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Ghost in the Shell 2: Innocence (I) (2004)
"Innocence" (original title)

7.6
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Ratings: 7.6/10 from 21,754 users   Metascore: 66/100
Reviews: 95 user | 119 critic | 26 from Metacritic.com

In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.

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(comic "Koukaku-Kidoutai"), (screenplay), 1 more credit »
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Title: Ghost in the Shell 2: Innocence (2004)

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Cast

Credited cast:
Akio Ôtsuka ...
Batô (voice)
Atsuko Tanaka ...
Kôichi Yamadera ...
Togusa (voice)
Tamio Ôki ...
Yutaka Nakano ...
Ishikawa (voice)
...
Kim (voice)
Rest of cast listed alphabetically:
Gou Aoba ...
(voice) (as Go Aoba)
Eisuke Asakura ...
(voice)
...
Koga / Lin (voice)
...
Rescued Girl (voice)
...
Man / Security 1 / Wakabayashi / Yakuza 1 (voice)
Joey D'Auria ...
Kim (voice)
...
Azuma (voice)
...
Forensics Chief (voice)
...
Guard / Terrorist (voice)
Edit

Storyline

Batô is a living cyborg. His whole body, even his arms and legs, are entirely man-made. What only remains are traces of his brain and the memories of a woman. In an era when the boundary between humans and machines has become infinitely vague, Humans have forgotten that they are humans. This is the debauchery of the lonesome ghost of a man, who nevertheless seeks to retain humanity. Innocence... Is what life is. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

When machines learn to feel, who decides what is human... See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, disturbing images and brief language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

6 March 2004 (Japan)  »

Also Known As:

Ghost in the Shell 2: Innocence  »

Box Office

Opening Weekend:

$317,722 (USA) (17 September 2004)

Gross:

$924,482 (USA) (29 October 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The 5-minute parade sequence took a year to complete. See more »

Goofs

During the forensics examination, one of the computer screens misspells "research" as "RESAERCH". See more »

Quotes

Section 9 Department Chief Aramaki: I ordered you to conduct an investigation. I never said skip the paperwork and act like vigilantes. I certainly don't recall ordering you to barge into any Yakuza office. This isn't the jungle and you're not Special Forces hit men.
See more »

Connections

References Max Headroom (1987) See more »

Soundtracks

Follow Me
(Theme Song)
Music by Joaquín Rodrigo (as J. Rodrigo)
Lyrics by Herbert Kretzmer (as H. Kretzmer) / Hal Shaper (as H. Shaper)
Ediciones Joaquin Rodrigo, Madrid
Arranged by Kenji Kawai
Sung by Kimiko Ito
Courtesy of VideoArts Music
(from "Concierto de Arnjuez")
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A visually stunning journey through ethics and philosophy of artificial intelligence.
9 December 2004 | by (Canada) – See all my reviews

The first thing that must be said about this film, is that the visuals and imagery are breathtaking. Yet it does not rely solely on our awe. The plot, although very complicated and often convoluted, is rich and laden with allegories, philosophy, analysis and even theology. At first glance, the characters appear to be static and somewhat stoic, but when one thinks about it, the characters are that way to represent the similarities we share with "dolls." Does an effigy infused with meaning and symbol constitute as a being on it's own accord? Or are we simply defined by the mere fact that we are alive? The film is laden with imagery suggesting the war/hybridization of: nature vs. machines/synthetic life, how machines mimic nature, how tradition becomes assimilated by it, and how reality may or may not be a virtual construct based on our own perspective. This is an intellectual, symbolic film that not only gives eye-candy galore, but also delivers more cerebral fare than most films. Although the characters are ultimately forgettable (save the expressive dog owned by Bateau,) one can perceive that too as being a tool to suggest that ultimately, we are all drones living our predictable lives...perhaps unaware of more intricate powers and forces surrounding us. Whether you watch this film for the state-of-the-art visuals or the perceivably potent content, I recommend this film enthusiastically for anyone who would like to think...or just say "ah" at the incredible scenery.


34 of 46 people found this review helpful.  Was this review helpful to you?

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