In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
A.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new ... See full summary »
In this prequel set one year after the fourth World War, cyborg and hacker extraordinaire Motoko Kusanagi from the military's 501st Secret Unit finds herself wrapped up in the investigation of a devastating bombing.
The year is 2030 and an influx of refuges have effortlessly transformed themselves into a terrorist organization known as the Individual Eleven. With a sadistic intent of mass destruction, ... See full summary »
"Memories" is made up of three separate science-fiction stories. In the first, "Magnetic Rose," four space travelers are drawn into an abandoned spaceship that contains a world created by ... See full summary »
Batô is a living cyborg. His whole body, even his arms and legs, are entirely man-made. What only remains are traces of his brain and the memories of a woman. In an era when the boundary between humans and machines has become infinitely vague, Humans have forgotten that they are humans. This is the debauchery of the lonesome ghost of a man, who nevertheless seeks to retain humanity. Innocence... Is what life is. Written by
When Batou and Togusa are exploring Kim's mansion, Batou finds a figure that resembles Motoko Kusanagi's appearance from Ghost in the Shell (1995), along with a row of numbered cards reading "2501". In the original Ghost in the Shell, Project 2501 was the code name given to the Puppet Master project and became the code Batou and Kusanagi agreed to use when they wanted to contact one another. See more »
During the forensics examination, one of the computer screens misspells "research" as "RESAERCH". See more »
Section 9 Department Chief Aramaki:
I ordered you to conduct an investigation. I never said skip the paperwork and act like vigilantes. I certainly don't recall ordering you to barge into any Yakuza office. This isn't the jungle and you're not Special Forces hit men.
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On the surface this is the story of an investigation of sex bots that kill, in reality this is an examination of what it means to be alive and to experience the world. Its a head trip.
I'm finding it hard to express what I feel about this film. Visually this film pushes animation and visual story telling to new places. I know that some of the look of this film can be found in video games but never has the current state of art on many levels been brought together to rattle, nay destroy, the cage of the status quo. Much of this film had my jaw hanging open, often with tears welling up at the beauty of the imagery. This film rocks and then some. The computer generated worlds of Immortel and Sky Captain are blown away by the magic worked here.
The plot is too murky. Frankly, I was lost half way into the movie as to what the plot was, however I was seriously getting off on the visuals and most of all the ideas that were being batted about. How do we know whats real and what isn't? This film makes it very clear that we can never know, nor can we know what it is to be alive. Certainly not all of it works but enough does, and all I can say is wow.
I have no idea how to adequately rate this film. I'm sure some people will find it form over substance and others will think little of the visuals. Me they rocked my world and I gave it a 9 out of 10, but I'll add that your mileage may vary.
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