| Photos (see all 28 | slideshow) | Videos |
| Tim Robbins | ... | William Geld | |
| Togo Igawa | ... | Driver | |
| Nabil Elouahabi | ... | Vendor | |
| Samantha Morton | ... | Maria Gonzales | |
| Sarah Backhouse | ... | Weather Girl | |
| Jonathan Ibbotson | ... | Boxer | |
| Natalie Jackson Mendoza | ... | Sphinx Receptionist (as Natalie Mendoza) | |
| Om Puri | ... | Bahkland | |
| Emil Marwa | ... | Mohan | |
| Nina Fog | ... | Wole | |
| Bruno Lastra | ... | Bikku | |
| Christopher Simpson | ... | Paul | |
| Lien Nguyin | ... | Singer in Nightclub | |
| David Fahm | ... | Damian Alekan | |
| Jeanne Balibar | ... | Sylvie | |
| Mick Jones | ... | Himself | |
| Taro Sherabayani | ... | Jim | |
| Nina Sosanya | ... | Anya | |
| Shelley King | ... | William's Boss | |
| Tuyet Le | ... | Apartment Security | |
| Benedict Wong | ... | Medic | |
| Nina Wadia | ... | Hospital Receptionist | |
| Essie Davis | ... | Doctor | |
| Teo-Wa Vuong | ... | Tester | |
| Jennifer Lim | ... | Tester with Couple | |
| Archie Panjabi | ... | Check In | |
| Paul Barnes | ... | Man in Corridor | |
| Louis Lin | ... | Sales Agent | |
| Nabil Massad | ... | Jebel Ali Hotel Owner | |
| Kerry Shale | ... | Clinic Doctor | |
| rest of cast listed alphabetically: | |||
| Bernadette Jane Vanderkar | ... | Young Maria (uncredited) | |
Directed by | |||
| Michael Winterbottom | |||
Writing credits(in alphabetical order) | ||
| Frank Cottrell Boyce | writer | |
Produced by | |||
| Andrew Eaton | .... | producer | |
| Arti Gupta | .... | line producer | |
| Robert Jones | .... | executive producer | |
| Rosa Romero | .... | line producer | |
| David M. Thompson | .... | executive producer | |
Original Music by | |||
| Stephen Hilton | (as The Free Association) | ||
| David Holmes | (as The Free Association) | ||
Cinematography by | |||
| Alwin H. Kuchler | (director of photography) (as Alwin Kuchler) | ||
| Marcel Zyskind | (director of photography) | ||
Film Editing by | |||
| Peter Christelis | |||
Casting by | |||
| Wendy Brazington | |||
Production Design by | |||
| Mark Tildesley | |||
Art Direction by | |||
| Mark Digby | |||
| Denis Schnegg | |||
Set Decoration by | |||
| Michelle Day | |||
Costume Design by | |||
| Natalie Ward | |||
Makeup Department | |||
| Konnie Daniel | .... | hair designer | |
| Konnie Daniel | .... | makeup designer | |
| Lesley Smith | .... | hair designer | |
| Lesley Smith | .... | makeup designer | |
Production Management | |||
| Charlotte Ashby | .... | production manager | |
| Peter Bach | .... | post-production supervisor | |
| Yvette Kirstein | .... | production manager: Dubai | |
| Chiu Wah Lee | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Caroline Chapman | .... | assistant director: UK | |
| Sarah Coombs | .... | assistant director: UK | |
| Michael Elliott | .... | first assistant director | |
| Candy Marlowe | .... | crowd assistant director: UK | |
| Chris Stoaling | .... | third assistant director: UK | |
| Charlie Waller | .... | assistant director: UK | |
| Anthony Wilcox | .... | second assistant director | |
Art Department | |||
| Sam Abelman | .... | carpenter | |
| Bruce Barnes | .... | carpenter | |
| David Bryan | .... | overseas art director | |
| John Burgess | .... | painter | |
| Gillian Campbell | .... | painter | |
| Charlie Cobb | .... | graphic artist | |
| Dan Crandon | .... | construction manager | |
| Michelle Day | .... | set designer | |
| Paul Drake | .... | assistant art director | |
| Rod Gorwood | .... | draughtsman | |
| Ben Green | .... | carpenter | |
| Paul Halter | .... | carpenter | |
