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Alexander, the King of Macedonia and one of the greatest military leaders in the history of warfare, conquers much of the known world.

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2 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jessie Kamm ...
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Nurse
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Patrick Carroll ...
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Peter Williamson ...
Morgan Christopher Ferris ...
Robert Earley ...
Aleczander Gordon ...
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Storyline

Conquering 90% of the known world by the age of 25, Alexander the Great led his armies through 22,000 miles of sieges and conquests in just eight years. Coming out of tiny Macedonia, Alexander led his armies against the mighty Persian Empire, drove west to Egypt, and finally made his way east to India. This film will concentrate on those eight years of battles, as well as his relationship with his boyhood friend and battle mate, Hephaestion. Alexander died young, of illness, at 33. Alexander's conquests paved the way for the spread of Greek culture (facilitating the spread of Christianity centuries later), and removed many of the obstacles that might have prevented the expansion of the Roman Empire. In other words, the world we know today might never have been if not for Alexander's bloody, yet unifying, conquest. Written by austin4577@aol.com

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Fortune favors the bold See more »


Motion Picture Rating (MPAA)

Rated R for violence and some sexuality/nudity | See all certifications »

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Details

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Release Date:

24 November 2004 (USA)  »

Also Known As:

Alexander  »

Filming Locations:

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Box Office

Budget:

$155,000,000 (estimated)

Opening Weekend:

$13,687,087 (USA) (26 November 2004)

Gross:

$3,530,064 (Japan) (25 February 2005)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Angelina Jolie plays Colin Farrell's mother even though she is less than a year older than he is. See more »

Goofs

Antigonus, portrayed in the film as one of Alexander's childhood friends, was in fact 26 years older than Alexander. See more »

Quotes

[first lines]
Old Ptolemy: Our world is gone now. Smashed by the wars. Now I am the keeper of his body, embalmed here in the Egyptian ways. I followed him as Pharaoh, and have now ruled 40 years. I am the victor. But what does it all mean when there is not one left to remember - the great cavalry charge at Gaugamela, or the mountains of the Hindu Kush when we crossed a 100,000-man army into India? He was a god, Cadmos. Or as close as anything I've ever seen.
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Connections

Referenced in Midnight Screenings: Horrible Bosses/Zookeeper (2011) See more »

Frequently Asked Questions

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User Reviews

My take on this
5 December 2004 | by (Turkey) – See all my reviews

At first, I didn't feel much of a need to comment on the film, since so many others have written and have said so many things. But I think there are some really important points to made, and I haven't seen anyone make them. So here I am writing.

In my opinion, almost everyone misunderstood the relationship between Hephaistion and Alexander. In the modern world, especially in the West, two men are either very close to each other, sleep together, and have sex, or they keep a good comfortable distance from each other and, if they're friendly, might punch each other on the arm. In this film, we see a relationship that is hard for most people today to understand, namely a passionate love relationship between two men in which sex is not very important and possibly even absent.

Aristotle essentially explained the whole film near the beginning when he told the young couple something like the following, as best I can remember it, "When two men lie together in lust, it is over indulgence. But when two men lie together in purity, they can perform wonders." Or something like that. Given what I know of that culture, I am sure that "in purity" means no sex, or at least very little. That's why we never see them kiss. In the film, as in many older films, kissing is a metaphor for sex. Even when Alexander kisses his mother, it refers to the idea of sex. That's why Alexander kisses Bagoas, but not Hephaistion.

Now I'm not sure if the real historical Aristotle would have made that remark. That's not exactly what he says about homosexuality in the Nicomachean Ethics. But the remark is plausible enough since Alexander could easily have heard such an idea during his youth. Plato (before Aristotle) expressed that idea, and Zeno of Citium (after Aristotle) did too. So even if Aristotle never said this to Alexander, it is plausible enough that the idea was in the air and that Alexander heard it from someone or other.

Some have complained that the "homosexuality" (assuming that A's relationship with Heph. should even be called that) was thrown in their faces too much. But it's crucial to the plot. Stone is hypothesizing that Hephaistion was essential for what Alexander did. Further, it's a standard Hollywood convention to juxtapose a love story with some great political, military, or otherwise grand event. There are tons of examples. Titanic, Enemy at the Gates, Gone with the Wind, ... the list could go on forever. It really is homophobic to complain about Stone continually going back to this theme, because he has a perfectly good artistic reason to do it.

A few more details: Alexander's hair. I think that Stone was trying to make Alexander look like Martin Potter in Satyricon -- a nod to Fellini.

Alexander's accent and soft appearance. Another nod to a great director passed on, this time Stanley Kubrick. Farrel really looks a lot like Ryan O'Neil in Barry Lyndon. In fact, he really looks like a Ryan O'Neill / Martin Potter coalescence. I think it's deliberate.

The softness of Alexander's personality. In a lot of scenes it made sense. He was gentle enough to know how to approach Bucephalus and tame him without scaring him. He was open minded enough to adopt a lot of Persian culture and encourage intermarriage, while the other more "he-man" folks around him were less comfortable with the idea.

Yes, if you haven't figured it out by now, I do like the film. People's hatred of the film is hard for me to understand.


634 of 933 people found this review helpful.  Was this review helpful to you?

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