After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Misfits in their lives back home, a group of young people live it up at musical-theater camp. While the sports counselor is completely ignored, the kids' spend all their time in rehearsal for a grueling schedule that involves a new show every two weeks. Several personal stories come to the fore. Is talented golden-boy Vlad honest in his feelings about Ellen? Can cross-dressing Michael have a relationship with his parents? Will one-hit-wonder musical playwrite and now camp counselor Bert Hanley remain mired in drink and cynicism? Fireworks are in store when Fritzi, who slavishly serves glamour girl Jill, is finally told to get a life, and the parents of Jenna, whose jaw has been wired shut in a compromise to avoid being sent to "fat camp", learn a valuable lesson at the summer's big end-of-season benefit. Written by
Martin Lewison <firstname.lastname@example.org>
When Fritzi reintroduces herself to Jill at the start of the movie and Jill fails to remember her, Fritzi reminds Jill that the previous summer, they had been in the play "'night, Mother" together. The joke is that "'night, Mother" only has two actors in it, and is an extremely intense, wrenching, emotional experience (it is about an adult daughter preparing her elderly mother for the fact that the daughter is going to commit suicide), so there is no way that Jill could have forgotten having already met Fritzi without Jill being incredibly self-absorbed. See more »
After having her jaw wired shut for the whole summer, the muscles in Jenna's jaw would have atrophied to the point that she would not be able to open her mouth wide enough to sing well. See more »
[scene opens on Dee, Shaun and Company singing "How Shall I See You Through My Tears"]
[as singing continues, scene shifts to Vlad in his bedroom]
To all the critics out there, I know they're gonna review this, and I know they're gonna try to knock me - is it OK if I say this to the camera, Amber? - Okay. I only am who I am 'cause I was born that way. I have a gift, and I'm trying not to be selfish about it, but to use it. Okay? If you're gonna knock me for that, that's your problem....
[...] See more »
Written by Jimmy O'Neill
Published by Rondor Music (London) Ltd
Administered by Almo Music Corp. (ASCAP)
Performed by Herbie Azor (as Fingerprints)
Courtesy of Virgin Records Ltd.
Under license from EMI Film & TV Music See more »
I throughly enjoyed the singing on this movie! Dee (Sasha Allen) did a fantastic job. She really put the SOUL into the lyrics of the songs. The lyrics were heart-felt and soulful on every level, especially the barnyard scene and the opening song to the movie. Every actor and actresses did an outstanding job portraying the mode for each song. I want to commend the directors and cast of this movie on a grand job. I also enjoyed seeing that all aspects of teenage life were portrayed in the film from homosexuality and love and hate relationships to betrayal and deceit. Brought a lot of my life back into play. I commend everyone on a super job. Could we possibly see a Part II to this movie??
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