A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Laconic and self-contained, Edward Wilson heads CIA covert operations during the Bay of Pigs. The agency suspects that Castro was tipped, so Wilson looks for the leak. As he investigates, he recalls, in a series of flashbacks, his father's death, student days at Yale (poetry; Skull and Bones), recruitment into the fledgling OSS, truncated affairs, a shotgun marriage, cutting his teeth on spy craft in London, distance from his son, the emergence of the Cold War, and relationships with agency, British, and Soviet counterparts. We watch his idealism give way to something else: disclosing the nature of that something else is at the heart of the film's narration as he closes in on the leak. Written by
When Wilson is transferred to Berlin, the first original footage of the ruins of the city is subtitled "Soviet Sector, Berlin". In fact, the footage shows the area around the Kaiser Wilhelm Memorial Church, which was in the American Sector, and later on the center of West Berlin. See more »
Not for the dim or distracted, an outstanding film.
Not for the dim or distracted, this outstanding trans-generational exploration of father/son paranoia and betrayal fueled by unresolved oedipal turmoil takes us on a historical tour of US Intelligence from the OSS of World War II to the Bay of Pigs. Acting, editing and directing are all superb. The characters are complex and vital, and the relationships textured.
No narrative spoon-feeding here. The viewer shares in the protagonist's bewilderment of who's who and what's what, which may be more than the viewer bargained for. If a second screening is needed to sort out the nuance of it all, consider it well worth the cost of the ticket. -Doug
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