| Prue Howard | .... | art department runner | |
| Jason Htay | .... | carpenter | |
| Mark Larkin | .... | assistant art director | |
| Chris Lightburn-Jones | .... | stand-by art director | |
| Charlie Malik | .... | dressing props | |
| Gwen Murray | .... | art department trainee | |
| Victoria Orlova | .... | property master: Dubai | |
| Tim Powis | .... | carpenter | |
| Jody Raynes | .... | painter | |
| Nick Thomas | .... | props master | |
| Mark Wallis | .... | carpenter | |
| Joe Western | .... | painter | |
Sound Department | |||
| Tim Alban | .... | sound re-recording mixer | |
| Orin Beaton | .... | sound maintenance | |
| Peter Burgess | .... | foley artist | |
| Peter Burgis | .... | foley artist | |
| Colin Cooper | .... | adr mixer | |
| Colette Dahanne | .... | adr mixer | |
| Richard Davey | .... | sound re-recording mixer | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| Mark DeSimone | .... | adr mixer | |
| Anthony Faust | .... | foley editor | |
| Peter Gleaves | .... | adr mixer | |
| Mitch Low | .... | play back operator | |
| Khama Matiti | .... | sound recordist | |
| Christer Melén | .... | sound effects editor | |
| Darko Mocilnikar | .... | sound assistant | |
| Michael Redfern | .... | foley editor | |
| Joakim Sundström | .... | supervising sound editor | |
| Jessie Taylor | .... | assistant dubbing mixer | |
| Stuart Wilson | .... | production sound mixer | |
| Paul Wrightson | .... | adr editor | |
Special Effects by | |||
| Richard Conway | .... | special effects technician | |
| Nigel Wilkinson | .... | special effects technician | |
Visual Effects by | |||
| Hani AlYousif | .... | digital effects artist | |
| Jon Berridge | .... | digital compositor | |
| Matthew Bristowe | .... | digital lab producer | |
| Richard Etchells | .... | visual effects editor | |
| Pierre Fletcher | .... | digital effects coordinator | |
| Max Horton | .... | colourist | |
| Emma Ibbetson | .... | digital effects producer | |
| Rebekah King-Britton | .... | 3D artist | |
| Isabella Laner | .... | digital effects artist | |
| Tony Lawrence | .... | digital effects supervisor | |
| Begoña Lopez | .... | digital lab producer | |
| Raoul Teague | .... | digital effects artist | |
| Ben Turner | .... | digital artist | |
| Thomas Urbye | .... | online film editor | |
| Daniel Walton | .... | digital artist | |
Stunts | |||
| Ron Oakley | .... | stunt coordinator: Dubai | |
Camera and Electrical Department | |||
| Matthew Butler | .... | electrician | |
| Lee Cleal | .... | electrician | |
| Chris Connatty | .... | clapper loader | |
| Johann Cruickshank | .... | electrician | |
| Pat Daly | .... | rigger | |
| Roger Eaton | .... | assistant camera: additional unit | |
| Roger Eaton | .... | director of photography: additional unit | |
| Reuben Garrett | .... | gaffer | |
| Annemarie Lean-Vercoe | .... | assistant camera: additional unit | |
| Adrian Mackay | .... | electrician | |
| Stephen Mathie | .... | best boy | |
| Peter Mountain | .... | still photographer | |
| Robert Shacklady | .... | focus puller: pick-up shots | |
| Sebastian Sharples | .... | assistant camera: additional unit | |
| Simon Tindall | .... | focus puller | |
| Lucho Zuidema | .... | grip: UK | |
| Julia Curtin | .... | camera trainee (uncredited) | |
Costume and Wardrobe Department | |||
| Liza Bracey | .... | costume assistant: UK | |
| Sian Coakley | .... | costume assistant: UK | |
| Kate Towns | .... | costume assistant | |
| Yingjuan Xiao | .... | costume assistant | |
| Meng Xie | .... | costume assistant: China | |
| Esme Young | .... | costume maker | |
Editorial Department | |||
