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A Decade Under the Influence
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A Decade Under the Influence (2003) More at IMDbPro »


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A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time. Full summary » | Full synopsis »
Plot Keywords:
Nominated for Primetime Emmy. Another 1 win & 1 nomination See more »
(6 articles)
User Reviews:
Disappointing as a theatrical release See more (19 total) »



Robert Altman ... Himself

John G. Avildsen ... Himself

Warren Beatty ... Himself (archive footage)

Linda Blair ... Herself (archive footage)

Peter Bogdanovich ... Himself

Peter Boyle ... Himself (archive footage)
Marshall Brickman ... Himself

Ellen Burstyn ... Herself

John Calley ... Himself

Jimmy Carter ... Himself (archive footage)

John Cassavetes ... Himself (archive footage)

Julie Christie ... Herself

Francis Ford Coppola ... Himself

Roger Corman ... Himself

Bruce Dern ... Himself

Clint Eastwood ... Himself

Louise Fletcher ... Herself (archive footage)

Jane Fonda ... Herself (archive footage)

Peter Fonda ... Himself (archive footage)

Milos Forman ... Himself

William Friedkin ... Himself

Pam Grier ... Herself

Goldie Hawn ... Herself (archive footage)

Monte Hellman ... Himself

Jimi Hendrix ... Himself (archive footage)

Dennis Hopper ... Himself

Mick Jagger ... Himself (archive footage)
Robert F. Kennedy ... Himself (archive footage)
Ayatollah Ali Khamenei ... Himself (archive footage)

Martin Luther King ... Himself (archive footage)

Piper Laurie ... Herself (archive footage)

Sidney Lumet ... Himself

Paul Mazursky ... Himself
Marshall McLuhan ... Himself (archive footage)

Mike Medavoy ... Himself

Richard Nixon ... Himself (archive footage)
Polly Platt ... Herself

Sydney Pollack ... Himself

Ronald Reagan ... Himself (archive footage)

Robert Redford ... Himself (Archival Footage) (archive footage)
Dick Rodstein ... Offscreen Voice

Jerry Schatzberg ... Himself

Roy Scheider ... Himself

Paul Schrader ... Himself

Martin Scorsese ... Himself

Sissy Spacek ... Herself

Robert Towne ... Himself

Jon Voight ... Himself

Directed by
Ted Demme 
Richard LaGravenese 
Produced by
Alison Palmer Bourke .... executive producer
Vivian Connolly .... associate producer (as Vivian Holtzman Connolly)
Ted Demme .... producer
Caroline Kaplan .... executive producer
Jerry Kupfer .... producer
Richard LaGravenese .... producer
Tania McKeown .... production producer
John Miller-Monzon .... associate producer
Gini Reticker .... producer (as Virginia Reticker)
Jonathan Sehring .... executive producer
Original Music by
John Kimbrough 
Cinematography by
Tony C. Jannelli  (as Anthony Janelli)
Clyde W. Smith 
Film Editing by
Meg Reticker 
Makeup Department
Joannel Clemente .... hair stylist
Joannel Clemente .... makeup artist
Pam Geiger .... hair stylist
Pam Geiger .... makeup artist
Arthur Johns .... hair stylist
Arthur Johns .... makeup artist
Kohl Katz .... hair stylist
Kohl Katz .... makeup artist
Gul Vrabl .... hair stylist
Gul Vrabl .... makeup artist
Production Management
Jerry Kupfer .... unit production manager
Sound Department
Louis Block .... sound recordist
K.C. Clayton .... sound
Pete De Boer .... additional recording engineer
Chuck Fitzpatrick .... sound mixer
Andy Kris .... sound re-recording mixer
Peter Miller .... sound
Roger Phenix .... sound
J.T. Takagi .... sound
Visual Effects by
Owen Bush .... digital artist
Benjamin Murray .... digital artist
Mark Thompson .... digital artist
Camera and Electrical Department
Robert M. Andres .... key grip (as Bob Andres)
K.C. Bailey .... still photographer
Jon Fontana .... gaffer
Jerry Harper .... gaffer (as Jerry T. Harper)
Kirsten Johnson .... additional camera operator
Kirsten Johnson .... assistant camera
John Kiffmeyer .... key grip (as John M. Kiffmeyer)
Ellen Kuras .... additional camera operator
Chris Lally .... key grip
Don Lenzer .... additional camera operator
Jack Messitt .... gaffer
David Moir .... still photographer
John C. Nadeau .... gaffer (as John Nadeau)
Barbara Nitke .... still photographer
Patrick B. O'Brien .... assistant camera (as Patrick O'Brien)
Edward Read .... gaffer
Paul Reuter .... assistant camera
Andrew Rossi .... assistant camera
Nico Ruderman .... grip
Lorey Sebastian .... still photographer
Phillip Sorenson .... key grip (as Philip Sorensen)
Holly Stein .... still photographer
Andy Thomas .... key grip (as Andrew M. Thomas)
Walter Thomson .... still photographer
Jason Tomlins .... key grip
Stephen L. Whitcomb .... assistant camera (as Stephen Whitcomb)
Editorial Department
Eric Alvarado .... colorist
Alex Berman .... colorist
Tennaly Fortier .... post-production coordinator (as Tennaly J. Fortier)
Rachel Goodlett Katz .... second assistant editor (as Rachel Goodlett)
Benjamin Murray .... on-line editor
Kimberly Tomes .... assistant editor (as Kimberly SaRee Tomes)
Remy Weber .... second assistant editor
Lars Woodruffe .... on-line editor
Music Department
Zach Danziger .... musician: drums
Michael Fonfara .... composer: song "Apricot Brandy"
John Kimbrough .... musician: guitar
Tim LeFebvre .... musician: upright bass
Frank London .... musician: trumpet
Danny Weis .... composer: song "Apricot Brandy"
Dan Zank .... additional musician
Dan Zank .... composer: additional music
Dan Zank .... musician: piano
Other crew
Renuka Ballal .... production assistant
Stephanie Bencin .... production assistant
Jessica Berman Bogdan .... archival researcher (as Jessica Berman-Bogdan)
Catalina Blanco .... intern
Vincent Boling .... production assistant
Jeremy Broadhead .... production assistant
Xandra Castleton .... location coordinator
Roopa De Choudhury .... production assistant
Ismael Diaz .... production coordinator
Jake Hart .... intern
Chris Harvey .... title designer
Abigail Kende .... rights and clearances
Tamar Kuznick .... production coordinator
Andrew Lemon .... engineer: 24p
Pearl Lieberman .... archival researcher
John Miller-Monzon .... lead researcher
Chris Morisoli .... production assistant
Shannon Murphy .... intern
Iliana Nikolic .... production supervisor: IFC
Peter Perrone .... archival researcher
Brandon A. Phillips .... production assistant
Richard Pierce .... production assistant
David T. Raye .... production assistant
Amy Reticker .... production assistant
Nico Ruderman .... production assistant (as Nicholas Ruderman)
Michaël Sagol .... location coordinator
Stephanie Sanditz .... production assistant
Christopher Savage .... production coordinator
Vanessa Scott .... intern
George Shaw .... web site art director
Lance Stockton .... assistant: Ted Demme
Christopher Sullivan .... production assistant
Andrew Thompson .... production assistant
Emma Tillinger Koskoff .... assistant: Ted Demme (as Emma Tillinger)
Sherri Wasserman .... web site assistant producer
John Whitcombe .... production assistant
Kirk Worley .... production assistant
Michael Yecies .... production assistant
Eric Brown .... assistant: Spanky Pictures (uncredited)
Ann LaGravenese .... special thanks
Denis Leary .... special thanks
Albert Maysles .... special thanks
David O'Connor .... special thanks
Michael Ruggiero .... special thanks
Amanda Scheer-Demme .... special thanks
Stacey Sher .... special thanks
Talia Shire .... special thanks
Shelly Sroloff .... special thanks
Haskell Wexler .... special thanks

