When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their daughter, Arrietty, is discovered.
College student Hana falls in love with another student who turns out to be a werewolf, who dies in an accident after their second child. Hana moves to the rural countryside where her husband grew up to raise her two werewolf children.
A love story between an 18-year-old girl named Sophie, cursed by a witch into an old woman's body, and a magician named Howl. Under the curse, Sophie sets out to seek her fortune, which takes her to Howl's strange moving castle. In the castle, Sophie meets Howl's fire demon, named Karishifâ. Seeing that she is under a curse, the demon makes a deal with Sophie--if she breaks the contract he is under with Howl, then Karushifâ will lift the curse that Sophie is under, and she will return to her 18-year-old shape. Written by
Symbols and metaphors are rampant in this story. The Castle is representative of Howl himself, a highly powerful yet disorganized mess, with a lot of baggage. The black gateway on the portal/dial is the way to Howl's psyche and unconscious, which he keeps himself immersed in. Calcifer, the fire, is of course the heart, quite literally. Markl could be understood as the innocent childlike part of Howl. Sophie starts by organizing things in the Castle, wins over Markl, as well as Calcifer. At the end, she is able to help Howl finally when the ring Howl gave her leads her to his innermost self, the black gateway on the dial.She visits his past, and finally is able to help him reconcile his past, his feelings(his heart) to his present state. See more »
When Sophie leaves her bedroom, her dress has turned from green to blue. However, she couldn't have changed dresses because none of them would fit her after she was transformed (wider, much shorter, etc.). See more »
In a time of war and falsity here it is a dancing poetry from Japan against all the cruelty and pain. The moving castle leads us to a magic place where life has a strong value and elderly people have an important role to play. Also in an apparent hostility or in a scarecrow, Hayao Miyazaki gives us the chance of finding a friend and not letting the dream go down. The perfect technique and the emotional stream are in complete harmony. If the jury of the Venice Film Festival had been more far-seeing, it would have given a more prestigious prize to this masterpiece.
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