Code 46 (2003)

User Rating:

6.3/10   

Director:

Michael Winterbottom

Writer:

Frank Cottrell Boyce (writer)

Release Date:

7 May 2004 (Italy)

Genre:

Drama | Romance | Sci-Fi | Thriller

Tagline:

In the future...love is a dangerous game.

Plot:

A futuristic 'Brief Encounter', a love story in which the romance is doomed by genetic incompatibility.

Plot Keywords:

Love | Totalitarian | Future | Affair | Clone

Awards:

4 wins & 9 nominations

Cast

Tim Robbins	...	William Geld
Togo Igawa	...	Driver
Nabil Elouahabi	...	Vendor
Samantha Morton	...	Maria Gonzales
Sarah Backhouse	...	Weather Girl
Jonathan Ibbotson	...	Boxer
Natalie Jackson Mendoza	...	Sphinx Receptionist (as Natalie Mendoza)
Om Puri	...	Bahkland
Emil Marwa	...	Mohan
Nina Fog	...	Wole
Bruno Lastra	...	Bikku
Christopher Simpson	...	Paul
Lien Nguyin	...	Singer in Nightclub
David Fahm	...	Damian Alekan
Jeanne Balibar	...	Sylvie

MPAA:

Rated R for a scene of sexuality, including brief graphic nudity.

Runtime:

92 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Argentina:16 | Finland:K-15 | New Zealand:R13 | Iceland:12 | South Korea:18 | Australia:MA | Germany:12 | Italy:VM14 | Japan:PG-12 | Singapore:R21 | UK:15 | USA:R (certificate #40188)

Filming Locations:

Blackwall Tunnel, London, England, UK

Company:

British Broadcasting Corporation (BBC)

Trivia:

Mick Jones of The Clash sings the Clash song "Should I Stay Or Should I Go" in the karaoke-esque club scene, but he appears to get the words wrong. The song goes "If I go there will be trouble. If I STAY it will be double", but he sings "If I go there will be trouble. If I GO it will be double".

Goofs:

Errors in geography: When tracking the location of Jebel Ali, it is shown facing the Indian ocean. However, it is in fact on the Persian gulf.

Quotes:

Maria: You have a kid?
William: Yeah?
Maria: Chico or chica?
William: Chico.
Maria: I bet he's special.
William: He *is* special.
Maria: Everybody's children are so special. It makes you wonder where all the ordinary grown-ups come from.

Movie Connections:

Featured in Obtaining Cover: Inside Code 46 (2004) (V)

Soundtrack:

No Woman No Cry

Why this film is 'real'

I loved this film! It was (to my cinematographically uncultured palate, at least) different, and the characters seemed quite unconventional. Rather than just hollow acting, I found Tim Robbins' character to be a mental curve ball, which completely altered the way the film played out. It hinted at the socialisation and culture prevalent at the time.

I also enjoyed the (much-disputed) foreign terms slipped into the conversation - they weren't too frequent, and added a dimension - that there had been purely aesthetic as well as techno/political changes. As English becomes more dominant and other languages in the minority (and therefore more culturally significant), it is likely that foreign terms will be leaked, from the age-old Caucasian tradition of borrowing culture if nothing else.

I also loved the fact that the cityscapes were all filmed to imply the future, rather than CG'd or whatever.

The storyline was innovative, and there were many dead-ends which fleshed out the story and made it less linear. Unlike some, I easily followed the storyline, and I'm rather confused that some people felt that it didn't seem to touch on Code 46 itself much.

Interesting concepts, combined with a sense of triviality surrounding much of the technology, helped to create a more textured world, and while nothing was really explained, the evidence was there for you to draw your own conclusions. If you like thinking, definitely watch this film.

~pr0ph37~