6.6/10
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9 user 16 critic

Replay (2003)

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The viewer becomes the eyes of two detectives who never appear on camera as they unravel a mystery on a video screen, watching tapes from twenty-one hidden cameras which have captured a ... See full summary »

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Sci-Fi

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Director: David Twohy
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Cast

Cast overview, first billed only:
...
Blu (voice)
...
Scotty
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Belinda Brown
...
Seth Collison
...
Chester Robb
...
Ellie
Richard Pelzman ...
Quinn
...
Nicola
John Lumia ...
Harley
Douglas Crosby ...
Smink
...
Morty
Tim Caggiano ...
Cal
...
Ted
Jeff Perryson ...
David
Jay Hillmer ...
Doctor
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Storyline

The viewer becomes the eyes of two detectives who never appear on camera as they unravel a mystery on a video screen, watching tapes from twenty-one hidden cameras which have captured a crime in progress. Three gunmen break into the home of gem dealer Seth Collison to steal the Sophia Diamond, a thirty-three carat stone valued at ten million dollars. Five minutes later the gunmen are dead. The case is closed before police find out about the hidden cameras. At eleven o'clock that night, the task of watching the tapes falls to secondary detectives Blu and Scotty. Through their eyes we discover what really went down. Written by anonymous

Plot Summary | Add Synopsis

Taglines:

21 Hidden Cameras. 3 Dead Gunmen. 1 Inside Man. 6 Suspects. Can You Solve It? See more »

Genres:

Crime | Mystery

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Release Date:

November 2003 (USA)  »

Also Known As:

21 Eyes  »

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Did You Know?

Quotes

Scotty: [Finds footage of Belinda stepping out of her dress] Look what I found.
Ellie: You can't watch this.
Blu: Au contrare, it's our duty to watch this.
Scotty: This is evidence of a crime.
Ellie: It's a crime alright.
Blu: She'd be a nice girl for you.
Scotty: I'm not going out with any girl you've seen naked.
Blu: She's not naked.
Scotty: She will be in a minute.
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Connections

References The Maltese Falcon (1941) See more »

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User Reviews

A unique crime movie that works.
18 April 2004 | by (Baltimore, MD) – See all my reviews

I saw "Replay" on video at a friend's house. I hadn't been planning to watch a movie, but I came in just as it was beginning, and didn't leave my seat until the film was over.

I was watching it on a TV screen, just like the cops were. The people who saw it in the theatre liked it, and I'd love to see it that way, but it certainly works well on the small screen. I found myself talking back to the cops as they made assumptions, interpreted movements, gathering and discarding as they groped toward a solution.

I didn't find myself being as detached as one previous reviewer, though I can see the detachment theme. Surveillance films are distant by nature, but they are only a starting point here, as are the cops. What this film is about is how observers try to separate themselves from what's observed, and the successes and failures inherent in that. Through the whole film I was more and more drawn in, and the magnet was the human beings on the screen. The mundane nature of the presentation of violence only accented the human price of the crime.


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