A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
Beyond Borders is an epic tale of the turbulent romance between two star-crossed lovers set against the backdrop of the world's most dangerous hot spots. Academy Award winner Angelina Jolie... See full summary »
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley takes extreme measures.
Laconic and self-contained, Edward Wilson heads CIA covert operations during the Bay of Pigs. The agency suspects that Castro was tipped, so Wilson looks for the leak. As he investigates, he recalls, in a series of flashbacks, his father's death, student days at Yale (poetry; Skull and Bones), recruitment into the fledgling OSS, truncated affairs, a shotgun marriage, cutting his teeth on spy craft in London, distance from his son, the emergence of the Cold War, and relationships with agency, British, and Soviet counterparts. We watch his idealism give way to something else: disclosing the nature of that something else is at the heart of the film's narration as he closes in on the leak. Written by
When Edward first meets General Sullivan, the General's cane moves around between shots. See more »
[Referring to the chocolates he's eating]
They're from Switzerland. I had them sent with the pouch to Berlin.
[He offers one but is declined]
They're a weakness of mine. When I was a child, my mother would always reward me with a chocolate.
[He takes another]
It's a dreadful habit.
Chocolates or seeking approval?
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Not for the dim or distracted, an outstanding film.
Not for the dim or distracted, this outstanding trans-generational exploration of father/son paranoia and betrayal fueled by unresolved oedipal turmoil takes us on a historical tour of US Intelligence from the OSS of World War II to the Bay of Pigs. Acting, editing and directing are all superb. The characters are complex and vital, and the relationships textured.
No narrative spoon-feeding here. The viewer shares in the protagonist's bewilderment of who's who and what's what, which may be more than the viewer bargained for. If a second screening is needed to sort out the nuance of it all, consider it well worth the cost of the ticket. -Doug
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