Fyra nyanser av brunt
- 2004
- 3h 12m
IMDb RATING
7.2/10
4.6K
YOUR RATING
An eccentric millionaire dies at a manor in Dalarna in Sweden, leaving behind three sons and a mistress. One of four parallel stories about parents and children. Four sides of Sweden. Four s... Read allAn eccentric millionaire dies at a manor in Dalarna in Sweden, leaving behind three sons and a mistress. One of four parallel stories about parents and children. Four sides of Sweden. Four shades of brown.An eccentric millionaire dies at a manor in Dalarna in Sweden, leaving behind three sons and a mistress. One of four parallel stories about parents and children. Four sides of Sweden. Four shades of brown.
- Awards
- 5 wins & 7 nominations total
Karin Holmberg
- Arbetsterapeuten
- (as Karin 'Kickan' Holmberg)
Fyr Thorvald Strömberg
- Keskinen
- (as Fyr Torvald)
Featured reviews
A Swedish friend of mine sent me a DVD of this earlier this year; it has yet to arrive in Britain in any form and it seems to be impossible to order the DVD over the web. In the absence of circulating copies, I have simply been boring anyone who will listen about this amazing film.
'Four Shades of Brown' was funded by Swedish state TV, and written, performed and directed by the Killinggagets group who are well known in Sweden as a comedy troupe. The film is a collection of stories about contemporary Swedish life: the family of a dead horse trainer gather to mourn his passing, an elderly couple on tour with their magic act visit their uptight son in his coastal hotel and pick up an admirer en route, a man tries to connect with his teenage son by showing him the work he does at the pet crematorium, and a weekly 'cookery class' has turned into an encounter group where lost souls discuss their troubled lives. A couple of the strands interconnect: and some people have drawn comparisons with 'Magnolia', but frankly this film is far more original. It manages to be incredibly funny, yet in the end it addresses some very serious issues head-on. This is the most controversial aspect of the film, and on paper it might seem tasteless and impossible to bring off, but it works brilliantly and that on its own is an incredible achievement. This film is quite unique and easily the most astonishing drama to have emerged from a major TV network since the original BBC version of Dennis Potter's 'The Singing Detective' in 1986 (although in some ways it also reminds me of the dark, dark satire of British comedian Chris Morris). It's brave and wonderful and a shining example of what an enlightened state broadcasting system can achieve: Sveriges TV puts the 21st Century BBC to shame.
I visited Stockholm last month and bought several copies of the DVD for friends: but it would be so much easier if some enterprising company gave the DVD a UK release soon. I live in hope.
'Four Shades of Brown' was funded by Swedish state TV, and written, performed and directed by the Killinggagets group who are well known in Sweden as a comedy troupe. The film is a collection of stories about contemporary Swedish life: the family of a dead horse trainer gather to mourn his passing, an elderly couple on tour with their magic act visit their uptight son in his coastal hotel and pick up an admirer en route, a man tries to connect with his teenage son by showing him the work he does at the pet crematorium, and a weekly 'cookery class' has turned into an encounter group where lost souls discuss their troubled lives. A couple of the strands interconnect: and some people have drawn comparisons with 'Magnolia', but frankly this film is far more original. It manages to be incredibly funny, yet in the end it addresses some very serious issues head-on. This is the most controversial aspect of the film, and on paper it might seem tasteless and impossible to bring off, but it works brilliantly and that on its own is an incredible achievement. This film is quite unique and easily the most astonishing drama to have emerged from a major TV network since the original BBC version of Dennis Potter's 'The Singing Detective' in 1986 (although in some ways it also reminds me of the dark, dark satire of British comedian Chris Morris). It's brave and wonderful and a shining example of what an enlightened state broadcasting system can achieve: Sveriges TV puts the 21st Century BBC to shame.
I visited Stockholm last month and bought several copies of the DVD for friends: but it would be so much easier if some enterprising company gave the DVD a UK release soon. I live in hope.
10tord-1
Never, ever, have I been as impressed by a film as this little piece about four groups of people, that faces a crisis, or many. In some ways a little like Short Cuts, but totally different, at the same time.
There are a heap of lead characters, whom we all learn to know very well as their stories unfold, and they are, as persons show their good and their bad sides, their weaknesses and their strengths, with lots of drama and laughter.
The closest equivalent in a US movie, I can think of, which then is far weaker in every respect, is the Royal Tenenbaums.
