It's a heroic tale of three blood brothers and their struggle in the midst of war and political upheaval. It is based on "The Assassination of Ma," a Qing Dynasty (1644-1911) story about ... See full summary »
A man treated like a dog and raised as a fighting machine his entire life, ends up in a coma and is taken in the care of good people, but his sinister owner is looking to retrieve his most prized possession: a non stop human weapon triggered by the collar leashed on his neck. Written by
Morgan Freeman's character Sam was at first not blind at all. After hearing from a piano school for the blind (with a very high reputation, and where the scholars developed their hearing), Freeman had the idea of making his character blind because like this it is easier for Sam to "see" the child in Jet Li's character, and not the brutal killer. See more »
Towards the beginning of the movie, as Bart is making his visits, the camera shoots a low angle of Bart removing Danny's collar. There is a sign on the building above them; the sign is backwards, indicating the film was flipped from the original shoot angle. See more »
Luc Besson's signature style is all over the writing of this very fine little film. His ability to push the buttons on the most violent screen business while gradually developing a tale of warm sentiment is well served by director Louis Leterrier and a perfect cast of actors. UNLEASHED is one of the few examples of how martial arts and bona fide drama can be mutually supportive in creating a film that is at once thrillingly athletic and gently tender.
Bart (Bob Hoskins) is a brutish loan shark thug who makes his 'collections' accompanied by his 'dog' Danny (Jet Li), a silent man Bart has raised form childhood to be a caged killer, a human with a dog collar that when removed unleashes a ferocious beast who kills on command of his master Bart. Bart keeps him in a cage, feeds him, and uses him solely for his criminal doings. Danny unleashed is simply a Pavlovian animal and when the collar is replaced, he becomes docile with the sad eyes of a puppy.
During a 'collection' gone bad, Danny escapes and finds shelter in an antique shop basement where he meets blind piano tuner Sam (Morgan Freeman), a gentle man who gradually introduces Danny to music, trains him as his assistant, and introduces him to his 'family' - his step daughter Victoria (Kerry Condon). With the two of these welcoming, tender people Danny discovers how beautiful life can be. The story from this point is how Danny chooses between his Pavlovian response life as a killer and the simple life of Sam and Victoria. The journey is not without stressors and it is a difficult transition that keeps the viewer on seat's edge.
The wonder of this film lies in the extraordinary performances not usually associated with martial arts films. Jet Li does some of his finest athletic fighting on film, but thankfully at the same time creates a character who is multidimensional and memorable - a very fine acting job by Li. Bob Hoskins is brilliant as the despicably cruel Bart, Morgan Freeman adds a luster to his fine portrayal of blind Sam, and Kerry Condon makes Victoria zany and lovable at the same time. The action is superbly captured by cinematographer Pierre Morel with the aura of darkness in Danny's caged life serving as a perfect foil to the martial arts sequences.In short, this is a fine little film about characters worth knowing and provides audiences with both action and drama of a very high level of achievement. Grady Harp
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