A mob mix-up in Chicago sends two chanteuses screaming for L.A., where they score a perfect gig: posing as drag queens on the dinner theater/cabaret circuit. Things get extra-weird when a guy falls for one of the girls.
Jonathan 'Jack' Harris is a waiter, who hopes to start a newspaper called The Tribeca Times, after the part of Manhattan where he lives, and while struggling to find advertisers and stories... See full summary »
Dean is a maverick American film director surprised that his most recent film has been chosen as the Official U.S. Entry at the Venice Film Festival. A beautiful French journalist arrives ... See full summary »
After accidentally witnessing a mafia hit in the Windy City, gal pals Connie and Carla skip town for L.A., where they go way undercover as singers working the city's dinner theater circuit ... as drag queens. Now, it's not enough that they become big hits on the scene; things get extra-weird when Connie meets Jeff -- a guy she'd like to be a woman with. Written by
Boris McGiver, who plays Tibor, goes around searching for the girls in almost every dinner theater in the country and seems to always be catching a production of "Mame", is the son of John McGiver, who plays Mr. Babcock in Mame (1974). See more »
When Carla is going through her coke-induced monologue on the side of the road and Connie climbs back into the front seat, Carla's seatbelt goes from off to on to off again between shots before they both put their seatbelts on as they are getting back on the road. See more »
[she and Carla are having a fight]
Ow! Your knee is in my cootchie!
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First things first: this is a very silly movie with a cardboard plot, hackneyed characters, and some atrocious dialog. BUT - nobody goes to see a movie like this for its iconic "film" moments. You go because it looks utterly ridiculous and you're in the mood for just that sort of fluff. On that basis, the movie delivers a lot of entertainment - many out-loud laughs and a variety of entertaining songs.
Toni Collette's talent reservoir seems bottomless - she can act, sing AND dance. Nia Vardalos also sings sufficiently well, and her easy, comic manner nicely leavens the somewhat hysterical character played by Collette. Together, the actresses are genuinely entertaining as they work their way through the list of Broadway standards. David Duchovny, in a role that could have been painful to watch in less competent hands, instead brings an unusually light and friendly touch to the role of Vardalos's love interest (Aside: where's he been? He's cuter than he's ever been in his life - stop languishing at home with Tea and Madelaine!).
Yes, the ending is silly; pay attention - I already said the whole movie is silly. But did I laugh loudly several times? Yup. Hysterically a couple of times? Uh-huh. Did I enjoy the musical numbers? Definitely. Will I ever feel the same way about the song "Mame" again? Not hardly. Did I get my money's worth? You betcha!
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