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This is one of the best films ever made! I watched it a few days ago
and i still have the movie running through my head. It is so amazing
that it has a lasting impression.
Once again, Shah Rukh Khan steals the spotlight and does a magnificent performance as the beautiful and sweet Aman Mathur.
By the way, i was thinking "What a funny movie" until the end...it just gets sad. And me being a really sensitive person, wow...it just blows you away. Shah Rukh Khan's brilliant performance will stay with you forever.
I was up at 2.30 in the morning, tissues strewn all around me with tears just pouring down my face. The moment you try to stop crying, another scene comes on and you start again. Seriously, i'm really sensitive so no surprise but i reckon this film was the first film that actually made me cry that much. I just couldn't stop!! This is a must for everyone..including you sensitive people out there! Everyone must watch this film! It's just beautiful and it was actually an eye-opener for me! You've got to cherish whatever you have because who knows...tomorrow may never come.
Well, it is always a bit difficult in Western countries to get to see
Bollywood movies with English subtitles, and though I have made a bit of
effort to spot them in the last few years I wouldn't call myself a
expert - and of course I've grown up with Western rather than Indian
aesthetic standards ingrained. Although as a fan of Baroque Opera, I don't
really have much difficulty with the basic premises of the Bollywood
Having said that, this was possibly the most interesting Bollywood movie I've seen to date - especially in its attempt to incorporate elements of Western pop culture, including several blatant references to American movies, from Grease and a spoofed James Bond to Brad Silberling's City of Angels, which evidently contributed a lot to the way Shahruk Khan's character is handled (including him starting to see things in black and white when he is near dying - that one goes back all the way to Wim Wenders!).
The soundtrack is stunning, and again it's great to see the way the New York setting gives opportunity to mix in some Western elements in an intelligent way. The dance and song numbers are a true joy, and it doesn't hurt that they are better integrated into the plot than in most Indian movies I've seen.
Shahruk Khan is nicely parodying himself - at least, I thought he was... maybe I'm wrong??? :-o - I also particularly enjoyed the running joke about Aman and Rohit being a homosexual couple - one could indeed ask oneself who is really in love with who here? And why exactly does Aman prefer to love vicariously rather than going for the girl himself? It's also perhaps significant that it is Rohit rather than Naina who stays with Aman to the last. I am sure the filmmakers are intelligent enough to be aware of these undercurrents, even if perhaps most audiences aren't!
In any case, watching this movie (with a very sympathetic audience at a foreign film showcase here in Wellington, people who actually laughed in most of the *right* places!) was a pure joy and it makes me happy to see how Indian cinema is finally beginning to be perceived as a legitimate part of international film culture even by Western audiences, rather than just an exotic oddity - something that Chinese and Japanese movies, for instance, have already achieved to a much greater degree!
And now I'm off to buy the soundtrack...
I just can believe that I had opportunity to enjoy this. Kal Ho Naa Ho (If
Tomorrow Never Comes) is an energetic tale about love, love and LOVE! The
plot somewhat predictable (and I better not to rehash it) but Nikil Adhvani
as a director made it with a sense of love and that make this as a warm,
subtle and deeply moving, a great entertainer indeed.
The chemistry between Shahrukh, Preity Zinta and Saif-Ali Khan is so strong. What a fun-tastic acting fiesta. The songs are ear-catchy and added a plus point, not a waste like many Bollywood's movies.
I know KHNH is a good movie when I first read the premise, but I don't realize that this is a very good movie. Just can't believe that this is Nikil Adhvani directorial debut. Okay, enough comment, just watch it and experience the wonderful journey of life and LOVE.
Naina Catherine Kapur (Preity Zinta) lives in New York with her half-Punjabi, half-Catholic family. Her life is burdened with financial problems, bickering among family members, and memories of a dead father. She is a almost always grumpy and cynical, finding nothing to smile about. The only part of her life she likes is her friend Rohit (Saif Ali Khan) who is a fellow student in an MBA program.
Into this drab life of Naina's comes a waft of fresh air in the guise of Aman Mathur (Shah Rukh Khan). Aman, the eternal optimist is the anti-Naina. He invites himself into the homes and hearts of the residents of the cozy Indian neighborhood and eventually, into Naina's life as well. What they don't know is that Aman is harboring a painful secret.
The rest of the movie is about Aman, Naina and Rohit finding love, hope, happiness and ultimately the joy of living.
