Rois et reine (2004)

User Rating:

7.2/10   

Director:

Arnaud Desplechin

Writers:

Roger Bohbot (writer)
Arnaud Desplechin (writer)

Release Date:

22 December 2004 (France)

Genre:

Drama | Comedy

Plot:

Parallel storylines tell the current state of affairs for two ex-lovers: Nora's a single mother who comes to care for her terminally ill father; holed in up in mental ward, Ismael, a brilliant musician, plots his escape.

Plot Keywords:

Grenoble | Paris | Psychiatric Hospital | Adoption | Orphan

Awards:

9 wins & 9 nominations

Cast

Emmanuelle Devos	...	Nora Cotterelle
Mathieu Amalric	...	Ismaël Vuillard
Catherine Deneuve	...	Mme Vasset
Maurice Garrel	...	Louis Jenssens
Nathalie Boutefeu	...	Chloé Jenssens
Jean-Paul Roussillon	...	Abel Vuillard
Magali Woch	...	Arielle, la "chinoise"
Hippolyte Girardot	...	Maître Marc Mamanne
Noémie Lvovsky	...	Elizabeth
Elsa Wolliaston	...	Dr. Devereux (as Elsa Woliaston)
Geoffrey Carey	...	Claude
Valentin Lelong	...	Elias Cotterelle
Thierry Bosc	...	M. Mader
Olivier Rabourdin	...	Jean-Jacques
Olivier Borle	...	Le moniteur

Also Known As:

Kings & Queen (USA)
Kings and Queen (International: English title)

Runtime:

France:150 min | USA:150 min | Argentina:150 min

Country:

France

Language:

French | English | German

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Brazil:14 | Hungary:16 | Japan:PG-12 | Portugal:M/16 | Argentina:16 | South Korea:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | France:U | USA:Unrated

Filming Locations:

Grenoble, Isère, France

Company:

Why Not Productions

Trivia:

Visa d'exploitation en France #102243

Quotes:

Nora Cotterelle: There are four men I loved. I killed two of them.

Movie Connections:

Referenced in Trust the Man (2005)

Soundtrack:

Pavane pour une Infante défunte

A perfect film in every single way.

Kings & Queen is the first film I've seen from writer/director Arnaud Desplechin, but I can already tell that he is a master director and, perhaps even moreso, a master storyteller. This is a film filled with an ensemble of highly complex, emotional, tragic, comedic, realistic, compelling and human characters. As an outsider into the universe that Desplechin creates these people seem normal in most ways, but what makes them so real is that in each character's head they are the focal point of their universe. Which is an obvious thing to say since that's true about every human being, but it's rarely demonstrated in films. Most films feel like they are their own universe and the characters are just people in that universe, moving along as characters and not necessarily their own personal worlds. That isn't the case here, though, as all of these people maneuver as their own individual universes inside of the overall scope that Desplechin as masterfully created. They aren't just one-note characters; they are their own kings and queens of their world, if you will.

This film focuses on two very different characters going through two very different stories. Nora (Emmanuelle Devos) is a woman who is faced with many grueling dilemmas. She is living with a history of loss and pain, and only gets more of this as she learns that her father has bowel cancer and only a few more days to live. Along with this she has to try and manage her son from her first marriage and her upcoming third marriage to a new man who her son doesn't like. There is so much on her plate, yet she always tries to keep her emotions in check and tries to keep a joy in her life. This bleak, emotional melodrama is split with the character of Ismaël (Mathieu Amalric) who is her polar opposite. Ismaël, Nora's second husband, is someone with no harshness in his life. He has a sort of magic around him at all times, no matter what state his life is in. He too is facing hard times. The IRS is attacking him and we are introduced to the character as two men from a psychiatric hospital show up at his doorstep and drag him away to their hospital. This story is filled with immense life and highly absurd comedy, which is a perfect mix for the painful melodrama of Nora's journey.

One of the many geniuses of Kings & Queen is how Desplechin weaves these two different stories together so seamlessly. Not only do the characters feel remarkably real, but they feel as if they belong to the same universe. It's so rare these days to find an ensemble film where everything fits into the same world, instead of these big chunks of different characters that feel as if they are just mashed together from completely separate films but the writer/director tries to put them all together. Films like that always feel bloated and awkward as they transition from one entirely different universe to another. Kings & Queen features two highly unique types of journeys, but the transitions are never awkward and the film is never bloated. Whenever we are watching Nora, in the back of our minds we are still thinking about where Ismaël is on his journey through the film. And likewise, whenever we are watching Ismaël, we are thinking about Nora as well. This is a huge compliment to Desplechin as it is the perfect example for how he puts these people in the same universe, instead of entirely different films.

Devos and Amalric lead a highly impressive ensemble cast through this epic journey of tragedy and comedy. Everyone helps Desplechin in making their characters so rich and alive. You can tell that each actor has put a long history inside of their roles that we only get to see a portion of throughout the course of the film. Mathieu Amalric is an absolute revelation a, and easily the most remarkable of the cast. I wouldn't hesitate to go so far as to say that it's one of the best performances I've ever seen. He is filled with charisma and life, but also with a hint of insanity just below the surface. His Ismaël is an extremely bipolar narcissist who greatly impacts everyone that comes across. I can safely say that I've never seen a performance like it and that he dazzled me for every moment he was on screen. Emmanuelle Devos is almost as impressive, bringing so much emotion to a point just below the surface where you can tell how much everything is affecting the character but she holds it down for most of the film, so that the scenes where she lets that emotion pour out are much more compelling and say a lot more about her character at that time in the story.