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The Good Shepherd (2006)

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The tumultuous early history of the Central Intelligence Agency is viewed through the prism of one man's life.

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Nominated for 1 Oscar. Another 2 wins & 11 nominations. See more awards »

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Cast

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Margaret 'Clover' Russell (as Angelina Jolie)
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Storyline

Laconic and self-contained, Edward Wilson heads CIA covert operations during the Bay of Pigs. The agency suspects that Castro was tipped, so Wilson looks for the leak. As he investigates, he recalls, in a series of flashbacks, his father's death, student days at Yale (poetry; Skull and Bones), recruitment into the fledgling OSS, truncated affairs, a shotgun marriage, cutting his teeth on spy craft in London, distance from his son, the emergence of the Cold War, and relationships with agency, British, and Soviet counterparts. We watch his idealism give way to something else: disclosing the nature of that something else is at the heart of the film's narration as he closes in on the leak. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

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Edward Wilson believed in America, and he would sacrifice everything he loved to protect it. See more »


Motion Picture Rating (MPAA)

Rated R for some violence, sexuality and language | See all certifications »

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Release Date:

22 December 2006 (USA)  »

Also Known As:

El buen pastor  »

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend:

$14,142,760 (USA) (22 December 2006)

Gross:

$59,901,040 (USA) (2 March 2007)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Joe Pesci appears in one scene as a Mafia boss ("Joseph Palmi") whom, it is implied in the film, is a fictionalized version of Sam Giancana (in one scene it is mentioned that Fidel Castro has seized "three of [Palmi's] casinos and thrown him out of [Cuba]"; in fact, Castro did "nationalize" several Giancana-controlled casinos). The CIA recruited Giancana for several assassination attempts on Castro. See more »

Goofs

In the first of the Berlin scenes, set in 1945, in the background are two Soviet soldiers holding SKS rifles which were not adopted by the Soviet Army until 1949. See more »

Quotes

Dr. Fredericks: Get out while you can. While you still believe. While you still have a soul.
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Crazy Credits

The end credits feature the dedication "In memory of Gretchen Rau". See more »

Connections

Featured in De Niro: A Self Portrait (2007) See more »

Soundtracks

Embraceable You
Written by George Gershwin, Ira Gershwin
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Frequently Asked Questions

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User Reviews

 
The murky world of CIA deception as seen by one family man...
24 December 2006 | by (U.S.A.) – See all my reviews

Before I go on to praise the good points of THE GOOD SHEPHERD, I should mention at the start that the film badly needed some judicious editing. There are many scenes that go on for too long a time and are badly in need of some artful editing to get the point across just as well.

Aside from length, everything else about the film is on the plus side--the handsome cinematography, the vast amount of settings, the background score that adds to the drama, and the performances of the entire cast which are uniformly good. I'm not a great admirer of ANGELINA JOLIE as an actress, but here I think she demonstrated skill at suggesting the loneliness, frustrations and jealousies of a woman whose life has to remain outside the boundaries of her husband's job with the CIA. Through a series of detailed vignettes, the murky world of an agent's life of deception within the government is sharply observed.

More of a character study of Edward Wilson (played in stolid, very serious fashion by MATT DAMON) than a straightforward spy yarn, it manages to hold the interest even though it uses the flashback method of storytelling that is apt to confuse a viewer if it isn't done well. But here again, there is a flaw--it covers a span of twenty or more years but the aging of the central character is never quite convincing enough. Damon never looks that much older than his grown son--whereas a few gray hairs might have helped considerably. As his grown son, EDDIE REDMAYNE does reasonably well as the man seeking his father's approval.

As for the supporting players in this story about one man's experiences in the newly developing CIA, JOHN TURTURRO does an outstanding job as a tough inquisitor and MICHAEL GAMBON is outstanding as a security risk with homosexual tendencies. ALEC BALDWIN has little to do but is intense enough as one of the agency's top men and others in the cast maintain credibility all the way through.

The story itself is rather problematic in that nothing is what it seems and not all the information is readily given to the viewer in a way that makes sense. This is partly the fault of the script and partly the fault of director Robert De Niro who also assumes a small role effectively.

But still, despite the handicap of being too long (and a bit too involved at certain points), it makes for fascinating viewing and is the kind of film you dare not divert your attention from for a moment. If you do, you are liable to miss an essential plot point.

Summing up: Highly recommended for anyone with a keen interest in espionage dramas.


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