| Jeanne Rainer | ... | Gay Andrews | |
| Ronald Long | ... | Wayne Jackson | |
| Art Koulias | ... | Mark Gallo (as Arthur Koulias) | |
| Frances Hammond | ... | Apartment Manager | |
| Eileen Letchworth | ... | Cynthia | |
| Harry Stanton | ... | Agency Executive | |
| Kent Montroy | ... | Justice of the Peace (as Ken Montroy) | |
| Ed Jordon | ... | Highway Patrolman | |
| Paul Judson | ... | Bob Walker |
Directed by | |||
| William Martin | |||
Writing credits(in alphabetical order) | ||
| William Martin | ||
Produced by | |||
| William Martin | .... | producer | |
| Hyman Simon | .... | associate producer | |
Cinematography by | |||
| Charles Downs | (director of photography) (as Charles W. Downs Sr.) | ||
Film Editing by | |||
| Pat DeRosa | (as Pat De Rosa) | ||
Art Direction by | |||
| Alfred H. Lessner | (as Alford H. Lessner) | ||
Makeup Department | |||
| Nick Crimi | .... | makeup artist | |
Production Management | |||
| Hy Cohen | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mike Wyler | .... | assistant director | |
Art Department | |||
| Walter Pluff Jr. | .... | property master | |
Sound Department | |||
| Robert E. Lessner | .... | sound | |
Camera and Electrical Department | |||
| Thomas Gavin Jr. | .... | chief set electrician | |
| John Haupt Jr. | .... | head grip | |
Other crew | |||
| Jack Abugow | .... | assistant to the producer | |
| Mitchell L. Bacow | .... | technical consultant | |
| Eva Blair | .... | script clerk (as Eva B. Blair) | |
| Robert Shawn | .... | production comptroller | |
| Jack Zide | .... | production associate | |
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| Duffy of San Quentin | Girl in Room 13 | To Kill a Mockingbird | On the Waterfront | The Gun of Zangara |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section |
I discovered "The Naked Road" as part of Something Weird's excellent "Weird Noir" collection.
Like everything in the set, it more than lives up to it's name.
Director William Martin, who made some other strange films around the same time, seems to have something, perhaps something feminist, on his mind. The film compares the casual exploitation by an of Ad Man of a beautiful young model (the lovely Jeanne Rainer) with out and out White Slavery. In fact, the ad man, who ultimately shrinks from his pangs of guilt, is no doubt intended to be the biggest sleazbo of them all.
Even considering that Martin had little time or budget, his approach to filmmaking is downright odd. He shoots every scene in a three or four shot with all characters in view, and just when the monotony becomes unbearable; he cuts to a close up at an utterly irrelevant moment. The actors seem to have been instructed to speak slowly and leave gaping holes between the lines. And none seem to be incompetents, tubby Ronald Long went on to a highly successful career, but his performance here is hilariously, well, odd. Martin may have been no worse or better than Ed Wood, but he had his own approach to making a terrible film.
The abrupt climax is probably all for the best, but I could have stood another 15 minutes or so of these strange goings on. And again, Jeanne Rainer, you could have been a contender.