The feeling I had as I left the theater can be best described as the feel of a woolly blanket on a chilly night. The woolly blanket in this case was around my heart. Kal Ho Naa Ho is by no means perfect. It has its share of illogical moments and cliched scenes. But while watching Indian films, one must get over such hurdles to appreciate them. Or like Naina, we'll be left criticizing everything in sight and forgetting to enjoy the moment. Also we must remember that although its important for the film industry to grow and evolve, its equally as important not to lose what is inherently our Indian identity which is apparent in the songs and the emotional quotient of hindi movies.
That said, for me Kal Ho Naa Ho will go down as one of my all time favorite movies. The performances were wonderful. Shah Rukh Khan gives another performance that will be remembered. He may not be the greatest actor who ever came out of Bombay, but he is one of the few who manages to create characters who seem so friendly and lovable, you would think of him as your own. No one else in the industry has this knack of creating an atmosphere of 'apnapan'. Preity Zinta as Naina is wonderful and a perfect choice for the role. I have no idea how Dharma productions even considered Kareena Kapoor for the role of Naina. Saif Ali Khan is also incredible. Rohit is very similar to Sameer in Dil Chahta Hai but with a lot more emotional depth. I don't care how many times Saif plays that character, I still love him for it and I don't think I'll ever tire of seeing it. Jaya Bachchan who plays Jenny, Naina's mother is incredible in this small role. This character is very real and you can really sympathize with her because of Mrs. Bachchan.
I was very disappointed with the music when it was first released. But the songs grew on me after watching them on screen. The title song is especially good as are Pretty Woman and Mahi Ve. Kuch To Hua hai is also much better on screen. Cinematography is wonderful, another aspect that makes this movie magical. Direction by Nikhil Advani is surprising to say the least. He did an excellent job bringing the story to life. And I will look forward to his next movie. It must have been hard for Karan Johar to give away his story, but Nikhil justified Karan's confidence in him and possibly made a better film than Karan might have. One of the many things I loved about the movie was that it was quite funny. Even during the dramatic moments, I was either laughing or smiling. The screenplay and the dialogues were excellent. Nikhil Advani must have a real talent for comic scenes because they were terrific.
And finally I'd like to commend Karan Johar for writing such a wonderful story with characters that are very down to earth and real. Even though I loved his previous films (Kuch Kuch Hota Hai & Kabhi Khushi Kabhie Gham), Kal Ho Naa Ho is definitely my favorite. I hope we get to experience many more of his wonderful stories that are hopefully made with SRK :) because they are the dream team. If I ever meet Karan Johar, I will shake his hand and give him a hug for creating such a heart warming film.
Watching Indian movies outside of India is something very impossible, everybody speaks about "the famous bollywood movies", but nobody want to release this jewels in Europe. I am so lucky I could see this supermasterpiece at the oriental cinema festival in Barcelon, I couldn't believe what I was watching. The script is stunning, the choreography crazy, the actors are superlative, the music is impressive, the plot turns you on...you can keep inside the characters as I never did. The sound is also impressive. It was like watching Mary Poppins when I was 6 yeras old, during 3 hours I lost the total terms of reality!!!! As the movie has never been exhibited in Spain and there is not copy on DVD we are so "lucky" We could find a pirate copy in a Pakistan supermarket in Barcelon, with perfect sound and image!!!! Well, I hope this message will amaze you to get this movie from....where?
Karan Johar has done it again. This movie is absolutely wonderful. It has it all--comedy, romance, and deep emotions. You have been warned: this is a tearjerker. Don't bother watching it if you hate sensitive films. Shahrukh, of course, is the show stealer. Nobody can ever replace this brilliant star who can transform perfectly into his character. Saif , the underestimated star, is great with comic timing as he was in Dil Chahta Hai, Na Tum Jaano Na Hum, etc. Preity Zinta was good but wasn't as great as she was in Koi Mil Gaya. Jaya has a nice role. Songs are excellent and, in my opinion, the best soundtrack of the year. The portion of "6 din, ladki in" in the second half was a bit of a drag, however. The best part of this movie, though, is its theme. Carpe diem! People are so concerned with their futures that they forget to live the present. God only knows where we'll be tomorrow. Enjoy today before it's too late.
Being one of the first person to watch Kal Ho Naa Ho in my group, I was
constantly battered by the same questions: is it worth it? what would you
compare it to? whats it about? etc.
To answer these and other questions:
Was it worth it: well depending on your perspective of what an entertaining movie should be like, then the answer would either be: 'yes definitely' or 'you will be mad to miss it'. It is so worth watching and with it Karan Johar has confirmed the he is indeed a milestone in Hindi Cinema history. The movie is definitely directed by a another (Nikhil Advani), but it is a Johar camp movie. With the Johar camp you associate a good story, good production, good songs and the 'King Khan'.
