| Photos (see all 9 | slideshow) | Videos (see all 2) |
| Jamie Bell | ... | Dick Dandelion | |
| Bill Pullman | ... | Krugsby | |
| Michael Angarano | ... | Freddie | |
| Danso Gordon | ... | Sebastian | |
| Novella Nelson | ... | Clarabelle | |
| Chris Owen | ... | Huey | |
| Alison Pill | ... | Susan | |
| Mark Webber | ... | Stevie | |
| Trevor Cooper | ... | Dick's Dad | |
| Matthew Géczy | ... | Young Officer | |
| William Hootkins | ... | Marshall Walker | |
| Teddy Kempner | ... | Mr. Salomon | |
| Thomas Bo Larsen | ... | Customer |
Directed by | |||
| Thomas Vinterberg | |||
Writing credits(in alphabetical order) | ||
| Lars von Trier | writer | |
Produced by | |||
| Gillian Berrie | .... | co-producer: UK | |
| Bettina Brokemper | .... | co-executive producer | |
| Bo Ehrhardt | .... | executive producer | |
| Marie Cecilie Gade | .... | co-producer | |
| Peter Garde | .... | executive producer | |
| Birgitte Hald | .... | executive producer | |
| Marianne Jul Hansen | .... | line producer | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Sisse Graum Jørgensen | .... | producer | |
| Marianne Slot | .... | co-executive producer | |
| Juliane Thevissen | .... | line producer: Germany | |
| Vibeke Windeløv | .... | associate producer | |
Original Music by | |||
| Benjamin Wallfisch | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Mikkel E.G. Nielsen | |||
Casting by | |||
| Avy Kaufman | |||
| Joyce Nettles | |||
Production Design by | |||
| Karl Júlíusson | |||
| Jette Lehmann | |||
Art Direction by | |||
| Jette Lehmann | |||
| Peter Menne | |||
Costume Design by | |||
| Annie Périer | |||
Makeup Department | |||
| Pascale Bouquière | .... | makeup designer | |
| Mai-Britt Haurholm | .... | additional makeup artist | |
| Dorte Jacobsen | .... | additional makeup artist (as Dorthe Jacobsen) | |
| Morten Jacobsen | .... | special makeup effects artist | |
| Susanne Søbye | .... | key makeup artist | |
Production Management | |||
| Pia Nielsen | .... | post-production supervisor | |
| Carsten Sparwath | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Bill Kirk | .... | first assistant director | |
| William Westh-Lillesøe | .... | third assistant director (as William Vest-Lillesøe) | |
Sound Department | |||
| Kristian Eidnes Andersen | .... | sound designer | |
| Coll Anderson | .... | sound effects recordist | |
| Ray Beckett | .... | sound mixer | |
| Anne Jensen | .... | foley editor | |
| Per Dybdal Jensen | .... | sound assistant (as Per Dybdal) | |
| Vincent Maloumian | .... | foley assistant | |
| Peter Murphy | .... | boom operator | |
| Julien Naudin | .... | foley artist | |
| Eddie Simonsen | .... | sound re-recording mixer | |
| Brian Slack | .... | adr mixer | |
| Rasmus Winther | .... | additional sound effects recordist (as Rasmus Winther Jensen) | |
Visual Effects by | |||
| Stefan Ciupek | .... | digital colorist | |
| Niels Valentin Dal | .... | digital matte painting | |
| Sune Elskær | .... | storyboard artist | |
Stunts | |||
| Stig Günther | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Peter Alsted | .... | clapper loader: second unit | |
| Torben Borup Madsen | .... | best boy | |
| Felix Buchholz | .... | additional electrician | |
| Alexander Damaschke | .... | additional electrician | |
| Thue Garde | .... | clapper loader | |
| Felix Keuck | .... | electrician | |
| Jeppe Lassen | .... | grip assistant | |
| Aslak Lytthans | .... | electrician | |
| Maike Maier | .... | grip assistant | |
| Thomas Neivelt | .... | gaffer | |
| Jens Nolte | .... | video operator | |
| Mogens Otte | .... | lighting technician | |
| John Frimann Rasmussen | .... | focus puller | |
| Claus Rosenløv Jensen | .... | focus puller: second unit | |
| Michael Rosenløv Jensen | .... | focus puller: second unit | |
| Roman Schauerte | .... | clapper loader | |
| Jens Schlosser | .... | director of photography: second unit | |
