Directed by | |||
| Christian Duguay | |||
Writing credits(WGA) | ||
| John Pielmeier | (written by) and | |
| G. Ross Parker | (written by) | |
Produced by | |||
| Christian Duguay | .... | co-executive producer | |
| Ed Gernon | .... | executive producer | |
| Diana Kerew | .... | co-executive producer | |
| Ian McDougall | .... | supervising producer | |
| John Pielmeier | .... | co-producer | |
| John Ryan | .... | producer | |
| Peter Sussman | .... | executive producer | |
| Philip von Alvensleben | .... | supervising producer | |
Original Music by | |||
| Normand Corbeil | |||
Cinematography by | |||
| Pierre Gill | |||
Film Editing by | |||
| Sylvain Lebel | |||
| Henk Van Eeghen | |||
Casting by | |||
| Deirdre Bowen | |||
| Anja Dihrberg | |||
| Susan Glicksman | |||
| Sue Jones | |||
| Alex Wald | |||
Production Design by | |||
| Marek Dobrowolski | |||
Art Direction by | |||
| Albrecht Konrad | |||
| Martin Martinec | |||
Set Decoration by | |||
| Milan Babik | |||
| Karel Vanásek | (as Karel Vanasek) | ||
Costume Design by | |||
| Maria Schicker | |||
Makeup Department | |||
| Jan Archibald | .... | key hair stylist | |
| Libuse Barlova | .... | hair stylist | |
| Linda Eisenhamerova | .... | hair stylist (as Linda Dvorakova) | |
| Sandra Feijoo | .... | makeup artist | |
| Tahira Herold | .... | makeup artist | |
| Chris Lyons | .... | special effects teeth | |
| Gabriela Rezacova | .... | makeup interpreter | |
| Benjamin Robin | .... | hair designer | |
| Benjamin Robin | .... | makeup artist | |
| Benjamin Robin | .... | makeup department head | |
| Ivo Strangmüller | .... | makeup artist | |
Production Management | |||
| Simon Borecki | .... | unit manager | |
| Steve D'Onofrio | .... | post-production supervisor | |
| Martina Rejzkova | .... | assistant unit manager | |
| Gerhard Rupp | .... | production manager: Austria | |
| Ales Tybl | .... | production manager | |
| Paul Vella | .... | executive in charge of production | |
| Gordon Yang | .... | production supervisor | |
Art Department | |||
| Ales Cepelka | .... | assistant art director | |
| Axel Eichhorst | .... | storyboard artist | |
| Milan Janostik | .... | property master | |
| Radan Kapinos | .... | on-set proops: second unit | |
| Radan Kapinos | .... | swing gang | |
| Francis Politzer | .... | storyboard artist | |
| Manu Poupard | .... | property master | |
| Veronika Skarlandtova | .... | art department coordinator | |
| David Vondrasek | .... | assistant art director | |
| Miroslav Zdenek | .... | draughtsman | |
Special Effects by | |||
| Dominik Janda | .... | special effects crew | |
| Martin Kulhánek | .... | special effects coordinator (as Martin Kulhanek) | |
| Pavel Policar | .... | special effects technician | |
Visual Effects by | |||
| Ales Dlabac | .... | Inferno artist | |
| Miro Gal | .... | Inferno artist | |
| Vít Komrzý | .... | visual effects producer | |
| Robert Loudil | .... | animator | |
| Peter Nemec | .... | Flame artist | |
| Jiri Stamfest | .... | matte artist: digital painter | |
| Jan Vseticek | .... | visual effects coordinator | |
| David Vána | .... | visual effects supervisor | |
Stunts | |||
| Jiri First | .... | stunts (as Jiri Firt) | |
| Michal Grün | .... | stunts (as Michael Grun) | |
| Jan Holicek | .... | stunts | |
| Jiri Horky | .... | stunts | |
| Jindrich Klaus | .... | stunts | |
| Pavel Kratky | .... | stunts | |
| Jiri Kraus | .... | stunts | |
| Miroslav Lhotka | .... | stunts | |
| Dimo Liptkovsky | .... | stunts (as Dimo Lipitkovsky) | |
| David Listvan | .... | stunts | |
| David Motl | .... | stunts | |
| Jiri Simberský | .... | stunts | |
| Leo Stransky | .... | stunt coordinator (as Leos Stransky) | |
| Tomás Tobola | .... | stunts | |
| Rudolf Vrba | .... | stunts | |
| Jan Petrina | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alexander Bscheidl | .... | second assistant camera: "a" camera | |
| Jan Carda | .... | focus puller | |
| Petr Dvorak | .... | grip | |
| Martin Granilla | .... | gaffer | |
| Petr Granilla | .... | key grip | |
| Martin Grosup | .... | director of photography: second unit | |
| René Guillard | .... | gaffer | |
| Bohumil Havlicek | .... | best boy | |
| Michael Hersalek | .... | best boy grip | |
| Mark Hoffmann | .... | first assistant camera | |
| Patrick Lima | .... | dolly grip | |
| Martin Lippert | .... | crane grip | |
| Slavek Mikovec | .... | gaffer | |
| Petr Zavrel | .... | assistant camera | |
