After New York City receives a series of attacks from giant flying robots, a reporter teams up with a pilot in search of their origin, as well as the reason for the disappearances of famous scientists around the world.
In 1939, an intrepid reporter in New York City makes a connection between the story she's covering -- of famous scientists suddenly disappearing around the world, and a recent attack on the city by giant robots. Determined to find the solution to these happenings, she seeks the help of her ex-boyfriend, the captain of a mercenary legion of pilots. The two are investigating the case when the robots attack the city again, though in a stroke of luck, Sky Captain's right-hand man is able to locate their source. They then set off on an adventure in search of the evil mastermind behind these schemes, who is bent on creating a utopia and destroying the current world. Written by
Several problems with the camera Polly is using, the Argus C3. (Produced from 1939 to 1966, there are thousands still in use, including one this author has had for 50 years.)
1. It was released in October 1939, yet Polly was in possession of it when Wizard of Oz was released in August of that year.
2. She is shown taking flash pictures with it, with no flash unit attached. (She would have to take the camera out of its carry case to attach the gun-grip flash.)
3. If not meant as a joke, you can't take a picture with one "with the lens cap on" as it didn't have one - the full case (which they had severely modified for the movie) has the "lens cap" built in to its cover.
4. She is shown taking picture after picture without winding.
5. She is never shown "cocking" the shutter, which is powered by a spring release mechanism.
6. The metal "frame counter" may be from the older model C2, but the C2 was incapable of using a flash unit at all.
7. The digital frame counter shown (when Polly complained she only had two shots left) never existed - only the frame counter wheel (which does correctly shows only two shots remaining.) See more »
Attention. Please prepare for docking procedure.
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Laurence Olivier is given a major on-screen credit, despite only being in the film through archive footage and having another actor voice his character's lines. See more »
This movie is somewhat the opposite of "Sin City". Sin City was a movie liked by everyone and made me feel stupid for not liking it. Sky Captain is the opposite I guess, despised by everyone and made me feel immature by liking it. But the movie is just too good not to like, sorry guys.
It gives the great atmosphere of old cinema plus comic books, and it does so perfectly using flying funny looking evil robots, strange laser guns, and comic-book like dialog. And it was the first time I said to myself "wow, Angelina Jolie is actually a good actress". She's nothing like her boob-flashing movies.
And story? For me a story is good as long as it's not boring. And this is a comic-book adaptation, it was MEANT to be silly, and it didn't bother me at all since I was busy enjoying the film. If u're a stiff businessman with no shred of child imagination and if u even hated Star Wars saying "hey, this can't happen in real life", then don't watch this movie. If u're a comic-books fan, watch it and love it. It has a great atmosphere, great visual effects, and it's exciting. And it's fun to watch.
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