Sculptor Paul meets a former great love again after a long time -- but is much more impressed by her 15 years old daughter Laura, who looks now like her mother when Paul was in love with ... See full summary »
At a house party, a handsome man wanders around catching up with friends he has not seen for some years. A travel writer now based in Berlin, Andre appears to be living an exciting ... See full summary »
Chacun Sa Nuit explores the carnal interdependencies among a host of characters who live in a town in provincial France. At the center of it all is Pierre (Arthur Dupont), a conceited and ... See full summary »
Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naïve Sandrine, a barmaid. Together, they discover that sex can be used to their ... See full summary »
Angela an illegal immigrant living in Los Angeles stumbles across Bill, a disgraced banker on the run.Through sex, conversation ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview.
A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. However, something happens that changes her safe routine.
Agnes leaves school and moves into a council house in Bagnolet with her friend Florence. She take a job as an office clerk, and becomes a staff representative after a colleague is dismissed for resisting the advances of her lecherous superior...
As a protégé of New Wave giant Eric Rohmer, Jean-Claude Brisseau sought, from the very beginning of his career, to explore sociocultural issues in a head-on, unflinching manner that never shied away from sensitive or uncomfortable details. Brisseau's feature debut, the 1978 La vie comme ça, was shot on 16mm for French television and thus relies on a gritty, unpolished aesthetic.
Topically, it plunges into women's rights and labor concerns and thus anticipates the following year's Norma Rae, but incorporates none of that outing's soft-pedaling of issues or sentimentalizing. Maria-Luisa Garcia stars as Agnes Tessier, a young woman who leaves her school to work in a ghetto-set chemical factory with her girlfriend Florence; once there, she runs headfirst into such calamities as unsafe and unsanitary working conditions, sexual harassment, and nasty employers. Never one to take such indignities sitting down, Agnes signs on as the factory's chief union representative and vows to fight valiantly for improved conditions, exuding a level of unparalleled anger on behalf of the female working class.
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