| Ian Buchan | .... | assistant editor | |
| John Coulter | .... | film scanner | |
| Kennedy Dawson | .... | film scanner | |
| Alec Gibson | .... | color grader | |
Music Department | |||
| Leo Abrahams | .... | musician: guitar | |
| Chris Barrett | .... | assistant music engineer | |
| Zach Danziger | .... | musician: drums | |
| Scott Kinsey | .... | musician: keyboards | |
| Tracy McKnight | .... | executive soundtrack producer | |
| Hugo James Nicolson | .... | music mixer (as Hugo Nicholson) | |
| Hugo James Nicolson | .... | music recordist (as Hugo Nicholson) | |
| Tim Roe | .... | assistant music engineer | |
| Pati Yang | .... | additional vocals | |
Other crew | |||
| Ruth Breslaw | .... | production coordinator | |
| Nicole Carmen-Davis | .... | legal services | |
| Scott Challgren | .... | legal assistant | |
| Jonah Coombes | .... | location manager | |
| Andrew Gwyn Davies | .... | production assistant | |
| Jon Duncan | .... | production accountant | |
| Jethro Harris | .... | operations manager: Pepper Post Production Ltd. | |
| Tom Leeburn | .... | production assistant | |
| Gabby Le Rasle | .... | assistant production coordinator | |
| Helen Li | .... | production coordinator | |
| Steffy Marrion | .... | production coordinator | |
| Luke Morris | .... | production executive | |
| Melissa Parmenter | .... | assistant: Michael Winterbottom and Andrew Eaton | |
| Lewis Partovi | .... | set runner | |
| Rob Seager | .... | assistant accountant | |
| Rhys Summerhayes | .... | floor runner | |
| Josh Yudkin | .... | location unit manager | |
| Jim Lambert | .... | crew (uncredited) | |
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| Broken Flowers | Gattaca | Capricorn One | The Fifth Element | Marie Galante |
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Pre-rambling, let me just that that I loved this film and it will probably be in my top 5 for the year (along with Fahrenheit, Eternal Sunshine, perhaps Control Room).
A few things did annoy me though.
Firstly, it should have been 30 or 45 minutes longer, but it actually felt like it was too long for the current script. There were too many awkward moments, both in terms of dialogue and editing. The majority of the ideas were fantastic, but a few scenes and characters needed more exploration. I know that the movie was essentially set over 2 or 3 days, but it still felt like everyone was in too much of a rush. It's not that the movie was confusing, just that too many events were left to the viewer to explain (or excuse). This is all just a roundabout way of saying that the script needed to be fleshed out some more.
And, while it was nice to see a few British film & television actors grab cameo roles (ie Benedict Wong from State of Play, Dirty Pretty Things; Nina Sosanya from Teachers [!]), it also woke me up to the fact that it was only a film in a way that seeing for instance Tim Robbins had not. It was weird, and I can't exactly explain it, but seeing them was simultaneously cool (hey good for them) and disappointing (you mean this isn't real?) at the same time. (And don't get my started on Benedict's accent...). Obviously, for people who aren't overly familiar with British TV this is all a moot point but it still freaked me out enough to mention it.
Anyway, nearly everything about the movie is great. The music, cinematography, directing, acting (overall), etc.. are all fantastic, and the movie has as much style as Solaris (moreso the remake) or Blade Runner. They even manage to make Coldplay sound non-cheesy towards the end of the film. It just needed a bit more substance.
8/10