| Tadanobu Asano | ... | Kenji | |
| Sinitta Boonyasak | ... | Noi | |
| Laila Boonyasak | ... | Nid | |
| Yutaka Matsushige | ... | Yukio | |
| Riki Takeuchi | ... | Takashi | |
| Takashi Miike | ... | Yakuza | |
| Yôji Tanaka | ... | Yakuza (as Yohji Tanaka) | |
| Sakichi Satô | ... | Yakuza | |
| Thiti Rhumorn | ... | Jon | |
| Junko Nakazawa | ... | Librarian | |
| Akiko Anraku | ... | Japanese Housewife | |
| Nortioshi Urano | ... | Salaryman | |
| Phimchanok Nala Dube | ... | Girl in Jon's Apartment | |
| Ampon Rattanawong | ... | Jon's Underling | |
| Jakrarin Sanitti | ... | Jon's Underling | |
| Songsith Visunee | ... | Old Man on the Bus | |
| Prayoon Tiancharoenwong | ... | Old Man at the Outdoor Bar | |
| Jakrapan Ruttajak | ... | Security Guard | |
| Tittiwat Kuldilok | ... | Security Guard | |
| Sungwon Jermpan | ... | Security Guard | |
| Yuki Tsudoi | ... | Grand Hostess |
Directed by | |||
| Pen-Ek Ratanaruang | |||
Writing credits(in alphabetical order) | ||
| Pen-Ek Ratanaruang | writer | |
| Prabda Yoon | ||
Produced by | |||
| Hiromi Aihara | .... | associate producer (as Aihara Hiromi) | |
| Yoshikiyo Arai | .... | executive producer (as Arai Yoshikiyo) | |
| Wouter Barendrecht | .... | producer | |
| Pawadee Chantanom | .... | executive producer | |
| Meileen Choo | .... | executive producer | |
| Charoen Iamphungporn | .... | executive producer | |
| Fran Rubel Kuzui | .... | executive producer | |
| Kaz Kuzui | .... | executive producer | |
| Duangkamol Limcharoen | .... | producer | |
| Tatsuya Mukai | .... | line producer: Osaka | |
| Nonzee Nimibutr | .... | producer | |
| Michael J. Werner | .... | executive producer | |
Original Music by | |||
| Hualampong Riddim | |||
| Small Room | |||
Cinematography by | |||
| Christopher Doyle | |||
Film Editing by | |||
| Patamanadda Yukol | |||
Casting by | |||
| Sukumapon Suthisrisinlpa | |||
Production Design by | |||
| Saksiri Chantarangsri | |||
Art Direction by | |||
| Wittaya Chaimongkol | |||
| Monchai Tongsrisuebasakul | |||
| James David Goldmark | (uncredited) | ||
Costume Design by | |||
| Sombatsara Teerasaroch | |||
Makeup Department | |||
| Sittiporn Rujiwongsathaporn | .... | makeup artist | |
| Miho Shimizu | .... | makeup artist: Osaka | |
| Montri Wadia-Iad | .... | makeup consultant | |
| Thanakorn Yimngam | .... | hair stylist (as Tanakorn Yimngam) | |
Second Unit Director or Assistant Director | |||
| Chedpong Laoyant | .... | first assistant director | |
| Piraphan Laoyont | .... | second assistant director | |
Art Department | |||
| Kanyarat Buddhasas | .... | art department coordinator | |
| Manop Chakklang | .... | prop man | |
| Satit Chutiwatpongsatorn | .... | prop man | |
| Chatupoom Losiri | .... | artist | |
| Anusorn Pinyopojanee | .... | property master | |
| Papong Sakweeradetkul | .... | prop man | |
| Rewat Sikemngam | .... | artist | |
| Padet Sritapanya | .... | artist | |
| Nipon Subsri | .... | assistant property master | |
| Surasak Sukwiset | .... | assistant art director | |
| Taweep Tuakunta | .... | stand-by prop man | |
Special Effects by | |||
| Thamrong Prinyaknit | .... | special effects supervisor | |
Visual Effects by | |||
| Sornrop Chankeewong | .... | optical effects & subtitling | |
| Sannucha Dhisayabutr | .... | optical effects & subtitling | |
| Suchart Hongsmut | .... | optical effects & subtitling | |
| Pravit Jaivijit | .... | optical effects & subtitling | |
Animation Department | |||
| Kompin Kemgumnird | .... | animator | |
Casting Department | |||
| Maneeya Herman | .... | casting crew | |
Editorial Department | |||
| Uthit Netwong | .... | negative cutter | |
| Sakchai Nuengsawad | .... | negative cutter | |
| Manop Petchiu | .... | negative cutter (as Manop Petchyu) | |
| Supamol Pleumchusak | .... | color timer | |
| Passakorn Yaisiri | .... | color timer | |
Other crew | |||
| Howard Frumes | .... | counsel: USA | |
| Pison Santawanpas | .... | lab consultant | |
| Chuck Stephens | .... | subtitler: English | |
| Nattakarn Thongwan | .... | production coordinator | |
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| Freeway | Intermission | Enter the Void | 101 Reykjavík | Kiss Kiss Bang Bang |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Thailand section |
This the first film I've seen by Pen-Ek Ratanaruang and without a doubt its one of the most accomplished and satisfying I've seen all year.
Two polar opposite characters - a quiet and meticulous Japanese librarian with a shady past and designs on ending his life (Asano Tadanobu) and a feisty, straight-talking thai female escort (Sinitta Boonyasak) - have one thing in common and not much else it seems. They are both utterly lonely, albeit for different reasons - she is recently bereaved of her sister, he for a reason never fully disclosed is distanced from the world, an introverted outsider with no good reason to go on. Thrown together by a sequence of events (chance or fate?) they take solace from each others presence. From this, lets face it, not original germ grows an enchanting, touching and idiosyncratic movie.One that's not concerned with characterisation, an intricate plot or histrionic's but with how two troubled, contradictory people growcloser and in the process rediscover a reason for being, for going on in the universe. Due to the language barrier (they flit from talking Thai, Japanese and English to understand one another) they may not have meaningful discourse, but here the meaning is hidden behind the formalities, the pedestrian, the everyday.
I'm not going to launch into an extended essay or spew to many superlatives but believe me when I say its a strange delight. Assured, amusing and touching, this multi-lingual film is replete with a dry wit, a surreal element that leaves a lot to interpretation and a deft ability to prick the emotions. There are laudable performances from the two central characters, and a third from Christopher Doyle's shifting oblique camera-work and composition. And despite its clear East Asian cinematic influences (in tone it reminds me of Kitano's Dolls - the lingering pace and melancholy signature theme music and it features a yakuza based subplot) Last Life evokes modern day Thailand in all its chaotic ramshackle splendour brilliantly.