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Ghost in the Shell 2: Innocence (I) (2004)
"Innocence" (original title)

7.6
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Ratings: 7.6/10 from 20,954 users   Metascore: 66/100
Reviews: 95 user | 119 critic | 26 from Metacritic.com

In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.

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Writers:

(comic "Koukaku-Kidoutai"), (screenplay), 1 more credit »
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Title: Ghost in the Shell 2: Innocence (2004)

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Cast

Credited cast:
Akio Ôtsuka ...
Batô (voice)
Atsuko Tanaka ...
Kôichi Yamadera ...
Togusa (voice)
Tamio Ôki ...
Yutaka Nakano ...
Ishikawa (voice)
...
Kim (voice)
Rest of cast listed alphabetically:
Gou Aoba ...
(voice) (as Go Aoba)
Eisuke Asakura ...
(voice)
...
Koga / Lin (voice)
...
Man / Security 1 / Wakabayashi / Yakuza 1 (voice)
Joey D'Auria ...
Kim (voice)
...
Azuma (voice)
...
Guard / Terrorist (voice)
...
Batou (voice)
...
Togusa (voice)
Edit

Storyline

Batô is a living cyborg. His whole body, even his arms and legs, are entirely man-made. What only remains are traces of his brain and the memories of a woman. In an era when the boundary between humans and machines has become infinitely vague, Humans have forgotten that they are humans. This is the debauchery of the lonesome ghost of a man, who nevertheless seeks to retain humanity. Innocence... Is what life is. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

cyborg | section 9 | detective | gun | parade | See more »

Taglines:

Sore wa inotchi innosensu ('Innocence is Life') See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, disturbing images and brief language | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

| |

Release Date:

6 March 2004 (Japan)  »

Also Known As:

Ghost in the Shell 2: Innocence  »

Box Office

Opening Weekend:

$317,722 (USA) (17 September 2004)

Gross:

$924,482 (USA) (29 October 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The opening sequence shows two cybernetic bodies angled so as to show two pairs of legs joined at the hip. This is a reference to the doll sculptures created by the German surrealist Hans Bellmer in the 1930's, and at one point in the film a book by Bellmer can be seen. See more »

Goofs

During the forensics examination, one of the computer screens misspells "research" as "RESAERCH". See more »

Quotes

[quote]
Bateau: "The less one forgets, the less one can remember."
See more »

Connections

Featured in Animation Lookback: Top 10 Best Animated Sequels (2011) See more »

Soundtracks

Follow Me
(Theme Song)
Music by Joaquín Rodrigo (as J. Rodrigo)
Lyrics by Herbert Kretzmer (as H. Kretzmer) / Hal Shaper (as H. Shaper)
Ediciones Joaquin Rodrigo, Madrid
Arranged by Kenji Kawai
Sung by Kimiko Ito
Courtesy of VideoArts Music
(from "Concierto de Arnjuez")
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Strong sequel that stands on its own
2 January 2005 | by (rochester ny usa) – See all my reviews

I agree with an earlier reviewer that both hardcore Oshii fans and narrow-minded American viewers are missing the point by not viewing this movie on its own terms. In many ways, it's more thoroughly conceived, and less action-justified (more thoughtful) than Ghost in the Shell. For me, it progressed naturally from its predecessor: Where Ghost in the Shell asks questions about the nature of human individuality, Innocence asks the next set of questions, about human existence. And it asks them in ways so much more directly pertinent to our own lives than utterly fantastic treatments like the Matrix films and silly diversions like The Butterfly Effect.

The ideas of the story are genuinely original, and thoroughly conceived. I don't think I've ever seen a science fiction film that was as true to the real spirit of the genre as this pair; Japan in general seems to take science fiction much more seriously than any western film-culture, and so out of Japan we get real, serious attempts to tell science-fictional stories, filled with real ideas and real characters, instead of the Bat-Durstonized monstrosities we get in the west.

For me, the integration of 2D and 3D elements was jarring; but the story stands on its ideas and the strength of its plot.


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