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Rated R for language, and images of sexuality, violence and drug use
138 min | USA:108 min (Sundance Film Festival) | 152 min (DVD) | USA:180 min (DVD)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:

Did You Know?

This documentary is presented on DVD in 3 parts, as they aired on television.See more »
Movie Connections:
References The Apartment (1960)See more »


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8 out of 15 people found the following review useful.
Disappointing as a theatrical release, 21 June 2003
Author: barbarella70

As it stands for right now, Ted Demme and Richard Lagravenese's valentine to 70's film and their makers is an almost average, almost dull look at an incredible moment in the history of cinema; I think even hardcore film buffs will be a bit disappointed, especially if they've seen Raging Bulls, Easy Riders which covers exactly the same territory with much more thoroughness and compulsively compelling narrative. It doesn't seem fair to judge what they've done considering this is a gutted version of what will be a three-part, three hour show on IFC sometime in August but as it stands 'Decade' serves as a celluloid 70'S MOVIES FOR DUMMIES for those who are curious.

It walks the typical tightrope of grainy movie clips from beloved classics --The Godfather, Chinatown, One Flew Over the Cuckoo's Nest-- intercut with that decade's most famous (and beautifully lit) characters --Robert Altman, Peter Bogdonovich, Francis Ford Coppola-- and yet there's no new observations or insight into that time or its films. For the first hour or so, you're slammed over the head again and again with their "We needed to shake up the old studio system, man!" message and the back-slapping, self-congratulatory machismo that runs rampant yet when shown the result of their anger and angst, it looks almost silly --i.e. Midnight Cowboy, Panic in Needle Park, Easy Rider-- and ADUTI comes dangerously close to nearly capsizing.

The only moment where something fresh seems to be said comes when both Julie Christie and Ellen Burstyn comment on the lack of roles for women during this reverential pissing contest. A brief salute to Jane Fonda for They Shoot Horses, Don't They and Klute and Jill Clayburgh for An Unmarried Woman and suddenly it felt like the filmmakers were taking you down a street that's been closed for quite some time but then it was back to the world of Martin Scorsese, Paul Schrader, Peter Bogdonovich, William Friedkin, and Coppola. (Christie and Burstyn are only two out of four women interviewed for this documentary --the others being Polly Platt and Pam Grier-- and it makes you wonder why Gena Rowlands, Faye Dunaway, Diane Keaton, Liv Ullman, Shelley Duvall, and Fonda herself either declined or weren't even approached.)

The best thing about ADUTI is its never-given-its-full-due undercurrent in how most of today's filmmakers and actors are confronted with the same b******* these mavericks were in their struggle for personal vision and expression. Where are our "Klute"'s and "Scarecrow"'s and "Bob and Carol and Ted and Alice"'s and "Network"'s in this A Beautiful Mind/Gladiator/Braveheart/Chicago movie world.

Maybe the full, unedited show will be more satisfying.

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