What would you compare it to? Well to be honest .nothing. It has the originality of `Kuch Kuch', the splendour of `K3G' and the freshness of `Dil Chaata Hai'; but it cannot be compared to any of these or other movies. It is in a league of its own. The story may start as the run-of-the-mill hindi-cinema story, but just when we begin to get comfortable with it, it takes a turn down another path. Don't get me wrong, it is not a complex story at all - but it is unique and compelling.
Would you watch it again? Well to be honest, I am writing this after having watched it a second time. What is so rare about this movie is that even the second time round I laughed at the jokes, tapped at the music and got emotional in the sad scenes.
What's it about? Well it will not be fair to tell you about it, as it's an experience you should have first hand. But it has its plus points: the comedy is great (both in the gujju digs as well as the 'kantabein' scenes); the music grows on you (maahi ve being the best); the guest appearances of 'charmed' actresses; the acting - excellent all round from SRK to Zinta to Saif to Jaya; along with good direction and production. It also has its negative points - but then so do other movies and I would rather not get into those.
It may not be the DDLJ or Lagaan of hindi cinema, but it's the best movie of the year and definitely a movie that will entertain me for years to come.
Okay I will not give a summary of the film. Enough of that
Straight to the point:
Kal Ho Naa Ho is a fantastic film....definitely worth seeing, and worth
seeing over again.
Shah Rukh Khan does a great job...as usual. I guess nobody else does emotional scenes AND comedy as well as he does. Saif Ali Khan is great. Again as usual, since he plays that role in many of his films, but he holds the story together....!! And Preity...well, it's her year. She rules Bollywood this year. After Koi mil gaya, she comes back in KHNH, with a much stronger role, probably her strongest role since Kya Kehna....and she excels in it. Yes, why was Kareena Kapoor even considered for this role??? Jaya Bacchan is also worth a mention. Nobody else could have played this role. She is fantastic!!! The special appearances make the film...well...special!!!Some of us would go see any film for 5 seconds of Kajol....especially next to Shah Rukh!!! And all credits to Karan Johar and Nikhil Advani. To Karan for coming up with the film, trusting Nikhil and making it happen, and to Nikhil for a first-class job in his first direction... And the music is wonderful...Shankar-Ehsaan-Loy definitely establishing themselves further in Bollywoodland. And Farah Khan plays her usual magic with the choreography, especially for the song Kuch to Hua Hai, which will keep you giggling in your seat...
Now the loopholes: Why do all Caucasian looking people in America speak Hindi (with an awful accent as well), especially when some of the Indians sometimes afford to speak English!!??!! Why could they not spend some more time and effort to make Shah Rukh mime his rap words well in the Pretty Woman song?? Why, when Saif and Preity find out about Shah Rukh, they both seem more worried about their love lives than their friend's....well...LIFE!!! Why did I leave the cinema feeling that if Shah Rukh was given a dialogue full of hope before then end of the film, I'd have felt better...coz surely that was the point of the film: hope. I felt that the last 20 minutes were not well-explored enough...and too sketchy. One second SRK and Preity love each other, and the next she's still getting married...Why are we not shown the process that goes in between. It would have been good, emotional, and more realistic...
But maybe I'm just moaning about details. Maybe I am being a bit of a Naina Catherine Kapoor....So, I'll end on this note rather...
Seen in the broader context of Indian Cinema, this film is a proper landmark....It's a perfect blend of the East and the West. After rather unsuccessful attempts at copying American Pie-style comedy in Indian films, SOMEBODY finally showed us what it takes to make a success of this kind: A modern comedy (hilarious jokes) with modern direction (cool style of story-telling, I thought) in a true Indian setting. Modern music, but perfectly blended with Indian melody and lyrics. This film will take Indian comedy to new heights. And takes the East-West blend to new heights. And it takes a great film to do that...
And it will leave u, not just proud of being Indian, but of being a Western Indian. Perfect blend....
What can you say about this movie? The makers have ensured that they
have greased the wheels properly before the turkey was served.
Lets look at the few aspects of the movie::
01. Story: Nothing new but well-presented. And obviously the "Anand" factor was a diversion.
02. Characters: All of them etched out well. Be it talented Jaya Bachchan, Sushma Seth, Lillette Dubey, Sweetu, Rajpal Yadav or the highlight Kantaben. Simone Singh was good as well - she attempts a bit of skin-show, desperately wanting to break-free from the Heena image.
03. Comedy: Comedy tracks have been really worked upon. There are many pokings at Gujju's directly (the audience on both my sides appeared threatening!) - but in spite of that the G.U.J.J.U. song makes up for all the damage. Clever, very clever. Kantaben was good and so was Satish Shah (and his English).
