After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
It's the day before Christmas, the day before John's 21st birthday. He's a prostitute on Santa Monica Blvd in L.A., and he wants to spend that night and the next day at the posh Park Plaza ... See full summary »
Amidst a vibrant house party, Downing explores the complicated minefield of teenage sexuality as John, the isolated local gay lad, finds an opportunity to exact revenge on his straight oppressor, the popular and handsome Daniel.
Ross William Wild,
A poignant romantic drama examines the life of gay 26 year old, ex-monk, school teacher living in Manhattan. When he meets a man at a gay bar, they connect and are soon living together. Unfortunately their views on monogamy don't match.
Larry Kramer in Love and Anger is a feature-length documentary about the legendary author, activist and playwright, Larry Kramer. It is an in-depth 'warts and all' portrait of one of the ... See full summary »
George C. Wolfe
Petr, youthful, quiet, and sensitive, comes from Prague to teach natural science in a country town. The gruff principal asks what he's running from and predicts he'll be gone in six months.... See full summary »
In this provocative teen comedy, Luke, a young man insecure about his masculinity discovers he's a Zerophiliac, with the ability to change sex at will. Join Luke as he journeys into the ... See full summary »
Based on D.H. Lawrence's novella about two young women - sickly, chattering Jill Banford and quiet, strong Ellen March - who are trying, hopelessly, to run a chicken farm in Canada. A ... See full summary »
Young girl spends her adolescence in an institution for minors, developing some masculine traits in her personality. In this hostile environment, she can only find some sympathy in a ... See full summary »
Ana Beatriz Nogueira,
Alfie Byrne is a middle-aged bus conductor in Dublin in 1963. He would appear to live a life of quiet desperation: he's gay, but firmly closeted, and his sister is always trying to find him... See full summary »
Misfits in their lives back home, a group of young people live it up at musical-theater camp. While the sports counselor is completely ignored, the kids' spend all their time in rehearsal for a grueling schedule that involves a new show every two weeks. Several personal stories come to the fore. Is talented golden-boy Vlad honest in his feelings about Ellen? Can cross-dressing Michael have a relationship with his parents? Will one-hit-wonder musical playwrite and now camp counselor Bert Hanley remain mired in drink and cynicism? Fireworks are in store when Fritzi, who slavishly serves glamour girl Jill, is finally told to get a life, and the parents of Jenna, whose jaw has been wired shut in a compromise to avoid being sent to "fat camp", learn a valuable lesson at the summer's big end-of-season benefit. Written by
Martin Lewison <firstname.lastname@example.org>
Several additional scenes with featured characters show during and after the credits. See more »
During Ladies Who Lunch, after Fritzi drags Jill offstage, she is holding a glass, filled with liquid. However, when she breaks the glass, it's empty. See more »
[scene opens on Dee, Shaun and Company singing "How Shall I See You Through My Tears"]
[as singing continues, scene shifts to Vlad in his bedroom]
To all the critics out there, I know they're gonna review this, and I know they're gonna try to knock me - is it OK if I say this to the camera, Amber? - Okay. I only am who I am 'cause I was born that way. I have a gift, and I'm trying not to be selfish about it, but to use it. Okay? If you're gonna knock me for that, that's your problem....
[...] See more »
This movie has an amateurish air to it, with more than its share of sloppy edits, plot dead-ends, and those little acting moments that take the viewer out of the story. The story and setting are so entertaining, however, that it manages to overcome its shortcomings and remain a memorable experience. The characters are realistic and fun, and the song choices are consistently good (especially "Turkey Lurkey Time" which is otherwise unavailable on film, far as I know). The original songs (from the people who brought you "Fame") are also good--occasionally terrific.
It's interesting to me that among a cast of newcomers and unknowns, the worst performances are from the adults--especially Don Dixon (Bert). The kids fare much better in general, and their musical performances are their real strengths (unsurprisingly). A surer hand on the direction and script could have tightened Camp up considerably, but even as messy as it is, it's still well worth seeing.
21 of 25 people found this review helpful.
Was this review helpful to you?