Fyra nyanser av brunt (2004)

Director:

Tomas Alfredson

Writers:

Tomas Alfredson, Robert Gustafsson,

Stars:

Robert Gustafsson, Maria Kulle, Karl Linnertorp

5 wins & 6 nominations.

Cast

Cast overview, first billed only:
Robert Gustafsson	...	Christer / Johan
Maria Kulle	...	Anna
Karl Linnertorp	...	Morgan
Jonas Inde	...	Ray / Tony
Johan Rheborg	...	Kjell Levrén / Ernst
Karin Holmberg	...	Arbetsterapeuten (as Karin 'Kickan' Holmberg)
Viktor Friberg	...	Jan
Eva Ekengren	...	Mådan
Tore Persson	...	Morgan's Teacher
Henrik Schyffert	...	Richard
Anna Björk	...	Tove
Iwar Wiklander	...	Jan-Erik
Karin Ekström	...	Smulan
Finn Nielsen	...	Perikles
Fyr Thorvald Strömberg	...	Keskinen (as Fyr Torvald)

Storyline

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Plot Keywords:

narration from the grave | funeral | sweden | suicide attempt | dane | 

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Genres:

Comedy | Drama

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Details

Official Sites:

svt.se

Country:

Sweden

Language:

Swedish Estonian Danish

Release Date:

6 February 2004 (Sweden)

Also Known As:

Four Shades of Brown

Company Credits

Production Co:

Nordisk Film/TV, SVT Drama, Svenska Filminstitutet (SFI)

Technical Specs

Runtime:

192 min

Sound Mix:

DTS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Connections

Edited into En dålig idé (2005)

User Reviews

Ignoring empathy in family life can lead to sadistic Nazism ?

During the making of this movie I once caught a statement on television about it. Something like: "Is Killinggänget now taking off Nazism?"

So, my comprehension of this movie, was from the beginning to get a notion of Nazism. When recently seeing this movie in the TV-version I had this filter before me and it wasn't difficult to see this.

Strangely enough I haven't met this way of interpreting the film ever since I first heard it.

These are the things I found in "Four shades of brown". In all four of the stories the lack of empathy leads to disaster:

1. The crematory-worker shows no realistic empathy to the dead animals or to those who had to say goodbye to them. In the crematory-room in dealing with death and fire it's almost like a cheerful game to him. The seriousness of death and fire is not emphasized by the father and his boy accordingly, in ignorance pushes a button that leads to the disaster that injures his father severely.

Possible lesson: The importance of showing the young adequate emotions. When they grow up they need to know what behavior leads to disaster and what emotions lead to good.

2.The magician maneuvers his wife like an invisible puppeteer. Just when she thinks she has begun to cut off the strings to the masters hand, reaching for personality, integrity and joy, he pulls hard and she is back in desolation and despair.

Their son has tried to revolt in creating his own life with perfection and "good" taste in opposite to his parents "bad" taste. The real problem he is carrying within is far from comprehensible to him: His fathers behavior passes on when suffocating his own wife in his spotless environment.

Possible lesson: Oppression breeds bondage.

3.The father who was abused as a child passes on sadism to his children when he cheats them on their inheritance. He robs them of their childhood and in the end even of their inheritance.

Possible lesson: When no love given you cannot give any.

4.The fathers abuse of his daughter creates in her a ruthless revenger with sadistic aggression. Here the ice cold Nazi-sadism becomes very obvious in physical violence. It gives a possible background and a somewhat plausible explanation to the actions of young "scin-head"-nazists behavior when oppressing others.

Possible lesson? : Can Nazism take birth in a pervert home?

Can the hideous consequence of ignoring empathy in family life, in the long run, be that room is given to sadistic Nazism ?

Very seldom does a movie contains so much. It reveals little by little as I meditate on it. I consider it brilliantly "painted" and the actors are superb. Especially the nice-seeming bloke played by Ulf Brunnberg that turns out to be the worst of all..