| Muzaffer Özdemir | ... | Mahmut | |
| Emin Toprak | ... | Yusuf (as Mehmet Emin Toprak) | |
| Zuhal Gencer | ... | Nazan (as Zuhal Gencer Erkaya) | |
| Nazan Kirilmis | ... | Lover | |
| Feridun Koc | ... | Janitor (as Feridun Koç) | |
| Fatma Ceylan | ... | Mother | |
| Ebru Ceylan | (as Ebru Yapici) | ||
| Bahaltin Surler | (as Bahattin Serter) | ||
| Nazli Aydin | |||
| Engin Hepsev | |||
| Ercan Kesal | |||
| Asli Orhun | |||
| Ahmet Bugay | |||
| Arif Asçi | |||
| Cemal Gülas | |||
| Ahmet Özyurt | |||
| Erhan Ersoy | |||
| Hakan Kuldan | |||
| Ayhan Ergürsel |
Directed by | |||
| Nuri Bilge Ceylan | |||
Writing credits(in alphabetical order) | ||
| Nuri Bilge Ceylan | scenario | |
| Cemil Kavukçu | additional writing | |
Produced by | |||
| Nuri Bilge Ceylan | .... | producer | |
| Feridun Koc | .... | line producer | |
Cinematography by | |||
| Nuri Bilge Ceylan | (director of photography) (as N. B. Ceylan) | ||
Film Editing by | |||
| Nuri Bilge Ceylan | (as N. B. Ceylan) | ||
| Ayhan Ergürsel | |||
Production Management | |||
| Feridun Koc | .... | production manager (as Feridun Koç) | |
Second Unit Director or Assistant Director | |||
| Serkan Cindoruk | .... | second assistant director | |
Art Department | |||
| Adnan Sahin | .... | color supervisor | |
Sound Department | |||
| Erkan Aktas | .... | sound mixer | |
| Ismail Karadas | .... | sound | |
| Richard Welsh | .... | dolby sound consultant | |
Camera and Electrical Department | |||
| Turksoy Golebeyi | .... | assistant camera (as Türksoy Gölebeyi) | |
| Zafer Saka | .... | set & lighting utility | |
Editorial Department | |||
| Tuncay Koçtürk | .... | negative cutter | |
| Mustafa Oruç | .... | negative & positive bathing | |
| Erol Sahin | .... | printing | |
| Mustafa Sahin | .... | negative & positive bathing | |
| Zekeriya Sahin | .... | printing | |
| Eyüp Yildiz | .... | negative cutter | |
| Yahya Öztürk | .... | negative & positive bathing | |
Thanks | |||
| Alaeddin Aksoy | .... | thanks | |
| Asiye Aksoy | .... | thanks | |
| Arif Asçi | .... | thanks | |
| Necmi Aykar | .... | thanks | |
| Asiye Bodur | .... | thanks | |
| Ebru Ceylan | .... | thanks (as Ebru Yapici) | |
| Emine Ceylan | .... | thanks | |
| Zeki Demirkubuz | .... | thanks | |
| Sadik Incesu | .... | thanks | |
| Cemil Kavukçu | .... | thanks | |
| Temel Kerimoglu | .... | thanks | |
| Kadir Kubasik | .... | thanks | |
| Hakan Kürtür | .... | thanks | |
| Cemal Okan | .... | thanks | |
| Serdar Pehlivanoglu | .... | thanks | |
| Keriman Ulusoy | .... | thanks | |
| Ahmet Çadirci | .... | thanks | |
| Kamer Çelik | .... | thanks | |
| Reis Çelik | .... | thanks | |
| Yüksel Öztürk | .... | thanks | |
| Ahmet Özyurt | .... | thanks | |
| Metin Üstündag | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Turkey section |
It has taken me about a year now after seeing this film to write about it. Lord knows I have wanted to, after witnessing it I knew I saw something I hadn't seen before but wasn't sure why. Now after reflecting for quite some time I know, it's these characters that even now I still can't stop thinking about.
Distant briefly and slowly tells the story of a relative (Yusuf) who comes from the rurals to live briefly with a well off to do photographer (Mahmut) in the city in hopes to find employment. However it becomes clear that after Yusuf hypothesizes the idea of being a sailor and his employment prospects dim, that he's really searching for something else, some sort of purpose in his life.
Through all this soul searching we are taken through seasonal surroundings that are filmed exquisitely. The context in which they happen makes the scenes more powerful in 2 particular ones when a girl Yusuf has been following suddenly meets up with her significant other, and the look of Yusuf's face as he looks into a basket of fish and the shot and light that reflects off his tortured face. That scene in itself has to be one of the most gorgeously filmed pieces I have witness in I don't know how long.
In the end Mahmut has his own demons too, but ends up confronting his relative that he is not really trying to find a job and is forced to ask him to leave, in a scene that is very simple but has the feeling of true heartbreak.
What the viewer is left with is lots of reflecting and pondering for these 2 people who everyone can see a piece of themselves in. You should not be put off by the pace of this film it is truly worth every single breathtaking second.
Rating 10 out of 10.