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Hitler: The Rise of Evil (2003) (TV)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
18 May 2003 (USA)
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Tagline:
"The only thing necessary for evil to flourish is for good men to do nothing." - Edmund Burke
Plot:
A unique slant, profiling the life of Adolf Hitler as a child and his rise through the ranks of the National German Workers' Party prior to World War II. full summary | add synopsis
Awards:
Won 2 Primetime Emmys.
Another 3 wins
&
15 nominations
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NewsDesk:
(5 articles)
18th Century Chess Match for Adrien Brody, Isabelle Adjani, and Rachelle Lefevre
(From ioncinema. 5 October 2009)
Exclusive: Robert Carlyle on 'Stargate Universe'
(From CinemaSpy. 29 September 2009, 9:40 AM, PDT)
(From ioncinema. 5 October 2009)
Exclusive: Robert Carlyle on 'Stargate Universe'
(From CinemaSpy. 29 September 2009, 9:40 AM, PDT)
User Comments:
Soaring Performances Carry The Story of Hitler's Evil
more (87 total)
Cast
(Cast overview, first billed only)| Robert Carlyle | ... | Adolf Hitler | |
| Stockard Channing | ... | Klara Hitler | |
| Jena Malone | ... | Geli Raubal | |
| Julianna Margulies | ... | Helene Hanfstaengl | |
| Matthew Modine | ... | Fritz Gerlich | |
| Liev Schreiber | ... | Ernst Hanfstaengl | |
| Peter Stormare | ... | Ernst Röhm | |
| Friedrich von Thun | ... | General Erich Ludendorff | |
| Peter O'Toole | ... | President Paul von Hindenburg | |
| Zoe Telford | ... | Eva Braun | |
| Terence Harvey | ... | Gustav von Kahr | |
| Justin Salinger | ... | Dr. Joseph Goebbels | |
| Chris Larkin | ... | Hermann Göring | |
| James Babson | ... | Rudolf Hess | |
| Patricia Netzer | ... | Sophie Gerlich |
Additional Details
Also Known As:
Hitler: La naissance du mal (Canada: French title)
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Parents Guide:
Runtime:
Australia:179 min (video version) | France:130 min | USA:240 min (including commercials) | Spain:177 min (DVD edition)
Language:
Color:
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Certification:
Filming Locations:
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Fun Stuff
Trivia:
All Nazi-themed costumes and props (flags, medallions, pins, tie-tacks) were destroyed after filming wrapped, to prevent any items linked with Nazism from finding their way into the hands of neo-Nazis.
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Goofs:
Audio/visual unsynchronized: An officer says, "There is an armed group heading toward the barracks." However, the sound and his lip movement is not in sync.
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Quotes:
Adolf Hitler:
The SA are to be bridled, Ernst. They may sing, march, carry flags, but they are to keep calm unless I say otherwise.
Ernst Röhm: We're not a Sunday shooting club, Adolf. We're a militia.
Adolf Hitler: Not anymore. My personal security will now be handled by the SS. Your men give off the wrong impression.
Ernst Röhm: I don't give a damn about impressions, but without the SA, without us, our loyalty...
Adolf Hitler: The wheels of history have turned! The plan has changed.
Ernst Röhm: Oh, I'm sorry to hear that.
[clicks heels, salutes, turns and leaves without his dismissal]
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Ernst Röhm: We're not a Sunday shooting club, Adolf. We're a militia.
Adolf Hitler: Not anymore. My personal security will now be handled by the SS. Your men give off the wrong impression.
Ernst Röhm: I don't give a damn about impressions, but without the SA, without us, our loyalty...
Adolf Hitler: The wheels of history have turned! The plan has changed.
Ernst Röhm: Oh, I'm sorry to hear that.
[clicks heels, salutes, turns and leaves without his dismissal]
more
Movie Connections:
Featured in "Cinemania: I anodos kai i ptosi tou Nazismou" (2008)
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Soundtrack:
Etude in E, Op.10 No.3
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FAQ
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I agree with many of the negative reviews posted here, for reasons I will go into later on. But this miniseries is powerful and convincing because the talented cast really captures the dark truth of Hitler's world.
Peter Stormare is perfect as Ernst Rohm, the brutal Brownshirt leader. Each scene he has with Hitler is explosive! Hitler is so evil he dominates everyone but the thuggish, primitive Rohm -- and he clearly digs Rohm for just that reason. The interplay between Stormare and Carlisle illuminates the way Hitler relished Rohm's brutality, but later sacrificed him for political reasons.
Jena Malone turns in a heartrending performance as Geli Raubal, Hitler's doomed niece and the victim of his unspeakable perversions. Without revealing any of the sexual filth directly, Jena Malone plays out all the horror of the slow extinction of a young girl's spirit. She uses her eyes and voice to suggest all the horror that will be visited on millions in the years to come. And she's brilliant! Zoe Telford very nearly matches Jena Malone with her portrayal of Eva Braun. Eva is clearly sick, cruel and heartless -- but at the same time almost pitiably dependent on her Adolph's twisted tenderness. The aborted lovemaking scene between them (hinting at the spine tingling truth of Hitler's enormous self-loathing) is both chilling and erotic.
Liev Schrieber gives a deliciously weasel-like performance as Putzi Hanfstaengel, the spineless man-about-town who is seduced by Hitler's promises of wealth and power. While a brute like Rohm simply loves the idea of crushing skulls under his boots, Schrieber's character is one of many Germans who abhors Nazi violence but can't resist the quick and easy route to money and power. His weak-willed fawning over Hitler soon loses him the respect of his wife, played with style and sensuality by the stunning and regal Julianna Margulies. They provide a true portrait of marriage and betrayal.
These performances carry the mini series along, easily overcoming occasional weaknesses in the script. There is one exception. Regrettably, Matthew Modine's acting chops just aren't up to snuff. His noble lunk-haid journalist ruins every scene he has -- the viewer can hardly wait for Rohm's brown-shirts to stomp that smug, righteous look off his ignorant, corn-pone low-rent Hollywood golden boy face. But the story still works.
Now in regard to the factual inaccuracies of the script -- Hitler's perversions and cruelty are rendered in a vibrant, compelling drama. But the battlefield record of Corporal Hitler is badly distorted. As if afraid the audience can't handle the idea of evil and courage in the same person, the writers make Hitler look like a whining coward who "begged" for an Iron Cross. As if anyone in the Kaiser's Army could get a medal just by whining about it! The movie makes it look as if Hitler were a coward in the trenches, when he was a fearless soldier. They also suggest his comrades despised him, when in reality he was widely admired by officers and enlisted men alike. The depressing thing is that the mini-series succeeds so well in representing Hitler as a monster in honest ways -- but they just couldn't resist the cheap shot.
All in all, however, Hitler: RISE OF EVIL is a soaring success highlighted by powerful performances.