Manderlay (2005)

User Rating:

7.5/10   

Director:

Lars von Trier

Writer:

Lars von Trier (written by)

Release Date:

3 June 2005 (Denmark)

Genre:

Drama

Tagline:

A case of mistaken identity

Plot:

A story of slavery, set in the 1930s American South.

Plot Keywords:

Slavery | Gangster | Democracy | Cotton | 1930s

Awards:

1 win & 15 nominations

Cast

Bryce Dallas Howard	...	Grace Margaret Mulligan
Isaach De Bankolé	...	Timothy
Danny Glover	...	Wilhelm
Willem Dafoe	...	Grace's Father
Michaël Abiteboul	...	Thomas
Lauren Bacall	...	Mam
Jean-Marc Barr	...	Mr. Robinsson
Geoffrey Bateman	...	Bertie
Virgile Bramly	...	Edward
Ruben Brinkmann	...	Bingo (as Ruben Brinkman)
Doña Croll	...	Venus (as Dona Croll)
Jeremy Davies	...	Niels
Llewella Gideon	...	Victoria
Mona Hammond	...	Old Wilma
Ginny Holder	...	Elisabeth

Also Known As:

Manderlay (France) (Germany)
The Film 'Manderlay' as Told in Eight Straight Chapters (USA) (long title)

Runtime:

139 min

Country:

Denmark | Sweden | Netherlands | France | Germany | UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Philippines:R-18 | Finland:K-15 | Sweden:11 | Germany:12 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Brazil:16 | Czech Republic:15 | UK:15 | Italy:VM14 | Japan:R-18 | Hong Kong:III | Singapore:R21 | Hungary:16 | Canada:14A (Ontario) (Canadian Home Video rating) | Netherlands:12 | Australia:MA | South Korea:18 | Portugal:M/16 | USA:Not Rated

Filming Locations:

Denmark

Company:

Zentropa Entertainments

Trivia:

The second film in Lars von Trier's third trilogy series entitled "USA - Land of Opportunities". The two other parts are Dogville (2003) and Wasington (2009).

Quotes:

[first lines]
Narrator: It was in the year of 1933, when Grace and her father were heading southward with their army of gangsters.

Movie Connections:

Featured in The Road to Manderlay (2005) (TV)

Soundtrack:

Young Americans

Imperialism Interpretation

I've only seen the film once, but I felt that the most consistent interpretation was strictly about arrogant imperialism. I found myself first seeing through a very direct lens of a slave narrative/American liberal white guilt. This is an easy interpretation that lives on the surface.

The film then transformed into a statement about the presumption that "we" can teach others how to govern when "they" may have a system that works better in their context. The system in Manderlay was not overseer/slave, the system was socialism/communism and each "slave," as Grace saw them, had his or her own specialized role. The inhabitants of Manderlay were free within their system, but Grace was so completely blinded by what her culture had taught her about "freedom" and "democracy" and the inferiority of all other ways of life. The democracy she implemented was a complete farce. Their society did not function when the arrogant outsider who thought she knew what was best for them began implementing her system with force. The most direct comparison is "operation iraqi freedom" and other US nation building exercises or sponsored coups.

I found many other characters to be representations of a global system of oppression. The card shark was an international lending institution like the World Bank or the IMF and the "prince" was a corrupt leader who sold out his people for a cut of the profits of the international business elites (like Marcos, Suharto, or seemingly countless others).

I was very pleased with Manderlay and thoroughly frustrated by simplistic the reviews I read of it. I feel that this film falls apart with a straightforward viewing. As a white guilt slave narrative the film is mediocre. As commentary on imperialism and an absolutely corrupt global system, the film is a wonderful composition. I can't wait for Wasington.