Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all ... See full summary »
Sandro do Nascimento,
Luiz Eduardo Soares
A small community of descendants of Italian immigrants in the interior of the state of Rio Grande do Sul resorts to making a video to try to solve the problems of basic sanitation that plague their village.
The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by ... See full summary »
In the great restaurant of life, there are those who eat and those who get eaten. Raimundo Nonato finds an alternative way, a life of his own: he cooks in order to survive and find a place ... See full summary »
In São Paulo, the scheme of the corrupt DA Júlia and her mate, the lawyer Henrique with the gangster Maicom is discovered and sent to the Internal Affairs. Maicom is responsible for ... See full summary »
Fernando Alves Pinto,
André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
Three upper-middle class teenagers start a night of partying, including wild sex, rape, drugs, and accidental murder. Fun merges with violence with absurd, tragicomic results. The more they try to cover up their goof ups, the more complicated their lives become. Written by
This is the first film from the Trauma manifesto, the good-humored Brazilian answer to the Dogma 95 movement - a variant in that it highlights the terrible obstacles to young film makers in the third world; thus its Portuguese acronym T.R.A.U.M.A. Other TRAUMA rules include the participation of one previous TRAUMA cast member in each film, and revealing the director's name somewhere in the feature. This, the movement's first release, became an instant hit in Brazil, winning the Audience Award at the São Paulo Film Festival only ten days after its first public showing. See more »
I took the DVD by chance to home and had a wonderful surprise. Well, there were some good reviews made by critics from important Brazilian papers and that was the only reason why I decided to watch it. But, anyway, it didn't look very attractive to me at first sight.
After the first 20 minutes, I thought "Damn, it's just another movie about teenagers snorting coke and stuff like that". However, in the end of the movie, I was just like: "Jesus! How could this man make such a great film with so little money?!" It's obvious that a film with practically no resources (13,000 Brazilian Reais, what, in 2002, was about 4,000 US dollars) has its defects. The photography lacks quality and some dialogues are unnecessary. But these "problems" only contribute to bring us the "Audacity" that Alexandre Stockler looks for. The Brazilian director created a manifesto called TRAUMA (in English, Trying to Realize Anything Urgent with a Minimum of Audacity). In Cat's Cradle there's certainly much more than a "Minimum of Audacity". Using black humor and social criticism, Stockler alerts us about how sadly nihilistic and hedonistic our society became. Although the movie may sound pessimistic, its realization shows the director's belief that it's still time to think what we want from our lives. Let's wait for Alphavella, Stockler's next project.
*If you have the DVD at home, take a look on the extras where you'll find an interview with the director and the complete interviews with young people which appear during the beginning and the end of the movie.
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