In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
A.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new ... See full summary »
In this prequel set one year after the fourth World War, cyborg and hacker extraordinaire Motoko Kusanagi from the military's 501st Secret Unit finds herself wrapped up in the investigation of a devastating bombing.
The year is 2030 and an influx of refuges have effortlessly transformed themselves into a terrorist organization known as the Individual Eleven. With a sadistic intent of mass destruction, ... See full summary »
In the year 2027, a year following the end of the non-nuclear World War IV, a bomb has gone off in Newport City, killing a major arms dealer who may have ties with the mysterious 501 ... See full summary »
The anime's story is set in 2027, one year after the end of the fourth non-nuclear war. New Port City is still reeling from the war's aftermath when it suffers a bombing caused by a ... See full summary »
Batô is a living cyborg. His whole body, even his arms and legs, are entirely man-made. What only remains are traces of his brain and the memories of a woman. In an era when the boundary between humans and machines has become infinitely vague, Humans have forgotten that they are humans. This is the debauchery of the lonesome ghost of a man, who nevertheless seeks to retain humanity. Innocence... Is what life is. Written by
This is the first ever anime film to be nominated for the Palme d'Or in the Cannes International Film Festival in 2004. It is the 6th animated film to enter the competition at Cannes. See more »
During the forensics examination, one of the computer screens misspells "research" as "RESAERCH". See more »
Still with me, pal?
[with his head between his hands, looking to the floor]
All I could see... were my wife and daughter's faces.
That wasn't your wife or daughter. It was Death.
See more »
A visually stunning journey through ethics and philosophy of artificial intelligence.
The first thing that must be said about this film, is that the visuals and imagery are breathtaking. Yet it does not rely solely on our awe. The plot, although very complicated and often convoluted, is rich and laden with allegories, philosophy, analysis and even theology. At first glance, the characters appear to be static and somewhat stoic, but when one thinks about it, the characters are that way to represent the similarities we share with "dolls." Does an effigy infused with meaning and symbol constitute as a being on it's own accord? Or are we simply defined by the mere fact that we are alive? The film is laden with imagery suggesting the war/hybridization of: nature vs. machines/synthetic life, how machines mimic nature, how tradition becomes assimilated by it, and how reality may or may not be a virtual construct based on our own perspective. This is an intellectual, symbolic film that not only gives eye-candy galore, but also delivers more cerebral fare than most films. Although the characters are ultimately forgettable (save the expressive dog owned by Bateau,) one can perceive that too as being a tool to suggest that ultimately, we are all drones living our predictable lives...perhaps unaware of more intricate powers and forces surrounding us. Whether you watch this film for the state-of-the-art visuals or the perceivably potent content, I recommend this film enthusiastically for anyone who would like to think...or just say "ah" at the incredible scenery.
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