After New York City receives a series of attacks from giant flying robots, a reporter teams up with a pilot in search of their origin, as well as the reason for the disappearances of famous scientists around the world.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
In 1939, an intrepid reporter in New York City makes a connection between the story she's covering-- of famous scientists suddenly disappearing around the world, and a recent attack on the city by giant robots. Determined to find the solution to these happenings, she seeks the help of her ex-boyfriend, the captain of a mercenary legion of pilots. The two are investigating the case when the robots attack the city again, though in a stroke of luck, Sky Captain's right hand man is able to locate their source. They then set off on an adventure in search of the evil mastermind behind these schemes, who is bent on creating a utopia and destroying the current world. Written by
The entire movie was shot against blue screen, with everything except the main characters computer generated. This was one of several movies to take that approach (although which was first is debatable), including: Immortal (Ad Vitam) (2004), Casshern (2004), and Sin City (2005), the last of which shot on High-Definition digital cameras, like this movie. Because of the film being totally shot against blue screen rather than via orthodox locations and sets, filming was completed in just 29 days. Normally with sets and locations, filming could have taken the best part of a year to finish. See more »
The movie is plainly set in an "alternative" reality, so apparent errors of history and geography can be discounted. We don't know how many World Wars there have been in their reality, nor when films, etc, were released. See more »
Attention. Please prepare for docking procedure.
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Laurence Olivier is given a major on-screen credit, despite only being in the film through archive footage and having another actor voice his character's lines. See more »
I'll be the first to admit it. I went into 'Sky Captain and the World of Tomorrow' with a lot of trepidation and even loathing. I didn't like the direction that cinema was taking with this film, featuring a backdrop that was mostly digital, because being a film purist, I used to relish the feel of actual celluloid in my hands, so this 'fake' creation was disturbing. I am still wary of this possible trend, but after seeing 'Sky Captain', I found that art can be realized in this medium.
'Sky Captain and the World of Tomorrow' not only boasts one of the longest film titles in recent months, but a great cast: Jude Law as Joe 'Sky Captain' Sullivan, our hero, Gwyneth Paltrow as Polly Perkins, our intrepid reporter and Sullivan's former flame and Angelina Jolie as Capt. Franky Cook, a friend and ally of Joe's. There is an evil element threatening the Earth, and it is up to Joe and Polly to find out who is behind the threat, before Earth is destroyed.
One line is all it really takes to sum up the story, which is generally all it took to summarize the films 'Sky Captain' pays homage to. The story is good, and it certainly boasts one of the most entertaining endings that I can remember in recent years, but it is the presentation that is the biggest draw with 'Sky Captain'. The overall style is 1930's Art Deco mixed with bits of Neo-Futurism. The robots in the first half hour of the film look like something out of comic book, the clothes and character styles are most certainly inspired by the 1930's, and the backdrops and locations are very Deco. It's obvious that one of the advantages in producing a film in this manner is that the filmmaker can be as elaborate in design as possible, because the 'set design' was very rich and exciting.
As a lover of classic film, I found the numerous nods to the films of the 30's very refreshing. Several scenes or lines could have been construed as corny, but I found them to be presented with a giant wink at the audience. Because all of these aforementioned elements were done so well, this film was a huge success in my opinion. And despite my concerns (which are still prevalent in my mind) I can sincerely rave about and recommend 'Sky Captain and the World of Tomorrow' to just about anyone who appreciates both art and good entertainment.
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