The final movie in Oliver Stone's Vietnam trilogy follows the true story of a Vietnamese village girl who survives a life of suffering and hardship during and after the Vietnam war. As a ... See full summary »
Hiep Thi Le,
Tommy Lee Jones,
Haing S. Ngor
Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical ... See full summary »
In the highlands of Scotland in the 1700s, Rob Roy tries to lead his small town to a better future, by borrowing money from the local nobility to buy cattle to herd to market. When the ... See full summary »
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
Legendary explorer Thor Heyerdal's epic 4,300-mile crossing of the Pacific on a balsawood raft in 1947, in an effort prove that it was possible for South Americans to settle in Polynesia in pre-Columbian times.
Pål Sverre Hagen,
Anders Baasmo Christiansen,
When his secret bride is executed for assaulting an English soldier who tried to rape her, a commoner begins a revolt and leads Scottish warriors against the cruel English tyrant who rules Scotland with an iron fist.
Alexander, the King of Macedonia, leads his legions against the giant Persian Empire. After defeating the Persians he leads his Army across the then known world venturing further than any Westerner had ever gone all the way to India. Written by
The biography of Alexander by Oxford University professor Robin Lane Fox was an original inspiration and source of information for director Oliver Stone. As an historical advisor, Professor Fox didn't get an on screen credit; his price for giving his advice was to be allowed to take a place at the head of what is one of the largest cavalry charges ever filmed. Professor Fox was used to riding around the English countryside, but gladly dressed up as a Macedonean cavalry officer to live his dream of charging for Alexander. See more »
Alexander asks Darius' daughter how she wishes to be treated, she replies, "like a princess," and he grants her wish. In reality, Alexander asked the question to the Indian king Porus. When Porus replied "like a king", he won Alexander's respect and became one of his allies. See more »
Our world is gone now. Smashed by the wars. Now I am the keeper of his body, embalmed here in the Egyptian ways. I followed him as Pharaoh, and have now ruled 40 years. I am the victor. But what does it all mean when there is not one left to remember - the great cavalry charge at Gaugamela, or the mountains of the Hindu Kush when we crossed a 100,000-man army into India? He was a god, Cadmos. Or as close as anything I've ever seen.
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Alexander proves too smart for dumb American critics
The US reviews have been really terrible and the IMDb user rating is lower than KING ARTHUR, so I'm wondering if Europe has got a different cut, because the film I saw was excellent. Problems, yes, like Anthony Hopkins and Val Kilmer hamming away and Angeline doing a very odd accent. Farrell's not bad even though he doesn't have enough small moments to work with to shade the role: after Clive Owen's disgracefully bad performance in KING ARTHUR it's amazing that it's Farrell the critics are laughing at.
You don't get involved in the characters as much as you should, but its an amazing flick, a real movie. It feels like it's been done for real not by a computer by someone as mad and vainglorious as Alexander himself. Not a total success, but the 80% that hits the target is really intelligent and ambitious and is worth more than a lot of pictures that work better, if you know what I mean.
I think the reason Hollywood is so dumbed down now is when someone tries to do something different on a big scale like Alexander, HEAVEN'S GATE, REDS, ONCE UPON A TIME IN America, THE RIGHT STUFF or films like that is that the American critics who are always complaining about dumb audiences and filmmakers can't get them and tear them a new *beep*hole killing them off at the box-office. Certainly seems to be the case with Alexander. Not the most successful flick I've seen this year but easily one of the best.
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