Set in a future Earth (2035 A.D.) where robots are common assistants and workers for their human owners, this is the story of "robotophobic" Chicago Police Detective Del Spooner's investigation into the murder of Dr. Alfred Lanning, who works at U.S. Robotics, in which a robot, Sonny , appears to be implicated, even though that would mean the robot had violated the Three Laws of Robotics, which is apparently impossible. It seems impossible because.. if robots can break those laws, there's nothing to stop them from taking over the world, as humans have grown to become completely dependent upon their robots. Or maybe... they already have? Aiding Spooner in his investigation is a psychologist, Dr. Susan Calvin, who specializes in the psyches of robots. Written by
When Sonny is drawing the picture of the bridge for Spooner, there is a piece of paper to the left with computer code on it. The code is that of a Renderman shader; a procedural description of a surface used to describe the robots' appearance during rendering. See more »
When Spooner is holding the cat after escaping Dr. Lanning's house it shows his right hand rubbing the cats neck/back and than in the next shot from the rear it show his left hand patting the cats neck/back, and in the following shot from the front again it shows his right hand back in the original position. See more »
Instead of opening credits, the beginning of the movie features Isaac Asimov's 3 Laws of Robotics: LAW I. A robot may not injure a human being or, through inaction, allow a human being to come to harm. LAW II. A robot must obey orders given it by human beings except where such orders would conflict with the First Law. LAW III. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. See more »
"I, Robot" was this year's most entertaining Blockbuster: a lot of action, witty dialog and a fine plot. In fact, I thought the plot was so good that it was a waste to turn this project into a Will Smith vehicle. Not that he ruined the movie or anything but his funnyman performance - and the witty dialog - just kept the story from getting deep. So many other recent Blockbusters were unnecessarily lofty (*cough*SPIDER-MAN2*cough*MATRIX2&3*cough*cough*) and could have used some irony. With "I, Robot", however, it would have been a great idea to go for a more philosophical approach. The direction is very spectacular and fast paced, which isn't a bad thing, but it doesn't help to create an intriguing atmosphere, either. The special effects look great for the most parts, except when they are used to create landscapes. Sometimes a location looks like it was taken directly out of a video game. Anyway, "I, Robot" is a fantastic way to spend 90 minutes, but it's no masterpiece and won't be remembered among classics who deal with similar topics ("Blade Runner", "The Terminator", "The Matrix 1"). Pity. The potential was there.
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