Benjamim Zambraia is a lonely man, a famous model with a tragic past. Some time in the past, he showed some officers the exact location where the woman he loved was hiding with her guerilla... See full summary »
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all ... See full summary »
Sandro do Nascimento,
Luiz Eduardo Soares
Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and... See full summary »
The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.
Daniel de Oliveira,
André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. ... See full summary »
A pawn shop proprietor buys used goods from desperate locals--as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during... See full summary »
Boy tries to help his uncle, guilty of a murder case, to prove his innocence. He thinks the uncle has confessed the crime as a cover-up for his girlfriend, who was the wife of the dead man.... See full summary »
Benjamim Zambraia is a lonely man, a famous model with a tragic past. Some time in the past, he showed some officers the exact location where the woman he loved was hiding with her guerilla lover. As a result, the two were killed. One day, he casually meets a woman who looks very much like his former love, and this fact changes his life. Could she be the daughter of his great love? Or her reincarnation? Written by
Film lacks impact and inexperienced lead actress is a major letdown
"Benjamim" is director Monique Gardenberg's second feature, following her interesting though not quite fully accomplished "Jenipapo" (1995). Based on a novel by the immensely talented Brazilian songwriter Chico Buarque (who is also a playwright/singer/writer), it tells the story of a man in his sixties, Benjamim (played by veteran actor Paulo José), who meets by chance young Ariela Masé (newcomer Cleo Pires). He is taken aback by her striking resemblance to his long-ago lover Castana Beatriz (also Pires) and flashbacks slowly unfold the truth of what happened in the past, with political innuendos.
"Benjamin" has professional qualities, an experienced crew working behind the camera, and a warm performance by one of Brazil's all-time great film actors (Paulo José). But there are major problems: a) we outguess the plot far in advance; b) there are totally expendable sequences, some of them because they're useless to plot development (e.g. Zeca Pagodinho's musical numbers, thrown in for commercial reasons) and some because they're really bad (the rape scene in the empty apartment, for example) c) although most sequences in "the present time" are OK in mood, the flashbacks simply don't work - they look terribly phony and poised; d) the casting criteria - although Benjamim is played by young Danton Mello in the flashbacks and by 68-year-old Paulo José in the present time, Rodolfo Bottino plays his character in BOTH past and present -- that's a stretch!!; e) Cleo Pires (daughter of TV and film star Glória Pires) fails completely in what was meant to be a star-making performance -- sorry, but she hasn't got (at least not yet) the talent, voice or screen presence to draw our attention to Ariela OR Castana, she is painfully inexperienced and is probably the main responsible for our detachment from the story and ultimately from the film.
In the end, I felt kind of sad, because it's a film I'd have liked to enjoy, if only for the talents involved - but it just doesn't deliver. My vote: 4 out of 10.
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