With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
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Umay is a young woman of Turkish descent, fighting for an independent and self-determined life in Germany against the resistance of her family. Her struggle initiates a dynamic, which results in a life-threatening situation.
In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants to end it all. Sibel a 20-something female from Hamburg wishes to please her Turkish parents yet yearns for freedom. She has had her nose broken by her brother for being seen holding hands with a boy and yet she can not break her mother's heart and run away. She too attempts suicide and she first approaches Cahit there at the Hospital. Sibel asks Cahit to marry her, as she believes this to be the way out of her parent's house. She promises Cahit that their relationship will be like roommates, not like a married couple. The film follows Sibel and Cahit as they get married, become closer and eventually fall in love. Written by
As the film started to pick up awards at international film festivals, leading actress Sibel Kekilli was "outed" by the German tabloid press for being a former porn star. Kekilli responded to this by reproaching the tabloids for "media rape" at the 2004 Bambi Awards, during her acceptance speech. See more »
The psychiatrist at the beginning of the film tells Cahit about a song by the band The The containing the line "If you can't change the world, change your world". The actual quote (from the song "Lonely Planet", included in the album "Dusk") is "If you can't change the world, change yourself". See more »
Gegen Die Wand is a major success of Turkish cinema, or rather Turkish and German cinema together. Yet another masterpiece created by Turkish-German synergy after the outstanding Lola + Bilidikid. Of course that one is more "subculture specific", but in the end the two deal with the lives of German Turks who are both German and Turkish, or more like neither German nor Turkish. So it seems like Turks and Germans can create great things together when they give up the Gastarbeiter vs. local attitude ;-)
Faith Akýn must be congratulated for his cast selection! Nobody could play Sibel better than Sibel Kekilli. Apparently, she doesn't only act, she adds something from her actual life. One way or another, she deserves an Oscar with her performance! The others are nowhere behind her, especially Birol Ünel makes you feel for his character. The "German Turks subculture" depiction is brutally realistic too. I don't think anyone shall have a single bad thing to say about this movie, that would be plainly ridiculous.
A love story, a profound depiction of social issues regarding the "German Turks", a virtual cultural journey. Everything, and everything good, exists in this flick! Thanks to Faith Akýn and the entire crew for bringing such a delight to life!
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