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Boy and Bicycle (1965)

 |  Short, Drama  |  1965 (UK)
5.9
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Ratings: 5.9/10 from 811 users  
Reviews: 8 user | 4 critic

A teenage boy plays truant from school, and spends the day riding around the town and the deserted beach on his bicycle, letting his mind wander as he imagines he is the only person in the world.

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Title: Boy and Bicycle (1965)

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Cast

Credited cast:
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The Boy
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Storyline

A lad of 16 spends a day on his bike in and about a village on the coast of the North Sea south of Newcastle. He heads to the shore for a contemplative smoke, rides into the village for a visit to a candy shop, then goes back to the strand. Clouds, water, shadows, and reflections give his day texture as do his internal monologues - comic commentary on adults, thoughts about dying, and observations about his family. Afternoon rain sends him looking for shelter. He explores a shack where someone lives. What discoveries await? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

sea | reflection | rain | boy | bicycle | See All (46) »

Genres:

Short | Drama

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Details

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Release Date:

1965 (UK)  »

Also Known As:

Boy on a Bicycle  »

Box Office

Budget:

£65 (estimated)
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Company Credits

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Technical Specs

Runtime:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This being Ridley Scott's first short film, it is featured on the DVD version of The Duellists (1977), which was Scott's first feature length film. See more »

Connections

Featured in Velorama (2014) See more »

Soundtracks

Onward Christian Spacemen
Composed and Conducted by John Barry
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User Reviews

 
Intriguing First Effort from Scott
13 June 2003 | by See all my reviews

Boy and Bicycle is available on the DVD of Scott's excellent feature debut, The Duellists. It is an abstract, stream-of-consciousness journey into the mind of "The Boy," played by Scott's younger brother Tony. While it may seem like not much happens as we follow Tony through the streets of a smallish English industrial town, the sensation of being inside his head, hearing the sometimes nonsensical interior monologue of a young teenager playing hooky becomes almost hypnotic after a while.

What really stands out about this short film is the early development of Ridley Scott's visual style. His shot composition is amazing for a first effort; Scott is able to use The Boy's surroundings, both natural and man-made, to frame his subject skillfully and direct the viewer's eye to the precise details he wants to emphasize.The black-and-white photography really helps to accent the details of The Boy's surroundings. Scott also is not afraid to experiment with camera angles, using high or low angle shots to capture The Boy from angles that are at once strange but also oddly natural, all the while keeping in mind the fascinating geometry of whatever might be found in the background.

All told, this is a fascinating film that succeeds in transporting the viewer into The Boy's interior world. It is beautifully shot, as one would expect from Ridley Scott. However, it is also in many ways abstract and lacks a conventional narrative structure, which is a bit unexpected and a pleasant surprise from a director who is from time to time unfairly labeled as a maker of big, loud, conventional action pictures.


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