| Emmanuelle Devos | ... | Nora Cotterelle | |
| Geoffrey Carey | ... | Claude | |
| Thierry Bosc | ... | M. Mader | |
| Olivier Rabourdin | ... | Jean-Jacques | |
| Maurice Garrel | ... | Louis Jenssens | |
| Valentin Lelong | ... | Elias Cotterelle | |
| Olivier Borle | ... | Le moniteur | |
| Didier Sauvegrain | ... | Le chirurgien | |
| Mathieu Amalric | ... | Ismaël Vuillard | |
| François Toumarkine | ... | Prospero | |
| Miglen Mirtchev | ... | Caliban | |
| Marc Bodnar | ... | Le psy de garde | |
| Jean-Paul Roussillon | ... | Abel Vuillard | |
| Catherine Rouvel | ... | Monique Vuillard | |
| Catherine Deneuve | ... | Mme Vasset | |
| Noémie Lvovsky | ... | Elizabeth | |
| Jan Hammenecker | ... | Nicolas | |
| Nathalie Boutefeu | ... | Chloé Jenssens | |
| Marie-Françoise Gonzales | ... | L'infirmière | |
| Joachim Salinger | ... | Pierre Cotterelle | |
| Daniel Cohen | ... | Le gynécologue | |
| Fred Epaud | ... | L'employé de mairie (as Frédéric Epaud) | |
| Claude Phor | ... | Le dingue | |
| Karim Belkhadra | ... | L'interne psy | |
| Hippolyte Girardot | ... | Maître Marc Mamanne | |
| Elsa Wolliaston | ... | Dr. Devereux (as Elsa Woliaston) | |
| Gaëlle Dill | ... | Victorine | |
| Magali Woch | ... | Arielle | |
| Shulamit Adar | ... | Mme Seyvos | |
| Marc Betton | ... | Léopold Virag, l'éditeur | |
| Gilles Cohen | ... | Simon | |
| Francis Leplay | ... | Christian, le félon | |
| Bernard Garnier | ... | Le médecin-légiste | |
| Joël Dahan | ... | L'auteur | |
| Rachid Hami | ... | Marcello | |
| Marion Touitou | ... | Delphine | |
| Yann Coridian | ... | Fidèle | |
| Andrée Tainsy | ... | La grand-mère | |
| Sarah Lefèvre | ... | L'amie de Nora | |
| Denis Falgoux | ... | Le flic | |
| rest of cast listed alphabetically: | |||
| Laurencina Lam | ... | Hospital receptionist (uncredited) | |
| Anh Lili | ... | (uncredited) | |
| Alain Pointier | ... | L'huissier (uncredited) | |
Directed by | |||
| Arnaud Desplechin | |||
Writing credits | ||
| Arnaud Desplechin | (scenario & dialogue) & | |
| Roger Bohbot | (scenario & dialogue) | |
Produced by | |||
| Pascal Caucheteux | .... | producer | |
Original Music by | |||
| Grégoire Hetzel | |||
Cinematography by | |||
| Eric Gautier | |||
Film Editing by | |||
| Laurence Briaud | |||
Casting by | |||
| Stéphane Touitou | |||
Production Design by | |||
| Dan Bevan | |||
Costume Design by | |||
| Nathalie Raoul | |||
Makeup Department | |||
| Frédéric Lainé | .... | special makeup effects artist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Eric Monteil | .... | key hair stylist | |
| Thi-Loan Nguyen | .... | key makeup artist | |
Production Management | |||
| Marine Billet | .... | assistant unit manager | |
| Mederic Bourlat | .... | unit production manager | |
| Martine Cassinelli | .... | production manager | |
| Laurencina Lam | .... | post-production manager | |
| Thibault Mattei | .... | production general manager | |
| Monica Taverna | .... | second unit manager | |
| Isabelle Tillou | .... | production manager | |
| Augustin Werkoff | .... | assistant unit manager | |
| Edouard Decker | .... | assistant unit manager (uncredited) | |
Art Department | |||
| Yann Dury | .... | construction coordinator | |
| Mohamed Jabbad | .... | assistant art director | |
| Sophie Lampkin | .... | head painter | |
| Laurent Saimond | .... | property master | |
| Nathalie Serrière | .... | assistant art director | |
| Maxime Girault | .... | art department trainee (uncredited) | |
Sound Department | |||
| Nicolas Bouvet | .... | assistant sound editor | |
| Frank Ceven | .... | assistant foley artist | |
| Pascal Chauvin | .... | foley artist | |
| Yves Coméliau | .... | assistant sound | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Rym Debbarh-Mounir | .... | dialogue editor | |
| Jean-Pierre Laforce | .... | sound re-recording mixer | |
| Sophie Laloy | .... | assistant sound | |
| Claire-Anne Largeron | .... | sound editor | |
| Christian Monheim | .... | sound | |
| Sébastien Noiré | .... | sound editor | |
| Seppe van Groeningen | .... | boom operator | |
| Benjamin Viau | .... | assistant foley artist | |
Camera and Electrical Department | |||
| Néwine Behi | .... | second assistant camera | |
