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Code 46 (2003)

6.3
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Ratings: 6.3/10 from 16,582 users   Metascore: 57/100
Reviews: 146 user | 132 critic | 33 from Metacritic.com

A futuristic 'Brief Encounter', a love story in which the romance is doomed by genetic incompatibility.

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Title: Code 46 (2003)

Code 46 (2003) on IMDb 6.3/10

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Cast

Cast overview, first billed only:
...
...
Driver
...
Vendor
...
Sarah Backhouse ...
Weather Girl
Jonathan Ibbotson ...
Boxer
...
Sphinx Receptionist
...
Bahkland
Emil Marwa ...
Mohan
...
Wole
Bruno Lastra ...
Bikku
...
Paul
Lien Nguyin ...
Singer in Nightclub
David Fahm ...
Damian Alekan
...
Sylvie
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Storyline

Code 46 is a love story set in a Brave New World-type near-future where cities are heavily controlled and only accessible through checkpoints. People cannot travel unless they have "papeles" (papers in Spanish; words and sentences in many languages, especially Spanish, French and Chinese are mixed with English in this new world), a special travel permit issued by the totalitarian government, the "Sphinx". Outside these cities, the desert has taken over and shanty towns are jammed with non-citizens - people without IDs forced to live primitive lives. William is a family man who works as a government investigator. When he is sent to Shanghai to solve a case of fake IDs, he meets a woman named Maria. Although he realizes she is behind the forgeries, he cannot help but fall completely in love with her. He hides her crime and they have a wild, passionate affair that can only last as long as his visa: 24 hours. Back home, William is obsessed with the memory of Maria. When the original ... Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

love | i.d. | sphinx | genetics | totalitarian | See more »

Taglines:

Can a single moment ever disappear completely? See more »


Motion Picture Rating (MPAA)

Rated R for a scene of sexuality, including brief graphic nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 September 2004 (UK)  »

Also Known As:

Código 46  »

Box Office

Budget:

$7,500,000 (estimated)

Opening Weekend:

$20,170 (USA) (6 August 2004)

Gross:

$197,148 (USA) (27 August 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Mick Jones of The Clash sings the Clash song "Should I Stay Or Should I Go" in the karaoke-esque club scene, but he appears to get the words wrong. The song goes "If I go there will be trouble. If I STAY it will be double", but he sings "If I go there will be trouble. If I GO it will be double". See more »

Goofs

The numerous seeming "errors in geography" are actually an intentional artistic choice. Because the film is set in a future where global cultures have become thoroughly merged, Michael Winterbottom purposely blended footage shot in Shanghai, Dubai and Rajastahn so that Shanghai has a desert outside it, etc. See more »

Quotes

[first lines]
Title Card: code 46 / article 1 / any human being who shares the same nuclear gene set as another human being is deemed to be genetically identical. the relations of one are the relations of all. / due to IVF, DI embryo splitting and cloning techniques it is necessary to prevent any accidental or deliberate genetically incestuous reproduction. / therefore: / i. all prospective parents should be genetically screened before conception. if they have 100%, 50% or 25% genetic identity, they are not...
See more »

Connections

Featured in Obtaining Cover: Inside Code 46 (2004) See more »

Soundtracks

Song No. 6
Written by Fatboy Slim (as Norman Cook) and Ashley Slater
Used by kind permission of Universal Music Publishing Limited
Performed by Freakpower
Courtesy of Universal-Island Records
Licensed by Kind of Permission from
The Universal Film and TV Licensing Division
See more »

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User Reviews

 
Why this film is 'real'
30 September 2004 | by (Cheshire,England) – See all my reviews

I loved this film! It was (to my cinematographically uncultured palate, at least) different, and the characters seemed quite unconventional. Rather than just hollow acting, I found Tim Robbins' character to be a mental curve ball, which completely altered the way the film played out. It hinted at the socialisation and culture prevalent at the time.

I also enjoyed the (much-disputed) foreign terms slipped into the conversation - they weren't too frequent, and added a dimension - that there had been purely aesthetic as well as techno/political changes. As English becomes more dominant and other languages in the minority (and therefore more culturally significant), it is likely that foreign terms will be leaked, from the age-old Caucasian tradition of borrowing culture if nothing else.

I also loved the fact that the cityscapes were all filmed to imply the future, rather than CG'd or whatever.

The storyline was innovative, and there were many dead-ends which fleshed out the story and made it less linear. Unlike some, I easily followed the storyline, and I'm rather confused that some people felt that it didn't seem to touch on Code 46 itself much.

Interesting concepts, combined with a sense of triviality surrounding much of the technology, helped to create a more textured world, and while nothing was really explained, the evidence was there for you to draw your own conclusions. If you like thinking, definitely watch this film.

~pr0ph37~


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