In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.
Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
Laconic and self-contained, Edward Wilson heads CIA covert operations during the Bay of Pigs. The agency suspects that Castro was tipped, so Wilson looks for the leak. As he investigates, he recalls, in a series of flashbacks, his father's death, student days at Yale (poetry; Skull and Bones), recruitment into the fledgling OSS, truncated affairs, a shotgun marriage, cutting his teeth on spy craft in London, distance from his son, the emergence of the Cold War, and relationships with agency, British, and Soviet counterparts. We watch his idealism give way to something else: disclosing the nature of that something else is at the heart of the film's narration as he closes in on the leak. Written by
Joe Pesci appears in one scene as a Mafia boss ("Joseph Palmi") whom, it is implied in the film, is a fictionalized version of Sam Giancana (in one scene it is mentioned that Fidel Castro has seized "three of [Palmi's] casinos and thrown him out of [Cuba]"; in fact, Castro did "nationalize" several Giancana-controlled casinos). The CIA recruited Giancana for several assassination attempts on Castro. See more »
It is about sunset-time when 6 year-old Edward runs into his parent's room and hides in the closet. They must have talked hours, since when Edward is leaving the room, it is the dead of the night outside. See more »
You are never to tell anyone what it is that I do!
What you do? I don't know what you do! You leave at five, you're home at ten, seven days a week! I live with a ghost! I don't know anything about you!
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The good shepherd is an excellent film. The reason this film was dubbed the "Godfather of spy movies" is because ala the "Godfather" De Niro uses real life situations involving the CIA and blends them together creating a story around the lead character played by Matt Damon. In addition,several great performances in character parts complement Damon's performance, notably Michael Gambon and John Turturro were both superb. You shouldn't view this film expecting to be blown out of your seats, it is deep, and requires strict attention to detail. My wife and I viewed this film in a packed movie house and we were very certain that half the people in the audience didn't understand or appreciate what they had just seen. I am not saying you need to be of great intellect to enjoy this film, but one of the things De Niro manages to do is bring back a thinking man's drama that is often not seen in today's attention deficit, shoot them up, bang bang movies. This film makes it obvious that Directors Bertolucci and Leone have left a huge impression on De Niro and the result is a movie that both would be proud of.
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