered flying rocket (built by a mad scientist and stuffed with secret weapons) and not expect escape bays, rocket packs, secret pods, and trap doors? Lighten up! Doesn't one certainly imply the other?
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