When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In 2035, technophobic homicide detective Del Spooner of the Chicago PD heads the investigation of the apparent suicide of leading robotics scientist, Dr. Alfred Lanning. Unconvinced of the motive, Spooner's investigation into Lanning's death reveals a trail of secrets and agendas within the USR (United States Robotics) corporation and suspicions of murder. Little does he know that his investigation would lead to uncovering a larger threat to humanity.
The movie originally started as a screenplay entitled "Hardwired", a classical-style murder mystery that read like a stage play, and was very much in the spirit of Isaac Asimov's "three laws" mysteries. When the original "Hardwired" script eventually reached Fox, after being developed at Disney with director Bryan Singer, new director Alex Proyas and writer Jeff Vintar opened up the story to fit a big-budget studio film. When Fox acquired the rights to Isaac Asimov's story collection, Vintar spent two years adapting Hardwired to serve as a tenth story in the Asimov canon, complete with Susan Calvin and the Three Laws of Robotics. Hillary Seitz worked at one point as script doctor. Writer Akiva Goldsman came on late in the process to tailor the script to Will Smith. See more »
When Calvin and Spooner are fighting off the NS-5's atop VIKI, Spooner is knocked backwards by a robot and the sub-machine gun he's firing is knocked from his grasp. As it falls, the sling wraps around a piece of VIKI's structure, a cable running from the outside of the wall to VIKI. The sling is attached to the gun at the magazine and behind the grip, it's a closed loop. The cable is attached to the wall and to VIKI. There's no way that the sling could have wrapped around the cable. See more »
Instead of opening credits, the beginning of the movie features Isaac Asimov's 3 Laws of Robotics: LAW I. A robot may not injure a human being or, through inaction, allow a human being to come to harm. LAW II. A robot must obey orders given it by human beings except where such orders would conflict with the First Law. LAW III. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. See more »
Like the Matrix and many other major movies, I, Robot has its foundations in philosophy, in its case the question of epistemology(The study of knowledge itself and computers being self-aware).
Will Smith is Spooner, a cop with an apparent attitude problem. Set in the future, I Robot sees Spooner embarking on a puzzling case of suicide where he believes it was actually murder. By a robot.
In this future society (With more than a homage to Blade Runner) robots are used as slaves of humans in all facets of life. They have 3 rules of conduct hard coded into them which essentially state they cannot harm humans. So the postulation by Spooner that a robot killed a man after a history where no robot had ever committed so much as a mugging presents a big problem to both his peers and his boss.
Suffice to say the story's plot thickens and a number of twists and turns emerge before the truth is revealed.
Will Smith is an absolute surprise here. Having previously been a light-hearted comedy actor he puts in a truly excellent and believable shift as a wise-cracking cop with a dark past.
However, the real star is the special effects and visual trickery. Impossible but ingenious camerawork and some jawdropping animation really make I, Robot feel truly alive and utterly believable, while never being dull for a second.
It arguably doesn't delve too deep into its philosophical undertones, but it doesn't really need to. It's a traditional Hollywood blockbuster action flick but it unquestionably has a brain and is a clear cut above the likes of Armageddon et al.
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