Ghost in the Shell 2: Innocence (I) (2004)
"Innocence" (original title)

In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.

Director:

Mamoru Oshii

Writers:

Masamune Shirow (comic "Koukaku-Kidoutai"), Mamoru Oshii (screenplay)

Stars:

Akio Ôtsuka, Atsuko Tanaka, Kôichi Yamadera

2 wins & 7 nominations.

Cast

Credited cast:
Akio Ôtsuka	...	Batô (voice)
Atsuko Tanaka	...	Major Motoko Kusanagi (voice)
Kôichi Yamadera	...	Togusa (voice)
Tamio Ôki	...	Section 9 Department Chief Aramaki (voice)
Yutaka Nakano	...	Ishikawa (voice)
Naoto Takenaka	...	Kim (voice)
Rest of cast listed alphabetically:
Gou Aoba	...	(voice) (as Go Aoba)
Eisuke Asakura	...	(voice)
Robert Axelrod	...	Koga / Lin (voice)
Richard Cansino	...	Man / Security 1 / Wakabayashi / Yakuza 1 (voice)
Joey D'Auria	...	Kim (voice)
Erik Davies	...	Azuma (voice)
Stoney Emshwiller	...	Guard / Terrorist (voice)
Richard Epcar	...	Batou (voice)
Crispin Freeman	...	Togusa (voice)

Storyline

Batô is a living cyborg. His whole body, even his arms and legs, are entirely man-made. What only remains are traces of his brain and the memories of a woman. In an era when the boundary between humans and machines has become infinitely vague, Humans have forgotten that they are humans. This is the debauchery of the lonesome ghost of a man, who nevertheless seeks to retain humanity. Innocence... Is what life is.

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Plot Keywords:

cyborg | detective | future | philosophy | cyberspace | 

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Taglines:

Sore wa inotchi innosensu ('Innocence is Life')

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Genres:

Animation | Drama | Sci-Fi | Thriller

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Motion Picture Rating (MPAA)

Rated PG-13 for violence, disturbing images and brief language

Details

Official Sites:

Go Fish Pictures - Teaser Site [us]

Country:

Japan

Language:

Japanese Cantonese English

Release Date:

6 March 2004 (Japan)

Also Known As:

Ghost in the Shell 2: Innocence

Box Office

Opening Weekend:

$317,722 (USA) (17 September 2004)

Gross:

$924,482 (USA) (29 October 2004)

Company Credits

Production Co:

Bandai Visual Company, Buena Vista Home Entertainment, DENTSU Music And Entertainment

Technical Specs

Runtime:

100 min

Sound Mix:

DTS-ES Dolby Digital EX

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The language spoken by LocusSolus's mainframe computer regarding security/virus alert is Cantonese.

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Goofs

During the forensics examination, one of the computer screens misspells "research" as "RESAERCH".

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Quotes

[first title cards]: In a future time when most human thought has been accelerated by artificial intelligence and external memory can be shared on a universal matrix, Batou, an agent of the elite Section 9 Security Force and a being so artificially modified as to be essentially cyborg, is assigned, along with his mostly human partner, Togusa, to investigate a series of gruesome murders.

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Connections

References Max Headroom (1987)

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Soundtracks

"Follow Me"
(Theme Song)
Music by Joaquín Rodrigo (as J. Rodrigo)
Lyrics by Herbert Kretzmer (as H. Kretzmer) / Hal Shaper (as H. Shaper)
Ediciones Joaquin Rodrigo, Madrid
Arranged by Kenji Kawai
Sung by Kimiko Ito
Courtesy of VideoArts Music
(from "Concierto de Arnjuez")

User Reviews

Impressive sequel to an anime cyberpunk classic

A new Japanese cyberpunk masterpiece that makes the original GiTS look primitive by comparison. Mamoru Oshii and his crew did a masterful job creating a worthy successor to their 1995 adaptation of Masamune Shirow's original manga.

As in the original movie – as well as in that other quintessential proto-cyberpunk movie, Blade Runner – the movie explores human nature in a world that is becoming more technological all the time, to a point where people ARE technology, the boundaries are rapidly fading away. What does it mean to be human? If we join with technology, would we become something else? Should we welcome it, or fear it? Will humanity lose or gain from the changes?

After the events of the first movie, Major Motoko Kusanagi has seemingly disappeared; focus of the second movie has shifted to Bateau, who is still working for the secret government "Section 9". This is by no means a bad thing, since Bateau is at least as interesting a character as Kusanagi ever was. Going beyond your basic cyberpunk cyborg tough guy with attitude, he is very intelligent, and has some nice human touches (like the dog he loves taking care of). At various points he and other characters routinely indulge in philosophical debate, often quoting literature, from Milton to biblical psalm verses. Just to say this isn't your typical sci-fi action movie, although there is some action, and when it comes, it's fast, brutal & violent.

The actual plot involves an incident with a sophisticated robotic "pleasure model", if you will, gone berserk. The investigation leads us through the darker parts of near-future Japanese society, including yakuza, companies with questionable ethics, and mysterious hackers.

Visually, the movie is stunningly beautiful, using a combination of traditional cell animation and state of the art CGI. Many of the movie's backgrounds are gorgeous to just look at; even dark and dirty back alleys are shown so rich in color and detail, you could gaze at them all day. Like in the first movie, Oshii lets the movie halt at times, immersing the viewer in the richly detailed world he created. Many of the computer screen readouts resemble those seen in Oshii's "Avalon" a lot – which again is not a bad thing, as they look both high-tech and yet elegant & artistic.

Last but not least, the music by Kenji Kawai is hauntingly beautiful, adding more layers to the sophisticated richness of it all.

I cannot recommend this movie highly enough. Anyone who likes science fiction, anyone who was blown away by movies such as Blade Runner and of course the first "Ghost in the Shell" (which you should see before watching this one) will enjoy this.