| Ginger Baker | ... | Himself (archive footage) | |
| Jim Camacho | ... | Himself | |
| Ray Charles | ... | Himself | |
| Eric Clapton | ... | Himself | |
| Ornette Coleman | ... | Himself | |
| John Coltrane | ... | Himself (archive footage) | |
| Bobby Darin | ... | Himself (archive footage) | |
| Tom Dowd | ... | Himself | |
| Ahmet Ertegun | ... | Himself | |
| Aretha Franklin | ... | Herself | |
| Thelonious Monk | ... | Himself (archive footage) | |
| Tito Puente | ... | Himself (archive footage) | |
| Phil Ramone | ... | Himself | |
| Otis Redding | ... | Himself (archive footage) | |
| Mike Stoller | ... | Himself |
Directed by | |||
| Mark Moormann | |||
Produced by | |||
| Jonathan Dana | .... | consulting producer | |
| Scott L. Gordon | .... | producer | |
| Mark L. Hunt | .... | producer | |
| James Kirk | .... | co-producer | |
| Juan Carlos Lopez | .... | executive producer | |
| Mark Moormann | .... | producer | |
| Lawrence Saichek | .... | co-producer | |
| Wendy Williams | .... | co-producer | |
Cinematography by | |||
| Patrick Longman | |||
Film Editing by | |||
| Mark Moormann | |||
| Tino Wohlwend | |||
Art Department | |||
| Lewis Zucker | .... | set dresser (uncredited) | |
Sound Department | |||
| John Austin | .... | sound | |
| Will Edwards | .... | sound mixer | |
| Dean Gudmunson | .... | sound | |
| Lenny Rabinowitz | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Camilo Jarquin | .... | assistant camera | |
| Richard Samuels | .... | assistant camera | |
| Richard Samuels | .... | behind the scenes camera | |
| Richard Samuels | .... | grip | |
| Andrés Sánchez | .... | second unit cinematographer | |
Editorial Department | |||
| Nigel Galt | .... | additional editing | |
Other crew | |||
| Mark Litwak | .... | legal services | |
| Larry Yelen | .... | researcher: archival footage | |
| Larry Yelen | .... | rights and clearances: music and footage | |
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| Standing in the Shadows of Motown | Kurt Cobain About a Son | Music of Ireland: Welcome Home | Religulous | Fade to Black |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
Although he was well-known in the recording industry, Tom Dowd's obituary rated only 712 words in The New York Times, and not much more than that in Rolling Stone Magazine, although Rolling Stone published a picture with it.
Few people outside the recording industry know much about what is shown in this documentary. However, Dowd's impact on the industry affected millions of fans of Eric Clapton, The Allman Brothers, John Coltrane, Aretha Franklin, Tito Puente, Otis Redding, Ray Charles, Ornette Coleman, Thelonious Monk, and Phil Ramone. All of those artists appear in this documentary.
Dowd also recorded a host of others. The discography on the documentary's website, www.thelanguageofmusic.com, is huge.
In February, 2002, Dowd received a Grammy for his services to the recording industry. Eric Clapton said Dowd had encouraged him to realize "what my skills were." This documentary is supposed to fix the problem of Dowd's relative obscurity. Everyone who worked on it had the best of intentions. Dowd's smiling face and buoyant disposition are amiably represented. But in the end, the documentary leaves out a lot of interesting stuff, in order to keep the audience from getting bored. Also, the rhythm is off. Time and place seem to shift out from under the viewer.
Don't get me wrong, this is a documentary well worth watching. The music is GREAT! Just be prepared, after it's over, to want more.