| Photos (See all 32 | slideshow) |
| Dino Andrade | ... | Children / ... (51 episodes, 2002-2005) | |
| Kevin Brief | ... | Kanzaki / ... (51 episodes, 2002-2005) | |
| Loy Edge | ... | SWAT / ... (51 episodes, 2002-2005) | |
| Barbara Goodson | ... | Maruta / ... (51 episodes, 2002-2005) | |
| Michael Gregory | ... | Reiko / ... (51 episodes, 2002-2005) | |
| Kate Higgins | ... | Children / ... (51 episodes, 2002-2005) | |
| Paddy Lee | ... | Fom / ... (51 episodes, 2002-2005) | |
| Michael McConnohie | ... | Commander / ... (51 episodes, 2002-2005) | |
| Liam O'Brien | ... | Fake Laughing Man / ... (51 episodes, 2002-2005) | |
| Peggy O'Neal | ... | Girl / ... (51 episodes, 2002-2005) | |
| Douglas Rye | ... | Litton / ... (51 episodes, 2002-2005) | |
| Barry Stigler | ... | Foreign Minister / ... (51 episodes, 2002-2005) | |
| Doug Stone | ... | Matsuoka / ... (51 episodes, 2002-2005) | |
| Julie Ann Taylor | ... | Miyahara / ... (51 episodes, 2002-2005) | |
| Kari Wahlgren | ... | Sales Person / ... (51 episodes, 2002-2005) | |
| Tom Wyner | ... | Interior Minister / ... (51 episodes, 2002-2005) | |
| Bob Papenbrook | ... | Doorman / ... (50 episodes, 2002-2005) | |
| Mari Devon | ... | Seymour (27 episodes, 2003-2005) |
Series Directed by | |||
| Kenji Kamiyama | (51 episodes, 2002-2005) | ||
| Masaki Tachibana | (8 episodes, 2002-2004) | ||
| Itsurô Kawasaki | (4 episodes, 2005) | ||
Series Writing credits | ||
| Kenji Kamiyama | (52 episodes, 2002-2005) | |
| Masamune Shirow | (52 episodes, 2002-2005) | |
| Mamoru Oshii | (26 episodes, 2004-2005) | |
| Mary Claypool | (unknown episodes) | |
| Yutaka Omatsu | (unknown episodes) | |
| Yoshiki Sakurai | (unknown episodes) | |
| Dai Sato | (unknown episodes) | |
| Shotaro Suga | (unknown episodes) | |
Series Produced by | |||
| Mitsuhisa Ishikawa | .... | executive producer (26 episodes, 2004-2005) | |
| Marvin Gleicher | .... | senior producer (unknown episodes) | |
| Ken Iyadomi | .... | senior producer (unknown episodes) | |
| Yuichiro Matsuka | .... | producer (unknown episodes) | |
| Charles McCarter | .... | producer (unknown episodes) | |
| Kaoru Mfaume | .... | producer (unknown episodes) | |
| Tsutomu Sugita | .... | producer (unknown episodes) | |
| Shigeru Watanabe | .... | executive producer (unknown episodes) | |
Series Original Music by | |||
| Yôko Kanno | (51 episodes, 2002-2005) | ||
Series Cinematography by | |||
| Kôji Tanaka | (unknown episodes) | ||
Series Film Editing by | |||
| Junichi Uematsu | (51 episodes, 2002-2005) | ||
Series Art Direction by | |||
| Yusuke Takeda | (unknown episodes) | ||
Series Art Department | |||
| Masaki Tachibana | .... | storyboard artist (8 episodes, 2002-2005) | |
| Paul Nicholson | .... | logo designer: The Laughing Man (5 episodes, 2002-2003) | |
| Sayuri Yoshida | .... | color designer (3 episodes, 2003) | |
Series Sound Department | |||
| Preston Martin | .... | adr recordist (3 episodes, 2004-2005) | |
| Collin McQueen | .... | adr engineer (unknown episodes) | |
Series Special Effects by | |||
| Masahiro Murakami | .... | special effects (51 episodes, 2002-2005) | |
| Kenji Teraoka | .... | mechanical designer (51 episodes, 2002-2005) | |
| Shinobu Tsuneki | .... | mechanical designer (51 episodes, 2002-2005) | |
Series Visual Effects by | |||
| Shinichi Rembutsu | .... | cg animator (27 episodes, 2003-2005) | |
Series Animation Department | |||
| Makiko Kojima | .... | animation paint and scanner: Studio Road (8 episodes, 2002-2003) | |
| Makoto Shimomura | .... | character designer (unknown episodes) | |
Series Music Department | |||
| Origa | .... | performer: "Inner Universe" & "Rise" / lyrics: "Inner Universe" (3 episodes, 2002-2004) | |
| Shanti Snyder | .... | lyrics: "Inner Universe" & "Living Inside the Shell" (3 episodes, 2002-2004) | |
| Yôko Kanno | .... | composer: "Inner Universe" (2 episodes, 2002) | |
Series Other crew | |||
| Mitsuhisa Ishikawa | .... | production committee: Production I.G / planner (51 episodes, 2002-2005) | |
| David W. Barr | .... | digital adr tracking (unknown episodes) | |
| Ken Ohara | .... | on-line supervisor (unknown episodes) | |
| Kevin Seymour | .... | voice director (unknown episodes) | |
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| Ghost in the Shell | Ghost in the Shell 2: Innocence | The Animatrix | The Matrix Reloaded | Patlabor 2: The Movie |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Animation section | IMDb Japan section |
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Fans of the films might be disappointed. But Stand Alone Complex lives by it's title. Its stands alone from the original movies. But what makes SAC so much more entertaining is the fact it's a series.
In this form GITS becomes more like the manga it was inspired from. Sure there isn't a Puppet Master plot, but now we get to see the inner workings of Section 9 and the role they play in this cybernetic future where the line between the real world and the digital one is too closely blurred.
Everything about this series is top notch. The story's are written in classic science fiction form. The 3-D animation is near flawless. And of course the biggest praise has to be the soundtrack.
But mostly the characters bring out the most in this show. Everyone knows Motoko. But Batou is her complete opposite bringing a little bit of humor to an otherwise serious job. And the old ape, Chief Aramaki, is just superior as the head of Section 9. Also we get to see how the other members of Section 9 make it the elite team that it is.
But really the Tachikoma's bring the most interesting aspect to the show. Since these mini-tanks are controlled by A.I., their experience's help them understand more about the world they live in much like a small child growing up. Overall their playful attitude contrasts the serious aspects of the show. ( and I love their little spots after each episode )
All in all SAC does a great job of showing viewers what a future of great technological advances could bring. The good and the bad. From the hijacked tank, to the Geri's, and even to the terrorist known only as the Laughing Man. Ghost in the Shell SAC shows audiences that anime can be full of action, intelligence, mystery, and humor all rolled into one.
And that makes it a must see for anyone, not just fans of Anime.