After New York City receives a series of attacks from giant flying robots, a reporter teams up with a pilot in search of their origin, as well as the reason for the disappearances of famous scientists around the world.
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A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
In 1939, an intrepid reporter in New York City makes a connection between the story she's covering-- of famous scientists suddenly disappearing around the world, and a recent attack on the city by giant robots. Determined to find the solution to these happenings, she seeks the help of her ex-boyfriend, the captain of a mercenary legion of pilots. The two are investigating the case when the robots attack the city again, though in a stroke of luck, Sky Captain's right hand man is able to locate their source. They then set off on an adventure in search of the evil mastermind behind these schemes, who is bent on creating a utopia and destroying the current world. Written by
A moment after the encounter with the hologram of the face of Dr. Totenkopf (Laurence Olivier), Joe, wondering if the door is still booby-trapped, asks Dex: "Is it safe?" This appears to be a reference to the line "Is it safe?" asked repeatedly by Dr. Szell, the villain of the movie "Marathon Man." Szell was played by Laurence Olivier. See more »
(at around 4 mins) The book shown is titled "Isaac Newton's Mathematical Principles of Modern Philosophy". Isaac Newton's book (translated from Latin) is actually titled "Mathematical Principles of Natural Philosophy". See more »
Attention. Please prepare for docking procedure.
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The film's title is written in the sky, in large, steel letters extruding from the clouds at an angle. The opening credits are shown against a backdrop of an extreme close-up of the letters, and when it comes time for the title to show, the camera zooms out. See more »
You won't find many movies with the look of 'Sky Captain', the film has a style that is all its own.
Apparently set in the 1930s yet featuring technology most of us associate with a time in the 2030s, 'Sky Captain' does a good job of blending the old generation with the new. I really did like the glossy look of the visuals.
The story is not overly deep and I would have loved to see some more backstory development for some of the main players, but for what it is,the plot is easy enough to follow along too.
Jude Law and Gwyneth Paltrow have great chemistry together here and I'm glad things between them stayed constant through the film. I could write more here, but I won't spoil the ending for those who haven't seen it.
Despite the fact I enjoyed "Sky Captain", I am still thankful these films are the exception rather than the rule. I still prefer films with real (or at least partially real) sets and shooting locations. I've read comments here about the quality of the acting in this film and that's a pitfall for so-called "Blue screen films". Even a great actor has a challenge when standing against a blue screen and pretending to respond meaningfully to something that's not really there. The acting here isn't down right corny, but I believe if the key players had more real surroundings to play off of, the performances would have improved. I also think Angelina Jolie's "Frankie" character deserved more screen time.
'Sky Captain' is an interesting experiment and certainly a movie that will hold your attention for 90 or so minutes (the movie is pretty short in comparison to other blockbusters).
So, if you're curious, check it out, you likely will get something enjoyable out of it.
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