04. Location: The movie is a proper New York Darshan bus. The trivial mistakes about jogging to Central Park from Queens can be easily overlooked in the age where the scripts have crater sized holes.
05. Music: S-E-L have given one of their best compositions to date. Be it the title song or Mahi Ve - all of them stay with you for a long time. My favourite is Its the time to disco, Vasundhara Das rocks (she bring out the voice of Nazia Hassan).
06. Lyrics: The title song is definitely Javed Akhtar caliber. For the rest he should give the credit to a pseudonym.
07. Spl. Appearances: Sonali Bendre and Sanjay Kapoor have extended special appearances. And in blink-an-miss appearances by Kajol & Rani (lucky mascots of Karan Johar), Uday Chopra and Jugal Hansraj.
08. Protagonists: SRK plays his part extremely well in the author backed role as "the good Samaritan", however does succumb to a bit of his usual hamming. Saif proves yet again that he is a dependable actor and at times can steal the show right under the nose. His performance at the restaurant (proposing scene) is wonderful. Preity does full justice to her character (Kareena - sour grapes! sour grapes!).
09. Tracks: In fact the movie is full of tracks but interesting ones. Be it Kantaben, Simone Singh, the wrong house, 7-day proposing, Sweetu, revamping of the restaurant or Gia's adoption track. The director has just done a good copy-paste of it.
The makers have ensured that there is maximum utilisation of resources at all fronts. For a first-timer Nikhil Advani has done a commendable job, obviously under the baton of Karan Johar who ensured that Yash Johar films flag remains high and rising.
Definitely worth a watch.... with family.
PS: Its interesting to see that from time to time, SRK acknowledges Aamir Khan in his movies (here the Lagaan song and in K3G the Ghulam matchstick).
When I first saw "Kal Ho Naa Ho", I was surprised by the extremely
modern way that was used to illustrate the film. I liked to see the
Indian actors walking through New York's streets, and having an
ordinary life of American, or at least Indian-American people. The film
was a wonderful comedy/drama about NRIs, which makes it very special,
because none of the Indian films about NRIs in the past have done it as
convincingly as this one. It portrays the life of New Yorkers in a
rather satirical, but realistic way.
The first part of the film was very nice, funny and entertaining. I liked the well-written characters. Naina (Zinta) is an angry insecure and square girl who has no life. Her friend Rohit (Saif) is a cool guy with a gold heart, but without self confidence. Jennifer is a weary working woman, while her mother in-law Lajjo is a typical Punjabi mother in-law. The film is interesting and flows well, and then suddenly from nowhere comes Aman (Shahrukh), a happy-go-lucky guy who seems to have no problems in life, but he does want to solve the problems in Naina's family when he meets the rather complicated girl, whom he falls in love with the first moment he sees her. The character of Aman adds a lot of comedy and humour to the film. Aman tries to get close to her and then, when she finally understands she is in love with him, he rejects her! It is weird, but then we get the real secret disclosed. Aman knows he cannot be with Naina so he tries to serve as a matchmaker between Naina and... Rohit, who also fell in love with her! A typical "Karan Johar love triangle" indeed. But it is not, it is done in a very different and charming way.
Up until that point I really loved the film. The really big problem comes in the fourth quarter of the film: It is so so slow! This is a realistic, but overly cheesy and probably the longest sequence of its sort to have been made in recent years in Bollywood.
Anyway, the direction of Advani is very good. The music is out of this world and every song contributes to the film in its own way. The dialogues are nice, intelligent and never go over the top, which is great. Cinematography is terrific, editing is good, sound is superb (mainly because it's live sound), and acting is natural throughout.
Shahrukh Khan is OK. His comic timing is fantastic, but in some moments he overacts. Saif Ali Khan is the film's biggest surprise. After Dil Chahta Hai, he makes it big one more time with a terrific performance. Note the scene when Naina tells Rohit about loving Aman and his expressions. Preity was brilliant, and delivers a great performance. It goes without saying that she is the best choice for this role. She had given better performances than this one before, but she comes with a very credible performance all through, especially toward the end. Jaya Bachchan shows how much this industry missed her and what a wonderful actress it lost during the two past decades. She is natural, and slips into her character in an extremely convincing way.
There were undoubtedly too many emotions, but Kal Ho Naa Ho works wonderfully as a complete entertainer. It has a nice, quite innovative script in terms of writing style and the background of the characters. The makers paid attention to the American style and environment of the film, and I found the contradiction between the bright, free of worry New York and the tear-jerking proceedings of the story toward the end very interesting.
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