| Patrick de Ranter | .... | Steadicam operator | |
| Claudia Imbert | .... | assistant camera | |
| Nicolas Leroy | .... | grip | |
| Jean-Claude Lother | .... | still photographer | |
| Pascale Marin | .... | assistant camera | |
| Eric Martinot | .... | key grip | |
| Thomas Collignon | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Amélie Covillard | .... | extras casting assistant | |
| Viviane Lesser | .... | casting: children | |
Editorial Department | |||
| Idit Bloch | .... | assistant editor | |
| Célia Lafitedupont | .... | assistant editor | |
| Jérôme Pey | .... | additional assistant editor | |
| Benjamin Weill | .... | assistant editor | |
Music Department | |||
| Thomas Jamois | .... | soundtrack producer | |
| Stéphane Reichart | .... | music scoring mixer | |
Other crew | |||
| Marie Barré | .... | location scout | |
| Lysiane Biagini | .... | location scout | |
| Agnès Chabot | .... | press attache | |
| Sylvia Pain | .... | administrator | |
| Emmanuel Dehaene | .... | additional location assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
"Kings and Queen (Rois et reine)" is a deceptively beautiful looking exploration of the differences between appearances and substance.
Our first impressions of each parallel character who seems to have no relation with any other character undergo a complete turn-around by the time we have finished circling around them in time and space at the end of the film, especially as we begin to realize they are unreliable, self-serving narrators of their own experiences.
Each person is part of a very modern blended family, both by genetics and selection, and faces the most quotidian of life cycle decisions -- life, birth, marriage, paying bills, parent/child responsibilities, Laingian sanity and particularly death -- and makes a different choice how to handle them, whether active or passive, peremptorily or as fate.
But each choice leads them to the next unexpected plateau of choices with guilt hanging on each move. For each, doing the right thing means something completely different as each responds differently to an emotional and physical crisis.
Though psychoanalysis is drolly mocked as just another philosophy, each character may be eccentric or seriously crazy and undergoes Freudian traumatizations by family in casually cruel ways that alternate between funny and shocking (and sometimes absurd).
Director/co-writer Arnaud Desplechin revels in the diversity of his characters, so that as their orbits collide they can hardly communicate because their frames of reference are so different.
The acting brilliantly matches the unexpected revelations that flash back to let us know how each character got to be this person and the transformations to where they are going. Emmanuelle Devos as "Nora" lusciously fills the screen even as we find that her nonchalant beauty masks the devastation she leaves in her wake as it helps her use others for her selfish needs.
Desplechin has frequently cited Woody Allen as an influence (and "Seinfeld"), and Mathieu Amalric's Ismaël is a tribute to that talkative, intellectual Jewish persona and Philip Roth is mentioned as well, though this character is much more up on hip pop music and surprisingly matures as he gains far more humanity than his New York inspirations.
The film is long and slow, but curiosity about how each character got to where the film started is involving.
It's impossible to keep up with all the erudite references to poetry (Desplechin says the title comes from a chess metaphor in a French poem: "King without kingdom/ Queen without a scene/ Castle broken/ Bishop betrayed/ Fool as a brave man"), literature, mythology, art, music and film ("Moon River" seems to be used frequently these days).
Eric Gautier's cinematography is sensual and is particularly dreamy when an awful event occurs.
The production design creates illustrative environments for each person and family, as every object around each character has ironic counterpoint to the dialog.
The soundtrack eclectically extends from electronica to klezmer to hip hop to singer/songwriters Paul Weller and Randy Newman to classical and more that reflect the characters' psychological mise en scenes.