From Stump to Ship (1930) Poster

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9/10
A page right of Maine history. Great!
dgervais-324 October 2006
If you've ever been curious about the fabled Maine log drives of historical lore, this film will satisfy your curiosity. See real lumberjacks, deep in the Maine woods, and delicately balancing on spinning logs in the Machias River, while breaking up log jams that could kill a man. (Yes. That's where the term, log jam comes from.) This shows legendary woodsman skill and daring. Even today, with all the modern equipment available, logging is still one of THE most dangerous of all occupations. Then to the mills for ripping and planing. And finally being loaded on last of their kind sailing ships. You'll think you're watching a film from the 1800's. Amazing! A precious piece of history, expertly narrated by Tim Sample.
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8/10
Essential History
gavin69429 April 2016
From Stump to Ship is an amateur industrial film by Alfred Ames, owner of the Machias Lumber Company, in Machias, Maine and by Dr. Howard Kane of Washington, DC. The half-hour 16mm film was shot over the winter of 1930 in the logging woods and shows logging in the forest with hand tools and horses, then moves to the spring log drive, with loggers using peaveys to break up log jams on icy rivers as the logs are moved from the forest to the mill.

While this is focused on Maine, it offers great historical look at logging in general. Living in Wisconsin, logging was an important part of our history. Less so now, but we have lumber mills and huge tracts of land just for the purpose of chopping down trees. Much of the Western Frontier was built with Wisconsin's trees. This was very educational, because I doubt you see all that many films of logging in motion.
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10/10
Hand-logging Documented
matlack-932-60125724 February 2014
This short film is an important historical document, describing the methods and mentality of resource exploitation in the forests of the northeastern United States. Although filmed ca. 1930, many of the methods are more typical of the lumber booms of the late nineteenth century. The abrupt editing and naive narration (this is essentially a home movie) lend the film a credibility above most of the shallow newsreels and scripted documentaries of the time. And much of the footage is quite funny - these are real lumberjacks mugging in front of an intrusive camera with minimal coaching. If you have a low tolerance for flickering old black-and-white movies, this one is not for you. But if you can get over the quirks of the medium and place yourself beside the characters in the snowy woods of Maine, this is a fascinating personal experience.
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