| Zdenek Pozar | .... | rigging electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Anette Czagany | .... | assistant costume designer | |
| Liba Malerova | .... | costumer | |
| Petr Pluhar | .... | costumer | |
| Ladislav Procházka | .... | costumer | |
| Carola Raum | .... | costume supervisor | |
| Patricie Soptenková | .... | costumer | |
| Claudia Vaseková | .... | translator: costume department | |
| Jaroslava Vesela | .... | costume supervisor | |
| Jindriska Vorlova | .... | wardrobe coordinator | |
Editorial Department | |||
| Christopher Berg | .... | telecine assistant | |
| Andrea Folprecht | .... | additional editor | |
| Attila Kovacs | .... | assistant editor | |
| Jeff Krebs | .... | on-line editor (as Jeffrey Krebs) | |
| Mark Kueper | .... | tape-to-tape colorist | |
| Jennifer Macleod | .... | post-production coordinator | |
| Stephen R. Myers | .... | additional editor | |
| Andrea Pugner | .... | assistant editor | |
| Steve Sahagun | .... | assistant editor | |
Music Department | |||
| Christopher Dedrick | .... | composer: additional music | |
| Yuri Gorbachow | .... | music editor | |
| David Greene | .... | executive music consultant | |
| Roger Hewett | .... | orchestrator | |
| Erin Hunt | .... | music coordination: S.L. Feldman & Associates | |
| Adam Klemens | .... | conductor | |
| Sylvain Lefebvre | .... | score mixer: score recordist | |
| Michael Perlmutter | .... | music supervisor: S.L. Feldman & Associates | |
| Craig Pettigrew | .... | music editor | |
| Petr Pycha | .... | orchestra contractor | |
| John Timperley | .... | music recordist | |
Transportation Department | |||
| Leona Kosova | .... | transportation coordinator | |
Other crew | |||
| Cynthia Amsden | .... | unit publicist | |
| Julie Andaloro | .... | publicist | |
| Marie-Elaine Bailly | .... | production coordinator | |
| Christopher Berg | .... | technical coordinator | |
| Claire Berrie | .... | assistant: Robert Carlyle | |
| Tim Blundell | .... | assistant: Christian Duguay | |
| Jan Bílek | .... | production executive | |
| Jill Carter | .... | script supervisor | |
| Jane Douglas | .... | first assistant accountant | |
| Hugo Felfel | .... | assistant: John Ryan | |
| Pharaba Hacker-Witt | .... | assistant to executive producer (as Pharaba Witt) | |
| Ales Hudsky | .... | assistant: Ed Gernon | |
| Lubomir Janci | .... | body double: James Babson | |
| Maryse Lesage | .... | assistant production coordinator | |
| Walter Ludwig | .... | assistant location manager: Austria | |
| Desmond Paes | .... | first assistant accountant | |
| Irene Phelps | .... | production controller | |
| Katerina Popelova | .... | production coordinator (as Katerina Pokorova) | |
| Rene Ridinger | .... | publicity executive | |
| Josef Stanek | .... | animal wrangler | |
| Patrick Vagner | .... | head accountant: Czech | |
| Jirí Vojtik | .... | location manager | |
| Gioia von Thun | .... | assistant to director | |
| Zdenek Vrubel | .... | cashier | |
| Ned Vukovic | .... | dialect coach | |
| Lori Wyant | .... | script supervisor | |
| Dale Wyatt | .... | dialogue coach | |
| Kaja Zloch | .... | first assistant accountant | |
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| Max | Mother Night | Sunshine | Gebürtig | The Harmonists |
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For a series that covers four hours and is constrained to history, this was not only educational but gripping drama too. I disagree with the popular pronouncement that this is some attempt to humanize Hitler. Hitler doesn't need humanizing, he was human and all that is necessary to fear somebody like Hitler is to understand his personal history better. This movie goes a long way towards doing that.
An important point that the series makes is that Hitler was not all there was to Nazi Germany, there was the Nazi party too and the social, historical and cultural forces that brought it into being. All these things are nicely fitted in to the story.
The cast is excellent and the acting is not bad for television and especially good for the characters we see. The cinematography -- or videography -- is excellent and little was spared to create an authentic sense of place. Costumes especially were thoughtful and well crafted.
Nazi Germany is one of those periods of history that will always have some corner that will make a good movie or good television and I hope this will not be the last.