After New York City receives a series of attacks from giant flying robots, a reporter teams up with a pilot in search of their origin, as well as the reason for the disappearances of famous scientists around the world.
Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
A woman along with her lover, plan to con a rich man by marrying him and on earning his trust running away with all his money. Everything goes as planned until she actually begins to fall in love with him.
In 1939, an intrepid reporter in New York City makes a connection between the story she's covering-- of famous scientists suddenly disappearing around the world, and a recent attack on the city by giant robots. Determined to find the solution to these happenings, she seeks the help of her ex-boyfriend, the captain of a mercenary legion of pilots. The two are investigating the case when the robots attack the city again, though in a stroke of luck, Sky Captain's right hand man is able to locate their source. They then set off on an adventure in search of the evil mastermind behind these schemes, who is bent on creating a utopia and destroying the current world. Written by
When Polly is on the phone to her editor, reporting the advance of the giant robots, her line is "They're crossing Sixth Avenue... Fifth Avenue... they're a hundred yards away...". This is a direct lift from Ray Collins's lines in Orson Welles's "The War of the Worlds" broadcast of 1938 as Collins plays a reporter on the roof of "the Broadcast Building" reporting the advance of the Martian tripods. See more »
Laurence Olivier is listed in the end credits as 'Sir Laurence Olivier'. Although knighted in 1947 and becoming Sir Laurence, he was, however, made a life peer in 1970, becoming Lord Olivier. When one becomes a peer the title 'Sir' is discontinued and thus incorrect. See more »
Attention. Please prepare for docking procedure.
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Laurence Olivier is given a major on-screen credit, despite only being in the film through archive footage and having another actor voice his character's lines. See more »
I had not read about the movie before watching it and was fascinated within the first several minutes and continued to enjoy it through to the end. This movie's unique look and feel is its primary vehicle.
If you are looking for a sophisticated plot, this movie was not made for you. The plot and acting were adequate enough to avoid ruining the visual picture. The makers applied a comic book feel to the movie that allowed for softer edges and sepia tones, both with the animated sets and the human characters. If a set does not look completely realistic, the viewer is not troubled because the set is consistent with everything you see in the movie.
Anyone who has ever edited video or worked with animation would have to appreciate the visual art and quality of this movie. Otherwise, it contains a decent story that would be worth watching at least once.
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