| Markus Wiebecke | .... | best boy | |
| Astrid Wirth | .... | still photographer | |
Casting Department | |||
| Cody P. Beke | .... | casting assistant | |
| Constance Demontoy | .... | casting: France | |
| Elizabeth Greenberg | .... | casting associate | |
Costume and Wardrobe Department | |||
| Sandrine Bernard | .... | costumer | |
| Lotte Dandanell | .... | wardrobe assistant | |
| Grith Deleuran | .... | wardrobe: second unit | |
| Anne-Dorthe Eskildsen | .... | key costumer (as Anne Dorthe Eskildsen) | |
Editorial Department | |||
| Sune F. Andersen | .... | assistant editor | |
| Stefan Ciupek | .... | digital colorist | |
| Carsten Dyhr | .... | assistant editor: avid | |
| Peter Harry | .... | assistant editor: avid | |
| Julie Klitgaard | .... | post-production assistant: second unit | |
| Charlotte Mazzinghi | .... | intermediate color grader | |
| Nicolaj Monberg | .... | assistant editor: second unit | |
| Nanna Rosenstock | .... | post-production coordinator: second unit | |
| Cecilie Rui | .... | post-production assistant: second unit | |
| Ludivine Saes | .... | assistant editor | |
Music Department | |||
| Mikael Carlsson | .... | executive soundtrack producer | |
| Mikkel Maltha | .... | music coordinator | |
| Tony Stanton | .... | music copyist | |
| Paul Talkington | .... | musical director | |
| Anders Valbro | .... | music coordinator | |
| Benjamin Wallfisch | .... | conductor | |
| Nick Wollage | .... | score recordist | |
| Alison Wright | .... | music score coordinator | |
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| Dogville | Big Fish | Alexander | A Walk to Remember | Manderlay |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Denmark section |
| Add this title to MyMovies |
Dear Wendy, you're the second Lars von Trier film I saw. At first you were so hard to understand now all is at peace.
Dear Wendy is another take on American culture from the outside. There are a lot of traits and references that most won't notice, and the biggest being the use of guns in this film.
I didn't know what to expect and at the end was upset. I was missing something. So I gave it another chance. If you're caught up into guns, or watch movies to be entertained easily this movie will confuse you.
Not so unlike Dogville, everything is shot like it were on stage. I had a hard time with this movie because I didn't understand the layout and lack of city and tried to keep in mind his other film.
The story itself is clever. Dick is a good-boy living in an American town somewhere in the South (he has a Austin, Texas style to him though) He has a father he hates who works in the town mine, a hard but sweet care-taker, and no friends. He gets a job at a store, buys a toy-gun, and falls into an obsessive world and recruits others to form a group called the Dandies.
This movie continue to take us into a fantasy world where reason starts to drift away. Weapons are personified by the children and they take it upon themselves to protect and serve. They end of meeting the police head on and mellow-drama ensues.
Talking to a friend, I found out the writer isn't a big fan of Americans. This movie doesn't show us in a horrible light but to me really pointed out how isolated and far away from reason these Children and police seem to be, not so unlike our real world.
The cast is fantastic. Visually it is easy to watch but you feel this town is awfully small. Some of the cartoon visuals started to bug me but they fit well in the world that the children seem to have created for themselves.
This isn't Mimi Vice, DejaVu, or Stealth. To enjoy this movie you can't try to have the movie spell it out to you or amaze you with action. Follow the story with an open-mind and heart and you'll feel and experience all the characters. It may take a second time to watch.
It's a love-hate kind of movie I suppose.