| Emmanuelle Devos | ... | Nora Cotterelle | |
| Geoffrey Carey | ... | Claude | |
| Thierry Bosc | ... | M. Mader | |
| Olivier Rabourdin | ... | Jean-Jacques | |
| Maurice Garrel | ... | Louis Jenssens | |
| Valentin Lelong | ... | Elias Cotterelle | |
| Olivier Borle | ... | Le moniteur | |
| Didier Sauvegrain | ... | Le chirurgien | |
| Mathieu Amalric | ... | Ismaël Vuillard | |
| François Toumarkine | ... | Prospero | |
| Miglen Mirtchev | ... | Caliban | |
| Marc Bodnar | ... | Le psy de garde | |
| Jean-Paul Roussillon | ... | Abel Vuillard | |
| Catherine Rouvel | ... | Monique Vuillard | |
| Catherine Deneuve | ... | Mme Vasset | |
| Noémie Lvovsky | ... | Elizabeth | |
| Jan Hammenecker | ... | Nicolas | |
| Nathalie Boutefeu | ... | Chloé Jenssens | |
| Marie-Françoise Gonzales | ... | L'infirmière | |
| Joachim Salinger | ... | Pierre Cotterelle | |
| Daniel Cohen | ... | Le gynécologue | |
| Frédéric Epaud | ... | L'employé de mairie | |
| Claude Phor | ... | Le dingue | |
| Karim Belkhadra | ... | L'interne psy | |
| Hippolyte Girardot | ... | Maître Marc Mamanne | |
| Elsa Wolliaston | ... | Dr. Devereux (as Elsa Woliaston) | |
| Gaëlle Dill | ... | Victorine | |
| Magali Woch | ... | Arielle | |
| Shulamit Adar | ... | Mme Seyvos | |
| Marc Betton | ... | Léopold Virag, l'éditeur | |
| Gilles Cohen | ... | Simon | |
| Francis Leplay | ... | Christian, le félon | |
| Bernard Garnier | ... | Le médecin-légiste | |
| Joël Dahan | ... | L'auteur | |
| Rachid Hami | ... | Marcello | |
| Marion Touitou | ... | Delphine | |
| Yann Coridian | ... | Fidèle | |
| Andrée Tainsy | ... | La grand-mère | |
| Sarah Lefèvre | ... | L'amie de Nora | |
| Denis Falgoux | ... | Le flic | |
| rest of cast listed alphabetically: | |||
| Laurencina Lam | ... | Hospital receptionist (uncredited) | |
| Anh Lili | ... | (uncredited) | |
| Alain Pointier | ... | L'huissier (uncredited) | |
Directed by | |||
| Arnaud Desplechin | |||
Writing credits | ||
| Arnaud Desplechin | (scenario & dialogue) & | |
| Roger Bohbot | (scenario & dialogue) | |
Produced by | |||
| Pascal Caucheteux | .... | producer | |
Original Music by | |||
| Grégoire Hetzel | |||
Cinematography by | |||
| Eric Gautier | |||
Film Editing by | |||
| Laurence Briaud | |||
Casting by | |||
| Stéphane Touitou | |||
Production Design by | |||
| Dan Bevan | |||
Costume Design by | |||
| Nathalie Raoul | |||
Makeup Department | |||
| Frédéric Lainé | .... | special makeup effects artist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Eric Monteil | .... | key hair stylist | |
| Thi-Loan Nguyen | .... | key makeup artist | |
Production Management | |||
| Marine Billet | .... | assistant unit manager | |
| Mederic Bourlat | .... | unit production manager | |
| Martine Cassinelli | .... | production manager | |
| Laurencina Lam | .... | post-production manager | |
| Thibault Mattei | .... | production general manager | |
| Monica Taverna | .... | second unit manager | |
| Isabelle Tillou | .... | production manager | |
| Edouard Decker | .... | assistant unit manager (uncredited) | |
Art Department | |||
| Yann Dury | .... | construction coordinator | |
| Sophie Lampkin | .... | head painter | |
| Laurent Saimond | .... | property master | |
| Nathalie Serrière | .... | assistant art director | |
| Maxime Girault | .... | art department trainee (uncredited) | |
Sound Department | |||
| Nicolas Bouvet | .... | assistant sound editor | |
| Frank Ceven | .... | assistant foley artist | |
| Pascal Chauvin | .... | foley artist | |
| Yves Coméliau | .... | assistant sound | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Rym Debbarh-Mounir | .... | dialogue editor | |
| Jean-Pierre Laforce | .... | sound re-recording mixer | |
| Sophie Laloy | .... | assistant sound | |
| Claire-Anne Largeron | .... | sound editor | |
| Christian Monheim | .... | sound | |
| Sébastien Noiré | .... | sound editor | |
| Seppe van Groeningen | .... | boom operator | |
| Benjamin Viau | .... | assistant foley artist | |
Camera and Electrical Department | |||
| Néwine Behi | .... | second assistant camera | |
| Patrick de Ranter | .... | Steadicam operator | |
| Claudia Imbert | .... | assistant camera | |
| Nicolas Leroy | .... | grip | |
| Jean-Claude Lother | .... | still photographer | |
| Pascale Marin | .... | assistant camera | |
| Eric Martinot | .... | key grip | |
| Thomas Collignon | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Amélie Covillard | .... | extras casting assistant | |
| Viviane Lesser | .... | casting: children | |
Editorial Department | |||
| Idit Bloch | .... | assistant editor | |
| Célia Lafitedupont | .... | assistant editor | |
| Jérome Pey | .... | additional assistant editor | |
| Benjamin Weill | .... | assistant editor | |
Music Department | |||
| Thomas Jamois | .... | soundtrack producer | |
| Stéphane Reichart | .... | music scoring mixer | |
Other crew | |||
| Marie Barré | .... | location scout | |
| Lysiane Biagini | .... | location scout | |
| Agnès Chabot | .... | press attache | |
| Sylvia Pain | .... | administrator | |
| Emmanuel Dehaene | .... | additional location assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
How do you create a follow up to the two masterpieces that were "Comment je me suis disputé" and "Ester Kahn" (we won't talk about the dull "Léo... en jouant Dans la compagnie des hommes") ? You just listen to what your heart has to say, however hard and difficult it might be, and make no compromises. You don't fear to be misunderstood. You care about the audience but do not let them influence your work. You're a genius but you still have doubts, and these doubts make your art even better. "Rois et Reine" ("Kings and Queen"), Arnaud Desplechin's latest film, lasts 2h40mn and, in spite of its length and its harsh contents, is utterly entertaining, fascinating, moving and even funny. It does not fear to be (often) irritating and boring : the burlesque moments, for instance, are quite annoying, but then again, that's a personal point of view. The thing is, the storyline about Nora's relationship with her father and her ex boyfriend and her son, and then again Ismael's relationship with Nora's son and with his family are so powerful, they don't need more. Unfortunately, Desplechin is often reluctant to cut deep in his movie and as a result, "Rois et Reine" sometimes looks like a long, long ride. Add to that some unfortunate flash backs burdened by bad acting (the character of Pierre) and boy does the movie sound dull at times. Emmanuelle Devos and Mathieu Amalric, finding here the roles of a lifetime, are absolutely fascinating. When in the end, Nora discovers the secret pages of her father's diary, or when Ismael spends an afternoon with Nora's son, it's devastating. I've rarely seen a movie that translates human emotions so beautifully. Just for that, "Rois et reine" is a must see.