Ed Lover and Doctor Dre are two inept barbers. Deciding that maybe they ought to find another line of work, they join the police. A big mistake, as far as their duty sergeant, Sgt Cooper is... See full summary »
The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, ... Written by
Sujit R. Varma
What a wonderful documentary - I sat down thinking this would be a rehash of the bitchy stories told in Easy Riders, Raging Bulls, but it is, in fact, a clear-eyed, glorious celebration of a strange and twisted era that spawned some truly great movies. What struck me was the lack of bitterness apparent in the director interviews, given that now the movie business sucks in a large fashion - instead, folk like Friedkin and Coppola's eyes seem to positively glitter recalling their glory days. The footage of an audience coming out of a daytime screening of the Exorcist was priceless. 'It was - traumatic,' one guy says. A great epitaph for the late Ted Demme, a thrilling film, I just wish it was longer - I could have sat through a three hour cut of this.
5 of 5 people found this review helpful.
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