Four Shades of Brown, as the title would be in English, tells the story about a stressed out hotelier and his wife, and his elderly parents (who are traveling magicians); about the receptionist at an animal crematory and his family misadventures; about the members of a cooking course (who mostly talk about their sorry lives) and fourthly about the funeral for a womanizing trotter jockey, who tries to continue orchestrating the family from beyond the grave, by singing and appearing in 3D during the funeral, thanks to high tech equipment that has cost his entire fortune (the family gets nil, not even the famous horse is given to the family)!
There is a warmth and compassion in this film, that is filled with grief and laughter, that I've never experienced before.
Most actors were new to me, except Robert Gustafsson and one or two more, but they all deserve the big slam the film took at the Swedish Guldbagge extravaganza (= the Swedish "Oscar" Awards) a week ago!
Male, female and male supporting actor prizes went to this film, plus a few more, to boot!
If you have the chance, go and see it - the hours float by very quickly!
There are a heap of lead characters, whom we all learn to know very well as their stories unfold, and they are, as persons show their good and their bad sides, their weaknesses and their strengths, with lots of drama and laughter.
The closest equivalent in a US movie, I can think of, which then is far weaker in every respect, is the Royal Tenenbaums.
Four Shades of Brown, as the title would be in English, tells the story about a stressed out hotelier and his wife, and his elderly parents (who are traveling magicians); about the receptionist at an animal crematory and his family misadventures; about the members of a cooking course (who mostly talk about their sorry lives) and fourthly about the funeral for a womanizing trotter jockey, who tries to continue orchestrating the family from beyond the grave, by singing and appearing in 3D during the funeral, thanks to high tech equipment that has cost his entire fortune (the family gets nil, not even the famous horse is given to the family)!
There is a warmth and compassion in this film, that is filled with grief and laughter, that I've never experienced before.
Most actors were new to me, except Robert Gustafsson and one or two more, but they all deserve the big slam the film took at the Swedish Guldbagge extravaganza (= the Swedish "Oscar" Awards) a week ago!
Male, female and male supporting actor prizes went to this film, plus a few more, to boot!
If you have the chance, go and see it - the hours float by very quickly!
I didn't know what to expect from this hugely popular (and hilarious) Swedish comedy & satire team, as they released their first feature film. More broad satire? Well, we do get four contemporary, exceptionally memorable tales of family pains, generation gaps and fatherhood, in particular. But it's drama, thankfully, and what drama! Epic in its scope, as each episode is from carefully picked, geographically different parts of Sweden. But each story could seriously carry a whole movie, if expanded separately.
It's dark, twisted, harrowing, yet massively entertaining and breathtakingly executed. Script, acting and cinematography are absolute world class, as three hours seem to get by in a blink! It's four shades of mastery, and easily one of the best films in the nations' cinema history. It's Sweden's answer to "Short cuts" or "Magnolia", if you like, and instantly on par with those!
9 out of 10 from Ozjeppe
It's dark, twisted, harrowing, yet massively entertaining and breathtakingly executed. Script, acting and cinematography are absolute world class, as three hours seem to get by in a blink! It's four shades of mastery, and easily one of the best films in the nations' cinema history. It's Sweden's answer to "Short cuts" or "Magnolia", if you like, and instantly on par with those!
9 out of 10 from Ozjeppe
The movie is very long and hard to get at first. It takes a bit of time to understand how the four different stories relate to one another. The theme they are pushing on is fatherhood. All stories are somehow related to fathers. The story hands us an insight in the swedish culture and how it affects the different characters in their unique stories that the movie tells us about. How you "should" react in different situations and how people around you react when difficult problems hit you.
I for one enjoyed the movie and i often recognised the characters from my normal day life. It reflected the swedishness in a way that i never have seen before. This I think, is a movie for those who more or less understand the typical Swedish culture. If you like it you should also look into "Ben & Gunnar - En Liten Film Om Manlig Vänskap" which is another "Killinggänget" production.
I for one enjoyed the movie and i often recognised the characters from my normal day life. It reflected the swedishness in a way that i never have seen before. This I think, is a movie for those who more or less understand the typical Swedish culture. If you like it you should also look into "Ben & Gunnar - En Liten Film Om Manlig Vänskap" which is another "Killinggänget" production.
During the making of this movie I once caught a statement on television about it. Something like: "Is Killinggänget now taking off Nazism?"
So, my comprehension of this movie, was from the beginning to get a notion of Nazism. When recently seeing this movie in the TV-version I had this filter before me and it wasn't difficult to see this.
Strangely enough I haven't met this way of interpreting the film ever since I first heard it.
These are the things I found in "Four shades of brown". In all four of the stories the lack of empathy leads to disaster:
1. The crematory-worker shows no realistic empathy to the dead animals or to those who had to say goodbye to them. In the crematory-room in dealing with death and fire it's almost like a cheerful game to him. The seriousness of death and fire is not emphasized by the father and his boy accordingly, in ignorance pushes a button that leads to the disaster that injures his father severely.
Possible lesson: The importance of showing the young adequate emotions. When they grow up they need to know what behavior leads to disaster and what emotions lead to good.
2.The magician maneuvers his wife like an invisible puppeteer. Just when she thinks she has begun to cut off the strings to the masters hand, reaching for personality, integrity and joy, he pulls hard and she is back in desolation and despair.
Their son has tried to revolt in creating his own life with perfection and "good" taste in opposite to his parents "bad" taste. The real problem he is carrying within is far from comprehensible to him: His fathers behavior passes on when suffocating his own wife in his spotless environment.
Possible lesson: Oppression breeds bondage.
3.The father who was abused as a child passes on sadism to his children when he cheats them on their inheritance. He robs them of their childhood and in the end even of their inheritance.
Possible lesson: When no love given you cannot give any.
4.The fathers abuse of his daughter creates in her a ruthless revenger with sadistic aggression. Here the ice cold Nazi-sadism becomes very obvious in physical violence. It gives a possible background and a somewhat plausible explanation to the actions of young "scin-head"-nazists behavior when oppressing others.
Possible lesson? : Can Nazism take birth in a pervert home?
Can the hideous consequence of ignoring empathy in family life, in the long run, be that room is given to sadistic Nazism ?
Very seldom does a movie contains so much. It reveals little by little as I meditate on it. I consider it brilliantly "painted" and the actors are superb. Especially the nice-seeming bloke played by Ulf Brunnberg that turns out to be the worst of all..
So, my comprehension of this movie, was from the beginning to get a notion of Nazism. When recently seeing this movie in the TV-version I had this filter before me and it wasn't difficult to see this.
Strangely enough I haven't met this way of interpreting the film ever since I first heard it.
These are the things I found in "Four shades of brown". In all four of the stories the lack of empathy leads to disaster:
1. The crematory-worker shows no realistic empathy to the dead animals or to those who had to say goodbye to them. In the crematory-room in dealing with death and fire it's almost like a cheerful game to him. The seriousness of death and fire is not emphasized by the father and his boy accordingly, in ignorance pushes a button that leads to the disaster that injures his father severely.
Possible lesson: The importance of showing the young adequate emotions. When they grow up they need to know what behavior leads to disaster and what emotions lead to good.
2.The magician maneuvers his wife like an invisible puppeteer. Just when she thinks she has begun to cut off the strings to the masters hand, reaching for personality, integrity and joy, he pulls hard and she is back in desolation and despair.
Their son has tried to revolt in creating his own life with perfection and "good" taste in opposite to his parents "bad" taste. The real problem he is carrying within is far from comprehensible to him: His fathers behavior passes on when suffocating his own wife in his spotless environment.
Possible lesson: Oppression breeds bondage.
3.The father who was abused as a child passes on sadism to his children when he cheats them on their inheritance. He robs them of their childhood and in the end even of their inheritance.
Possible lesson: When no love given you cannot give any.
4.The fathers abuse of his daughter creates in her a ruthless revenger with sadistic aggression. Here the ice cold Nazi-sadism becomes very obvious in physical violence. It gives a possible background and a somewhat plausible explanation to the actions of young "scin-head"-nazists behavior when oppressing others.
Possible lesson? : Can Nazism take birth in a pervert home?
Can the hideous consequence of ignoring empathy in family life, in the long run, be that room is given to sadistic Nazism ?
Very seldom does a movie contains so much. It reveals little by little as I meditate on it. I consider it brilliantly "painted" and the actors are superb. Especially the nice-seeming bloke played by Ulf Brunnberg that turns out to be the worst of all..
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- ConnectionsEdited into Landins (2005)
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